Catching Teller Crow

by

Ambelin Kwaymullina and Ezekiel Kwaymullina

Catching Teller Crow: Chapter 3. Beth: The Witness Summary & Analysis

Summary
Analysis
Beth and her dad go to the local hospital to visit the witness, who is being monitored there as the drugs leave her system. Beth only recalls visiting one other hospital, where a rude doctor asked whether “quite so many family members” needed to be visiting her Uncle Mick. In this hospital’s waiting area, locals gossip about the fire and the death, but none of them seem to have known the nurse or director well.
The sole previous time Beth has visited a hospital, the doctor was rude to her Aboriginal family, implying that her uncle had too “many family members.” This subtly racist incident illustrates the persistent prejudice against Aboriginal people in contemporary Australia.
Themes
Abuse of Power, Racism, and the Law Theme Icon
Beth’s dad identifies himself as a detective to a harried female nurse and asks to go interview the witness. She is offering to take him to the witness’s room when  the wind slams open the waiting-room door—at which point she tells him to go on alone. Beth and Beth’s dad walk down a hall into a room full of hospital beds, mostly occupied by middle-aged people. Beth is pointing out a girl she thinks is the witness when a different girl (later revealed to be Catching)—pale with “sharp” features, dark-haired, and wearing a long sweater over her hospital gown—appears and asks whether Beth’s dad is a policeman.
Beth’s dad previously mentioned that the children in the home claimed the “wind” warned them about the fire. Now an abrupt wind distracts the nurse, allowing Beth’s dad to go meet the witness alone. While the wind in this scene may be coincidental, unrelated to the mysterious wind on the night of the fire, the novel may be hinting that Beth’s dad is wrong to dismiss the children’s fantastical story as untrue.
Themes
Storytelling and Truth Theme Icon
Beth’s dad says he’s a detective and asks whether the girl (Catching) is the witness to the fire. When she says yes, he asks whether he can interview her, and—rather standoffishly—she agrees. They go into a private hospital room. Beth’s dad introduces himself as Michael and asks the girl’s name. When she snarks that a detective should already know, Beth comments that the girl may not remember that she was too disoriented to give her name when the rescue team found her. The girl then introduces herself as Isobel Catching and tells Michael to call her Catching.
Catching’s standoffish and sarcastic comments to the police detective trying to interview her implies she may distrust or dislike law enforcement. Beth’s speculation that Catching has forgotten the circumstances under which the rescue team found her may be true—or it may hint that Beth and her dad don’t know everything about the circumstances under which Catching came to the hospital.
Themes
Abuse of Power, Racism, and the Law Theme Icon
When Michael comments that Catching is an “unusual” name, Catching explains that the white employer of her great-great-grandmother named her that because she had a talent for recapturing stray cattle—and she couldn’t refuse the name. When Michael asks whether Catching is Aboriginal, Catching sneeringly asks whether he thinks she isn’t “brown enough,” as if everyone of Aboriginal descent has the same skin color. Michael says no and mentions that his wife was Aboriginal. Catching, still sneeringly, suggests that she and Michael will be “best friends” because of that. 
White British colonists came to Australia in the late 1700s. From about 1816 onward, their colonies expanded dramatically. Their livestock-farming practices interfered with and displaced Australian Aboriginal communities. Catching’s story reveals that her great-great-grandmother was one of the Aboriginal people exploited by white colonial farmers—a context that partially motivates her hostile and sarcastic reactions to white law enforcement professional Michael.
Themes
Abuse of Power, Racism, and the Law Theme Icon
Get the entire Catching Teller Crow LitChart as a printable PDF.
Catching Teller Crow PDF
Though Catching’s tone annoys Beth, it doesn’t offend Michael. He just asks her whether she saw anything the night of the fire. She says that “depends.” When he asks what it depends on, she seems to glance at Beth before saying, “On if you’ll believe me.” Michael says he’ll hear whatever she has to say, but she warns him that her story contains “monsters and other-places.” Beth thinks Catching is playing a joke on him, but then she realizes that tough-girl Catching is afraid. Michael assures Catching that he can believe what she has to tell him. When she tells him it’s a long story that began before the fire, he turns off his phone and asks her to begin at the beginning. She says the events began “with a sunset.”
Michael’s lack of annoyance at Catching implies that he understands why an Aboriginal teenage girl might reasonably distrust a white police officer. Given Michael’s resistance to believing the children at the home about the wind warning them, it seems unlikely that he will “believe” Catching’s story about “monsters and other-places”—but he asks her to tell it anyway, suggesting that he may see informational value in stories that aren’t literally true. Meanwhile, Catching’s apparent glance at Beth hints—but doesn’t confirm—that Catching can see Beth too.
Themes
Abuse of Power, Racism, and the Law Theme Icon
Storytelling and Truth Theme Icon
Quotes