LitCharts assigns a color and icon to each theme in Fathers and Sons, which you can use to track the themes throughout the work.
Tradition and Progress
Nature vs. Materialism
Love vs. Nihilism
Generational Conflict
Summary
Analysis
Arkady, Katya, and Fifi the borzoi sit in the Nikolskoye garden. There is a “trustful intimacy” between the two friends. Katya makes a remark about Arkady’s formerly “satirical turn of mind” and argues that she and Anna will soon transform Arkady, now that he’s no longer under Bazarov’s influence. She and Arkady, she goes on, are “domestic animals,” while Bazarov is a “wild beast.” Arkady calls this “a hurtful thing to say” but does not pursue it further.
Meanwhile, just as his father’s romance is finding a resolution back at Maryino, Arkady is beginning to realize his love for Katya. Katya evidently knows him well—though Arkady denies it, Katya can see that Arkady is different from Bazarov.
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Themes
The friends continue to talk about Anna and Katya’s life together; Katya has always been a little afraid of her imposing sister. But Arkady observes that Katya, in her own way—such as in her refusal to marry a wealthy man on whom she’d be dependent—is as proud and independent as her sister, only more reserved. Katya wants to change the subject, not liking to be compared to her sister, but Arkady suddenly says that he would never exchange Katya for Anna, or for anyone else in the world. He abruptly gets up and leaves.
The friends’ conversation is further proof that they see one another clearly. Arkady is able to see through Katya’s reserve and recognize her strength and independence from the sister in whose shadow she’s always lived. He also expresses his love for Katya aloud for the first time, showing he’s let go of his former conviction that he loved Anna.
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Back at the house, the butler informs Arkady that Bazarov has arrived and is waiting in his room. Apprehensive, Arkady runs to greet him, and Bazarov quickly relates what happened at Maryino between himself and Pavel. Though reassured that Pavel’s wound isn’t serious, Arkady feels upset by the whole thing. Bazarov says, “You see what comes of living with these feudal barons; you become a feudal personage yourself.” He’s on his way to his parents’, he goes on, and thought he would take a last look at what he’s parted ways with.
Arkady and Bazarov have an awkward exchange. Bazarov tries to make a joke of the duel and to avoid blame—living in such an aristocratic atmosphere made him behave violently, in essence— but Arkady is understandably upset, seeing Bazarov’s action as an attack on his family.
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Arkady says he hopes Bazarov doesn’t intend to part ways with him, and Bazarov says that seems to be happening already; “you look so spruce and smart,” he remarks. He asks Arkady how his “affair” with Anna Sergeyevna is going, and Arkady assures Bazarov that he’s mistaken on this point. Bazarov lets this pass and goes on to say that they had better say goodbye; they seem to have simply tired of one another.
Bazarov’s compliment of Arkady’s appearance is actually meant to be an insult—Arkady’s growing love for Katya is manifesting in his tidier, more conventional appearance. His appearance, in turn, is a further sign of the distance that’s opened up between the two friends.
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Before he leaves, Bazarov says goodbye to Anna Sergeyevna, assuring her that he’s repented of his foolishness and hopes she doesn’t hold it against him. Anna assures him that they will remain friends, agreeing with him that love “is a purely imaginary feeling.” Both of them seem convinced that they mean this. She also tells him that she has become fond of Arkady but doesn’t see him much, as he’s Katya’s friend, not hers. Bazarov doesn’t believe her—“women can’t help dissembling,” he thinks—and responds icily. Their conversation ends soon, as Anna feels ill at ease. Later, when she sends for Arkady, he is found in the garden, deep in thought.
Bazarov and Anna still refuse to credit their love for one another as genuine, unable to make room for the possibility that love is more than imaginary. Bazarov, his disdain for women showing through again, figures that Anna must be lying about Arkady. Meanwhile, Arkady is coming to terms with his own attitude toward love.