The irony of the chapter is that Caroline—the only daughter who doesn’t know about Larry’s sexual abuse—is helping Larry sue her two sisters, the victims of Larry’s abuse. The dynamic of
King Lear, in which Lear and Cordelia are the “good guys,” is twisted—but, crucially, not perfectly reversed. Ginny and Rose aren’t exactly the villains, but they’re not exactly the heroes either (their greed and desire for revenge is seemingly starting to corrupt them as well).