"Landscape with the Fall of Icarus" is a poem by one of the foremost figures of 20th-century American poetry, William Carlos Williams, first published in Pictures from Brueghel and Other Poems in 1962. The poem is a work of ekphrasis—writing about a piece of visual art—and is part of a cycle of 10 poems inspired by the paintings of 16th-century artist Pieter Bruegel (or Brueghel) the Elder. Both Bruegel's painting and this poem depict the death of Icarus, the mythological figure who died after flying too close to the sun, in a rather unusual way: in both works, Icarus's death—caused by a fall from the sky after the wax holding his artificial wings together melted—is hardly a blip on the radar of the nearby townspeople, whose attention is turned instead toward the rhythms of daily life. Tragedy is thus presented as a question of perspective, something that depends on how close one is (literally and emotionally) to the event in question.
Get
LitCharts
|
According to Brueghel ...
... it was spring
a farmer was ...
... his field
the whole pageantry ...
... awake tingling
near ...
... with itself
sweating in the ...
... the wings' wax
unsignificantly ...
... Icarus drowning
Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.
The Painting Analyzed — A short discussion about the original artwork.
More About Bruegel — A short film about the great painter.
Williams's Life Story — A valuable resource on Williams's life and work from the Poetry Foundation.
The Painting Itself — Check out the famous painting by Pieter Bruegel the Elder that inspired the poem. Can you spot Icarus?
Auden's Take on the same painting — Check out LitCharts analysis of a different ekphrastic poem that focuses on the same painting— Musée des Beaux Arts time by W.H. Auden.