In
Before We Were Yours, Lisa Wingate tells half of the story through the eyes of a child, Rill Foss. Other works of Southern Gothic fiction that are told from the perspective of a child include Dorothy Allison’s
Bastard Out of Carolina follows the childhood experiences of Ruth Anne “Bone” Boatwright. Like Rill, Bone is the oldest child in her lower-class family in the South and she does her best to take care of her younger siblings even in the face of unimaginable abuse and terror. For a work of Southern fiction with a child narrator and a much happier ending, Harper Lee’s
To Kill a Mockingbird is told from the perspective of a young girl named Scout Finch as she comes of age in Maycomb, Alabama; like
Before We Were Yours, the events of
To Kill a Mockingbird also take place during the Great Depression. Rill Foss and her siblings love their life on the Mississippi River and find joy even while they’re in one of Georgia Tann’s orphanages by reading Mark Twain’s
Adventures of Huckleberry Finn, which is about a young boy’s own adventures on the Mississippi River. For a book with a more modern setting that also focuses on orphans struggling to make sense of their identities, Kazuo Ishiguro’s
Never Let Me Go follows the lives of three friends who question where they came from and whether they have any ties to the outside world—although instead of wondering where their parents are, they wonder who they were cloned from. For more information about the nefarious Tennessee Children’s Home Society, Lisa Wingate and Judy Christie co-authored a nonfiction book titled
Before and After: The Incredible Real-Life Stories of Orphans Who Survived the Tennessee Children’s Home Society.