A Room of One's Own

by

Virginia Woolf

To tell her story and make her argument, Woolf invents a narrator who she says could be any woman, "call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please—it is not a matter of any importance," she says. This narrator guides the audience (and reader) visually and intellectually through a series of experiences in which she learns how women have been poor and why. The anonymity of the narrator and her ability to sympathize not just with women but with men gives her a sense of authority and, at the same time, a sense of being a person rather than being a woman, a point of view she advises her audience to assume if they are to become good writers.

The Narrator Quotes in A Room of One's Own

The A Room of One's Own quotes below are all either spoken by The Narrator or refer to The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Financial and Intellectual Freedom Theme Icon
).
Chapter 1 Quotes

Meanwhile the wineglasses had flushed yellow and flushed crimson; had been emptied; had been filled. And thus by degrees was lit, half-way down the spine, which is the seat of the soul, not that hard little electric light which we call brilliance, as it pops in and out upon our lips, but the more profound, subtle and subterranean glow which is the rich yellow flame of rational intercourse.

Related Characters: The Narrator (speaker)
Page Number: 11
Explanation and Analysis:

What force is behind that plain china off which we dined, and (here it popped out of my mouth before I could stop it) the beef, the custard and the prunes?

Related Characters: The Narrator (speaker)
Page Number: 20
Explanation and Analysis:
Chapter 2 Quotes

Of the two—the vote and the money—the money, I own, seemed infinitely the more important.

Related Characters: The Narrator (speaker)
Page Number: 37
Explanation and Analysis:
Chapter 3 Quotes

Perhaps now it would be better to give up seeking for the truth, and receiving on one's head an avalanche of opinion hot as lava, discoloured as dish-water.

Related Characters: The Narrator (speaker)
Page Number: 28
Explanation and Analysis:

A very queer, composite being thus emerges. Imaginatively she is of the

highest importance; practically she is completely insignificant.

Related Characters: The Narrator (speaker)
Page Number: 43
Explanation and Analysis:

What one wants, I thought—and why does not some brilliant student at Newnham or Girton supply it?--is a mass of information; at what age did she marry; how many children had she as a rule; what was her house like, had she a room to herself; did she do the cooking; would she be likely to have a servant?

Related Characters: The Narrator (speaker)
Related Symbols: A Room of One's Own
Page Number: 45
Explanation and Analysis:
Chapter 4 Quotes

What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind! as if some giant cucumber had spread itself over all the roses and carnations in the garden and choked them to death.

Related Characters: The Narrator (speaker)
Page Number: 62
Explanation and Analysis:

All women together ought to let flowers fall upon the tomb of Aphra Behn, […] for it was she who earned them the right to speak their minds. It is she—shady and amorous as she was—who makes it not quite fantastic for me to say to you to-night: Earn five hundred a year by your wits.

Related Characters: The Narrator (speaker)
Page Number: 66
Explanation and Analysis:

She will write of herself where she should write of her characters. She is at war with her lot. How could she help but die young, cramped and thwarted?

Related Characters: The Narrator (speaker)
Related Symbols: A Room of One's Own
Page Number: 70
Explanation and Analysis:
Chapter 5 Quotes

Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women.

Related Characters: The Narrator (speaker)
Page Number: 82
Explanation and Analysis:

Awkward though she was and without the unconscious bearing of long descent which makes the least turn of the pen of a Thackeray or a Lamb delightful to the ear, she had—I began to think—mastered the first great lesson; she wrote as a woman, but as a woman who has forgotten that she is a woman, so that her pages were full of that curious sexual quality which comes only when sex is unconscious of itself.

Related Characters: The Narrator (speaker), Mary Carmichael
Page Number: 93
Explanation and Analysis:

Give her a room of her own and five hundred a year, let her speak her mind and leave out half that she now puts in, and she will write a better book one of these days.

Related Characters: The Narrator (speaker), Mary Carmichael
Related Symbols: A Room of One's Own
Page Number: 94
Explanation and Analysis:
Chapter 6 Quotes

The sight of two people coming down the street and meeting at the corner seems to ease the mind of some strain, I thought, watching the taxi turn and make off.

