In "Nettles," by British poet Vernon Scannell, the speaker's son gets hurt after stumbling into a patch of stinging plants. Horrified at seeing the boy in pain, the speaker charges into the yard with a sharp blade and hacks away at the nettles until there's nothing left. The effort proves fruitless, however, as new plants soon spring up to replace the old. The stinging nettles come to symbolize life's inevitable pain: no matter how much the speaker may wish to protect their son, the boy will undoubtedly be hurt again. "Nettles" was published in 1980, in Scannell's New & Collected Poems 1950-1980.
The speaker recalls the time their three-year-old son stumbled into a bed of nettles, a kind stinging plant. "Bed" felt like an odd thing to call those green, pointy weapons, that malicious army by the shed: it wasn't a place one could comfortably lie down. Wailing and crying, the boy came running to his parents for aid, and the speaker noticed pale burning bubbles on his vulnerable skin. The boy's parents comforted him until the pain began to ebb. Finally, the boy smiled through his tears. At this point, the speaker grabbed a pruning knife, sharpened it, headed outdoors, and cut angrily until not one nettle in that menacing group was still standing. Then, the speaker set the cut stalks on fire, as if in a funeral ceremony. But two weeks of sunshine and showers created a new army of nettles by the shed: the speaker's son would frequently get hurt in the future.
“Nettles” explores a parent’s desire to protect their child from harm. The speaker recalls their three-year-old son stumbling into a “bed” of “nettles”: stinging plants that leave the boy covered in painful “blisters.” After tending the boy’s wounds, the speaker goes on a rampage, hacking down the nettles with a sharpened knife and burning the slashed stalks. But the speaker’s solution doesn’t last: it only takes a couple of weeks for the nettles to grow back, and the speaker knows it’s only a matter of time before their son is hurt again. The poem thus illustrates the impossibility of protecting children forever. Part of being a parent, the poem implies, is coming to terms with the fact that your children will inevitably experience pain in their lives.
The speaker’s son is just three years old when he falls into the “nettle bed”—still vulnerable, yet old enough to wander “behind the shed.” Right away, then, the poem suggests that there are dangers lurking just out of sight at any moment and that the speaker won't always be able to predict the ways their child might get hurt. By calling the nettles “green spears” and a “regiment,” the speaker also portrays the plants as an enemy army, implying that anything that might harm the boy is automatically the speaker’s rival. To the speaker, protecting their child is akin to going to war: a deeply serious matter of life and death. Yet the speaker’s fierce battle against the nettles ultimately seems futile—and, perhaps, a little over the top. The speaker sharpens a “billhook” (or pruning knife), “slashe[s] in fury with it” until all the nettles lie vanquished on the ground, then burns the remains of “the fallen dead.” But though the speaker won this particular battle, there were others still to come: it only took “two weeks” for the “sun and rain” to “call[] up tall recruits behind the shed.” The speaker may have eliminated one source of pain, but another soon fills its place. The speaker realizes that they can’t control everything and their son will “often feel sharp wounds again.”
The nettles' persistence suggests that pain is a natural part of life, and that no amount of love and devotion to one’s children can stop them from getting hurt. In the end, the nettles symbolize all the painful trials and tribulations life will throw the boy's way. As he grows up and wanders farther from the speaker’s protection, he’s bound to stumble (metaphorically) into any number of prickly, stinging situations.
My son aged ...
... place for rest.
"Nettles" begins with a straightforward description of a fairly ordinary incident. The speaker recalls how their three-year-old son "fell in the nettle bed." Nettles are stinging weeds, and a "bed" of them is a patch where they happen to grow.
After this matter-of-fact statement, the speaker muses on the word "bed," which they consider "a curious name for those green spears." After all, it's not particularly "rest[ful]" for anyone who wanders into it! Comparing the nettles to "spears" makes sense since they're tall and pointy. But the speaker expands on this metaphor by calling the nettles a "regiment" (military unit) "of spite." It's as if the speaker imagines these nettles as an enemy army. The comparison makes this incident feel a lot more charged; clearly, there's more going on here than a kid getting scratched up by some plants.
The fact that this incident took place "behind the shed" hints at its broader implications. The boy got hurt while wandering out of the speaker's sight; he may be only three, but he's already old enough to land in a thorny situation the speaker couldn't have predicted. Undoubtedly, then, the speaker is thinking ahead to all the ways the world might endanger their child. The speaker describes the nettle patch as "no place for rest," but they might as well be describing the whole world!
The poem is made up of a single stanza (or four quatrains, if you divide it up based on its ABAB CDCD EFEF GHGH rhyme scheme). It's written in iambic pentameter, meaning that its lines generally contain five iambs (feet made up of an unstressed syllable followed by a stressed syllable: da-DUM). This commonplace meter gives the poem its steady, familiar rhythm. Together, the meter and rhyme scheme give the poem a form similar to that of an English sonnet—only with three extra lines. This resemblance may be intentional, as "Nettles," like traditional sonnets, deals with love and pain. (For more on the poem's form, see the Form, Meter, and Rhyme Scheme sections of this guide.)
Besides rhyme and meter, these lines use some other notable sonic devices, including repetition, alliteration, and assonance. For example, the word "bed" at the end of line 1 repeats at the start of line 2; this anadiplosis forces the reader to slow down and consider the word's implications. Heavy /eh/ assonance in line 1 ("fell in the nettle bed") draws attention to the incident that has prompted the poem. Meanwhile, the harsh /s/, /sp/, and /r/ alliteration of lines 1-4 ("son," "seemed," "spears," "spite," "regiment," "rest")) conveys the speaker's distaste for the plants that harmed their child.
With sobs and ...
... a watery grin,
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Get LitCharts A+And then I ...
... the fallen dead,
But in two ...
... sharp wounds again.
The titular nettles symbolize life's unavoidable pain, including the pain the speaker's boy will inevitably experience as he ages. Though the child is only three, he's already old enough to wander out "behind the shed" where these stinging nettles grow. Accordingly, the nettles represent all the dangers the speaker can't predict and therefore can't protect their son from. Though they cut the nettles down and even burn the remains to stop them from spreading, new nettles pop up after only a couple of weeks.
So when the speaker says that their boy "would often feel sharp wounds again," they're not just referring to the prickly nettles. They're suggesting that the older the boy gets and the farther he roams, the less his parents will be able to protect him. Though no parent wants to see their child hurt, the speaker knows that pain is part of every life.
The poem uses a few different kinds of repetition to create rhythm and emphasis.
In the first two lines, for example, the poet uses anadiplosis:
My son aged three fell in the nettle bed.
'Bed' seemed a curious name for those green spears,
This repetition highlights a word the speaker finds rather inappropriate to the thing it's describing: there's nothing "rest[ful]" about these spiky, malicious plants.
The speaker also repeats the phrase "behind the shed" in lines 3 and 15, each time followed by a colon and an accompanying, matter-of-fact statement ("It was no place for rest," "My son would often feel sharp wounds again"). Here, the repetition suggests the significance of the nettles' location: because they grow "behind" a large object, they lie outside the speaker's view. By extension, the speaker can't protect their son from things they can't see or predict.
There's also some brief anaphora in lines 9-10:
And then I took my billhook, honed the blade
And went outside and slashed in fury with it
Anaphora creates rhythm and momentum, which heightens the emotional intensity of these lines. As the speaker takes a series of rapid actions linked by "And," the reader can feel the speaker's anger at these harmful plants.
The speaker also repeats the word "nettle" in lines 1 and 11, as well as in the title itself. The more the speaker emphasizes these nettles, the more they come to symbolize all the lurking dangers in the wider world—all the things that will cause the boy to "feel sharp wounds again."
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A patch of nettles, which are a kind of spiny, stinging weed.
"Nettles" contains a single stanza made up of 16 lines of iambic pentameter. This meter creates a steady, familiar rhythm (more about that in the Meter section of this guide). Though there are no stanza breaks, the poem can also be divided into four quatrains (four-line stanzas) based on its rhyme scheme (ABAB CDCD EFEF GHGH). In this way, the poem closely resembles a sonnet; the only difference is that this poem contains a fourth quatrain, whereas an English sonnet has three quatrains and ends on a rhyming couplet.
Still, the last three lines of this poem function much like the final couplet in an English sonnet, which often marks a reversal in the speaker's argument. In this case, the speaker has been describing their fierce efforts to prevent the nettles from hurting their son again. Yet the poem ends with a new crop of nettles springing up and the speaker acknowledging that the boy will inevitably feel pain in the future. This almost sonnet-like structure lends a certain familiarity to the poem's trajectory. Readers who know the sonnet tradition well may sense how the poem will end, both because of the form and because, on some level, they already know kids can't be sheltered forever.
"Nettles" is written in iambic pentameter, meaning that its lines generally consist of five iambs: feet that follow an unstressed-stressed pattern (da-DUM). This is the most common meter in English-language poetry, so it gives the poem a familiar, steady rhythm. Here's how the pattern plays out in the first two lines:
My son | aged three | fell in | the net- | tle bed.
'Bed' seemed | a cur- | ious name | for those | green spears,
Overall, the rhythm is recognizably iambic, though there's a trochee (a foot made up of a stressed syllable followed by an unstressed syllable: DA-dum) in lines 1 and 2, and a spondee (two stressed syllables in a row) at the end of line 2. This variability allows the poem to stress certain words and images—like "Bed," a word the speaker calls into question—while generally keeping the rhythm intact.
The poem follows a simple ABAB CDCD EFEF GHGH rhyme scheme. This scheme makes for a formally consistent poem and places extra emphasis on words at the ends of lines, causing them to stand out in the reader's mind. (Several of these words, including "tears," "raw," and "again," relate to the poem's core theme: the recurrence and inevitability of suffering.)
All of the poem's end rhymes are exact ("bed"/"shed," "spears"/"tears," etc.), making the poem all the more musical and consistent. (American readers will hear "rain" and "again" as a slant rhyme, but since the poet is British and "again" is pronounced "uh-GAYN" in British English, this, too, counts as an exact rhyme.) The poem's musicality helps draw out its emotional intensity, underscoring the speaker's strong feelings about parenthood and pain.
The speaker of the poem is, first and foremost, a parent. The poem doesn't specify the speaker's gender, age, or any other personal information. It focuses solely on the speaker's experience of seeing their child hurt, and of grappling with the fact that he'll undoubtedly suffer pain again.
Though the poem doesn't need to be read autobiographically, Scannell likely drew on his own experience as a parent when writing this poem. What's more, his use of war metaphors—comparing the nettles to "spears," "a regiment," "a fierce parade," and "tall recruits"—reflect his experiences as a soldier in World War II.
The poem begins outside the speaker's home, as their three-year-old son falls into a patch of stinging "nettles" growing "behind the shed." This out-of-the-way location is important: it shows that, while the boy is still quite young, he's already able to leave his parents' sight and get hurt.
When the boy comes crying to his parents, the speaker comforts him, then furiously grabs his pruning knife and marches "outside" to confront the "fierce parade" of nettles. The speaker describes the nettles with war metaphors ("green spears," "regiment of spite," etc.), suggesting that the minute these weeds hurt the boy, they became a sworn enemy. The speaker's protective instinct prompted them to cut down and "burn" the nettles, as if on a "funeral pyre" (a wooden structure used to cremate the dead, especially in wartime).
But the speaker's efforts can only accomplish so much. "Two weeks" of "sun and rain" raise up a new patch of nettles behind the shed, proving that the speaker can't protect their son forever. In the broadest sense, then, the poem's setting is the dangerous world that surrounds us all.
English poet Vernon Scannell (1922-2007) published "Nettles" in his 1980 New & Collected Poems: 1950-1980. A prolific writer, Scannell wrote and published over 30 poetry collections as well as multiple novels and memoirs. Many of his works were informed by his time serving in World War II, as well as his time as a professional boxer. Though "Nettles" refers to neither experience directly, it does contain numerous war metaphors that undoubtedly draw on his experiences as a soldier.
Although he began writing well after modernism had upended literary traditions and ushered in an age of more experimental verse, Scannell continued to use conventions such as meter and rhyme schemes, both of which appear in "Nettles." His poems are known for being precise and accessible to a general audience.
Scannell is particularly remembered for his war poetry; his 1965 book Walking Wounded is considered one of the best poetry collections to come out of World War II. He is often grouped with other English poets whose work was shaped by the war and its aftermath, including Ted Hughes, Philip Larkin, and Geoffrey Hill.
"Nettles" doesn't refer directly to any historical events. Though it uses multiple war metaphors, it applies them to something ordinary—prickly weeds—in order to illustrate the unavoidability of pain.
That said, Scannell's service in World War II had an enormous impact on all his subsequent writing. At age 14, he escaped his abusive father to work in an accounting firm; at 18, he enlisted in the war soon after it broke out, not really understanding what he was signing up for. Finding himself ill-suited to military life, he deserted twice, was injured, got arrested, and spent time in both a military prison and a mental institution for abandoning his duties as a soldier. The looming sense of danger that permeates "Nettles"—including its specific references to "regiment[s]," "recruits," and so on—likely reflects his own feelings of fear and vulnerability during and after the war.
The Poem Aloud — Listen to a reading of "Nettles."
An Obituary of the Poet — A Guardian article about Scannell's varied life and career.
More About Nettles — Facts about the plant at the center of the poem.
A Biography of the Poet — An overview of Scannell's life and accomplishments, courtesy of the Poetry Foundation.
A Scannell Exhibit — A digital exhibition on the poet, via Leeds University.