LitCharts assigns a color and icon to each theme in Educated, which you can use to track the themes throughout the work.
Memory, History, and Subjectivity
Learning and Education
Devoutness and Delusion
Family, Abuse, and Entrapment
Summary
Analysis
That winter, Tara begins having unsettling visions of herself pregnant and begging to go to the hospital, but barred from entering by her father. She realizes that “no future” she might have will be able to hold both her own desires and her father’s. One evening, after Tara has already gone to bed, Dad comes into her room and sits with her. He tells her that he has been “praying” about her desire to go to college, and has received a message. Dad says that “the Lord” is “displeased” with Tara’s decision to “whore after man’s knowledge,” and will soon incur God’s “wrath.”
Tara’s father senses that she is getting closer and closer to breaking free from the future he’s laid out for her, and is attempting to shame and frighten her into abandoning her plans. Tara, though, is smart, and realizes that he is couching his own feelings in what he claims to be a message from God so that if his authority doesn’t scare her out of pursuing an education, God’s supreme authority just might.
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Themes
The next morning, Tara finds Mother mixing oils in the kitchen. Tara announces that she has decided not to go to college. Her mother is disappointed, and Tara is shocked—she thought Mother would be “glad to see [her] yield to God.” Mother quietly, urgently tells Tara that she shouldn’t “let anything stop [her] from going,” but as Dad’s footsteps approach the kitchen, Mother hurriedly turns back to her work.
Though Tara’s mother is willing to secretly support her desire to get out of Idaho, she is not strong enough to express her true hopes for Tara to her husband. Tara begins to understand that her mother, too, is trapped here.
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Without Shawn, Dad’s construction business is suffering, and so Tara returns to scrapping that winter to make some extra money. Every morning, she wakes up early to study for the ACT before heading out to the junkyard. When the day of the test comes, Tara is nervous—she has never taken an exam in her life. On the day of the test, she is confused by the bubble sheet and forced to ask the proctor how to use it. Tara drives home from the test center feeling “stupid,” grateful for the first time all winter to be headed to the scrap yard—the world where she feels she belongs.
Tara has been studying hard and getting herself excited about taking steps to pursue an education, but the world of schools and test-taking is new and unfamiliar, and Tara is ultimately relieved to come back to the place that makes sense to her in spite of all the ways it serves to entrap her.
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That spring, as the cold weather turns warm, Tara wishes she could take her shirt off in the heat of the afternoon like her brothers. Instead, she settles for rolling up the sleeves of her shirt—every time she does, though, Dad commands her to unroll them, accusing her of dressing like a whore.
Dad is using every available opportunity to demean and berate Tara in hopes of breaking her spirit. In berating Tara for pushing up her long sleeves in the heat, Dad sexualizes Tara’s body, claiming that even her exposed wrists and forearms are sinful. Meanwhile, Tara’s brothers enjoy a totally different standard, as they are not only allowed to roll up their sleeves but remove their shirts altogether.
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Themes
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Tara begins hoarding her paychecks on the off chance her ACT scores come back good enough for admission to BYU—but Dad has been forcing her to pay part of the family’s car insurance to show her that “Government fees will break [her.]” When her test scores come back somewhat low but better than Tara hoped for, Mother rejoices at the news, but Dad tells Tara it’s time for her to move out. Mother, quickly going along with Dad, asks Tara to move out by Friday. Tara explodes in rage and grief, and Mother counters by saying that when she was Tara’s age, she was already living on her own. Tara protests that she’s only sixteen. Mother seems genuinely confused—she’d thought Tara was twenty. She softens and tells Tara she can stay at home.
This passage shows just how intense Tara’s family’s collective delusions are. Because of the constraints Gene has placed on Mother and the whole family, simple facts such as age mean nothing. Tara is forced to remind her parents that she’s still their child, and bargain with her mother—the one person who could still protect her—for support and shelter.
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Several months after the accident, Shawn returns to work. He helps Dad out a few hours a day building a barn about twenty miles from Buck’s Peak. Tara, meanwhile, continues working the scrap yard. Dad comes home one day with a “frightening” machine called the Shear—it is a “three-ton pair of scissors” with blades “twelve inches thick and five feet across.” It is used to cut iron, which Dad wants to do so that he can sell the pieces. The Shear is an imperfect machine, snapping the iron more than cutting it, and occasionally recoiling and driving whoever’s operating it towards the blades. Tara is more shocked by the force and danger of the Shear than any other of her father’s “dangerous schemes” throughout the years.
The Shear is a potent symbol of Dad’s delusional but threatening way of thinking. He’s so determined to take shortcuts, to bring everyone under his control, and to prove that God will protect him and his family that he flirts with death again and again, provoking fate itself.
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Quotes
Shawn calls the Shear a death machine, and when he sees Dad teaching Tara to use it just moments after the blade injures Luke, Shawn protests and pulls Tara away from the giant scissor’s jaws. Dad insists that Tara is strong enough to operate the machine, but Shawn will not let Tara near it again. She watches as the two of them scream at one another and eventually begin fighting physically. Dad ultimately says that if Tara doesn’t operate the Shear, she won’t get to live under his roof. Shawn retaliates by stating that if Tara is going to work the Shear, he’s going to help her—and give up his construction job.
Though Shawn has been cruel and abusive towards Tara since his return home, in this passage, he calls Dad out without naming what he’s doing. He doesn’t accuse him of using the Shear to threaten and intimidate Tara, but nevertheless puts his foot down and tries to put a stop to the insidious psychological abuse he perhaps can’t call by its name.
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For over a month, Shawn and Tara run the Shear together each day. Tara manages to avoid any major injury, receiving only a few bruises. Shawn has a hard time with the work, weak and disoriented as he is from his accident—but every morning, they get ready together and head out to the scrap yard to work, spotting one another as they feed iron into the giant machine.
Shawn and Tara are united in a rare moment of peace—albeit by the presence of something very violent and unstable that threatens both of their well-beings daily.