Mary Monck's "Verses, written on her death-bed at Bath to her husband in London" was originally published in a poetry collection titled Poems by Eminent Ladies in 1755. Monck was the daughter of Irish politician and writer Robert Molesworth, and she raised two children with her husband, George Monck.As the title suggests, Monck wrote "Verses" to her husband when she was on her deathbed in 1715. In the poem, the speaker describes a conflict between death and love: while death offers welcome relief from earthly suffering, the speaker says, her love for her husband makes her want to stay alive just a little longer.
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1Thou who dost all my worldly thoughts employ,
2Thou pleasing source of all my earthly joy,
3Thou tenderest husband and thou dearest friend,
4To thee this first, this last adieu I send!
5At length the conqueror death asserts his right,
6And will for ever veil me from thy sight;
7He woos me to him with a cheerful grace,
8And not one terror clouds his meagre face;
9He promises a lasting rest from pain,
10And shows that all life’s fleeting joys are vain;
11Th’ eternal scenes of heaven he sets in view,
12And tells me that no other joys are true.
13But love, fond love, would yet resist his power,
14Would fain awhile defer the parting hour;
15He brings thy mourning image to my eyes,
16And would obstruct my journey to the skies.
17But say, thou dearest, thou unwearied friend!
18Say, should’st thou grieve to see my sorrows end?
19Thou know’st a painful pilgrimage I’ve past;
20And should’st thou grieve that rest is come at last?
21Rather rejoice to see me shake off life,
22And die as I have liv’d, thy faithful wife.
1Thou who dost all my worldly thoughts employ,
2Thou pleasing source of all my earthly joy,
3Thou tenderest husband and thou dearest friend,
4To thee this first, this last adieu I send!
5At length the conqueror death asserts his right,
6And will for ever veil me from thy sight;
7He woos me to him with a cheerful grace,
8And not one terror clouds his meagre face;
9He promises a lasting rest from pain,
10And shows that all life’s fleeting joys are vain;
11Th’ eternal scenes of heaven he sets in view,
12And tells me that no other joys are true.
13But love, fond love, would yet resist his power,
14Would fain awhile defer the parting hour;
15He brings thy mourning image to my eyes,
16And would obstruct my journey to the skies.
17But say, thou dearest, thou unwearied friend!
18Say, should’st thou grieve to see my sorrows end?
19Thou know’st a painful pilgrimage I’ve past;
20And should’st thou grieve that rest is come at last?
21Rather rejoice to see me shake off life,
22And die as I have liv’d, thy faithful wife.
Thou who dost all my worldly thoughts employ,
Thou pleasing source of all my earthly joy,
Thou tenderest husband and thou dearest friend,
To thee this first, this last adieu I send!
At length the conqueror death asserts his right,
And will for ever veil me from thy sight;
He woos me to him with a cheerful grace,
And not one terror clouds his meagre face;
He promises a lasting rest from pain,
And shows that all life’s fleeting joys are vain;
Th’ eternal scenes of heaven he sets in view,
And tells me that no other joys are true.
But love, fond love, would yet resist his power,
Would fain awhile defer the parting hour;
He brings thy mourning image to my eyes,
And would obstruct my journey to the skies.
But say, thou dearest, thou unwearied friend!
Say, should’st thou grieve to see my sorrows end?
Thou know’st a painful pilgrimage I’ve past;
And should’st thou grieve that rest is come at last?
Rather rejoice to see me shake off life,
And die as I have liv’d, thy faithful wife.
Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.
Mary Monck's Biography — Read what little there is to know about the author, Mary Monck.
City of Bath — Read about the history of Bath, the city where Monck wrote "Verses," now a UNESCO heritage site.
"Verses" Read Aloud — Listen to a reading of "Verses."
Poems by Eminent Ladies — Read Monck's "Verses" in context (on page 195) in the volume of its original publication.