Related Characters: The Narrator (speaker)
Page Number: 96
Explanation and Analysis:
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The Narrator Quotes in A Room of One's Own

The A Room of One's Own quotes below are all either spoken by The Narrator or refer to The Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Financial and Intellectual Freedom Theme Icon
).
Chapter 1 Quotes

Meanwhile the wineglasses had flushed yellow and flushed crimson; had been emptied; had been filled. And thus by degrees was lit, half-way down the spine, which is the seat of the soul, not that hard little electric light which we call brilliance, as it pops in and out upon our lips, but the more profound, subtle and subterranean glow which is the rich yellow flame of rational intercourse.

Related Characters: The Narrator (speaker)
Page Number: 11
Explanation and Analysis:

What force is behind that plain china off which we dined, and (here it popped out of my mouth before I could stop it) the beef, the custard and the prunes?

Related Characters: The Narrator (speaker)
Page Number: 20
Explanation and Analysis:
Chapter 2 Quotes

Of the two—the vote and the money—the money, I own, seemed infinitely the more important.

Related Characters: The Narrator (speaker)
Page Number: 37
Explanation and Analysis:
Chapter 3 Quotes

Perhaps now it would be better to give up seeking for the truth, and receiving on one's head an avalanche of opinion hot as lava, discoloured as dish-water.

Related Characters: The Narrator (speaker)
Page Number: 28
Explanation and Analysis:

A very queer, composite being thus emerges. Imaginatively she is of the

highest importance; practically she is completely insignificant.

Related Characters: The Narrator (speaker)
Page Number: 43
Explanation and Analysis:

What one wants, I thought—and why does not some brilliant student at Newnham or Girton supply it?--is a mass of information; at what age did she marry; how many children had she as a rule; what was her house like, had she a room to herself; did she do the cooking; would she be likely to have a servant?

Related Characters: The Narrator (speaker)
Related Symbols: A Room of One's Own
Page Number: 45
Explanation and Analysis:
Chapter 4 Quotes

What a vision of loneliness and riot the thought of Margaret Cavendish brings to mind! as if some giant cucumber had spread itself over all the roses and carnations in the garden and choked them to death.

Related Characters: The Narrator (speaker)
Page Number: 62
Explanation and Analysis:

All women together ought to let flowers fall upon the tomb of Aphra Behn, […] for it was she who earned them the right to speak their minds. It is she—shady and amorous as she was—who makes it not quite fantastic for me to say to you to-night: Earn five hundred a year by your wits.

Related Characters: The Narrator (speaker)
Page Number: 66
Explanation and Analysis:

She will write of herself where she should write of her characters. She is at war with her lot. How could she help but die young, cramped and thwarted?

Related Characters: The Narrator (speaker)
Related Symbols: A Room of One's Own
Page Number: 70
Explanation and Analysis:
Chapter 5 Quotes

Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women.

Related Characters: The Narrator (speaker)
Page Number: 82
Explanation and Analysis:

Awkward though she was and without the unconscious bearing of long descent which makes the least turn of the pen of a Thackeray or a Lamb delightful to the ear, she had—I began to think—mastered the first great lesson; she wrote as a woman, but as a woman who has forgotten that she is a woman, so that her pages were full of that curious sexual quality which comes only when sex is unconscious of itself.

Related Characters: The Narrator (speaker), Mary Carmichael
Page Number: 93
Explanation and Analysis:

Give her a room of her own and five hundred a year, let her speak her mind and leave out half that she now puts in, and she will write a better book one of these days.

Related Characters: The Narrator (speaker), Mary Carmichael
Related Symbols: A Room of One's Own
Page Number: 94
Explanation and Analysis:
Chapter 6 Quotes

The sight of two people coming down the street and meeting at the corner seems to ease the mind of some strain, I thought, watching the taxi turn and make off.

Related Characters: The Narrator (speaker)
Page Number: 96
Explanation and Analysis: