Flames

by

Robbie Arnott

Flames: Snow Summary & Analysis

Summary
Analysis
Nicola recalls a vivid memory of Nicola’s father coming home after a day of fishing and beaming when he sees her face. No feeling compares to that, except touching Charlotte for the first time. In the middle of the burning field, she grabbed her without thinking. She felt the burning warmth within Charlotte dying, and it was clear that her touch put the flames out. Later, when Charlotte suggested they run away from the airport police office, Nicola surprised herself by going with her. They collected Nicola’s car from the long-term carpark and began driving north. Now, Nicola drives as Charlotte sleeps. Nicola’s thoughts are a blur of images: her father’s smile, the dead wombats, and her fingers on Charlotte’s skin. These thoughts circle until she decides on a destination.
Nicola’s most profound memory of her father is a visual and sensory one, not one that involves language or any explicit action. This suggests that her relationship with him is of simple, peaceful coexistence: they feel their love for each other without having to acknowledge it verbally. Nicola’s relationship with Charlotte, it seems, will function in a similar way: rather than using language to communicate their needs and desires, they’ll become close to each other through their actions. Here, Nicola also positions herself as the more decisive, caregiving figure in the relationship—a position that she naturally falls into rather than feeling obligated to fulfil.
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Quotes
Nicola remembers Allen bringing Charlotte up from the dock at Melaleuca. Though at first Charlotte hardly looked at her, Nicola the prospect of having a friend in such a lonely place thrilled Nicola. Eventually, as Allen’s behavior began to worry Nicola and Charlotte, they started to go everywhere together and find comfort in each other’s company.  
Though Nicola and Charlotte both deliberately decided to come to Melaleuca, knowing it’d be an isolated existence, they both find human connection to be a great comfort. 
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After a few more hours driving north, Nicola pulls the car into a supermarket parking lot. She knows she should sleep, but instead she heads into the store and buys food to last them both a month. She drives on into the forest. Charlotte finally wakes up and asks where they are. Nicola says they’re almost at their destination, which is “somewhere safe.” As she drives, the landscape changes from ferny lushness to a flat plain dotted with ponds and boulders. Nicola follows the signage to Cradle Mountain. Charlotte is skeptical—it’s a tourist destination—but Nicola continues on along a narrowing road before coming to a stop in a small parking lot.
Nicola tends not to act with her own comfort in mind, preferring to serve the needs of others, which is why she decides to stock up on groceries instead of getting any sleep. The changing landscape contrasts with Nicola and Charlotte’s changing situation—they’re finding refuge while the landscape becomes more exposed. But it could also suggest that their relationship with each other is something that they can no longer hide from. 
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Nicola and Charlotte put on hats and gloves in the cold air. They take the bags of clothes and groceries from the trunk. Nicola tells Charlotte it’s a 15-minute walk to where they’re going, and they set off into the forest and up a winding mountain path. Soon, they arrive at a stone hut on the edge of a lake. The hut belongs to Oshikawa, a friend of Nicola’s father, who invited her family to visit a few years earlier. It’s the most fireproof destination Nicola could think of—a place for Charlotte to control her flames without causing too much damage, thanks to the stone walls, the lake, and the wet vegetation. Nicola is used to making plans that prioritize other people’s comfort and needs, but right now she feels driven by something deeper than a simple desire to help. 
Nicola’s use of the hut forms a direct connection between this chapter, told from her perspective, and her father Karl’s chapter earlier in the novel. This structural connection is one way the novel highlights the interdependence of its characters, which echoes the complex, interconnected natural ecologies present in nature. That interdependence is also present in Nicola and Charlotte’s relationship. Nicola helps Charlotte find safety and comfort while Charlotte is a source of motivation for Nicola: they propel each other forward.
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Quotes
Get the entire Flames LitChart as a printable PDF.
Flames PDF
It’s as cold inside the hut as it is outside. Charlotte builds a fire in the wood heater and looks for matches to light it before realizing she can simply shake sparks from her hand. Nicola collapses onto the couch and falls asleep without even taking off her boots. She wakes up in the middle of the night to the smell of smoke. The fire in the wood heater has gone out; she realizes the smoke is coming from a cushion beside Charlotte. There’s a stream of blue fire leaking from Charlotte’s ear. Nicola smacks the fire out of the cushion and puts a hand on Charlotte’s cheek. She feels the flame within Charlotte flicker out. Charlotte wakes up and apologizes. She tells Nicola to go back to sleep and gets up to tend the fire in the wood heater.
Charlotte’s ability to create fire within herself is still new to her—it hasn’t yet become a part of her identity. Nicola continues to fulfil the role of the protector in her relationship with Charlotte. Charlotte depends on Nicola to put her flames out, a symbolic act that portrays Nicola as a calming presence for Charlotte. Charlotte’s fire invites a deeper connection to develop between herself and Nicola, as it’s one of the clearest ways they communicate with each other.  
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Nicola wakes up again hours later. Charlotte is unpacking the groceries in the kitchen. She brings Nicola a slice of toast. They find thermal hiking gear in the closets and, having nothing else to do, they head outdoors and walk without saying much to each other. After climbing to the edge of a crater, they can see Cradle Mountain in front of them: two peaks with a sagging sling that joins them. It’s getting late, so they start heading back to the hut.
One of the ways Charlotte shows affection for Nicola is through practical gestures, like performing household chores and offering her food. Just as Nicola helps Charlotte put her flames out, Charlotte responds with reciprocated acts of caregiving, suggesting that their relationship is growing on a foundation of shared devotion and respect.
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Charlotte asks Nicola what her plan is. Nicola says they’re going to wait until Charlotte can control her “episodes,” and then they’ll sort things out with the police and the ranger. Charlotte asks what will happen if she can’t control the flames. Nicola doesn’t know how to reply. She worries that Charlotte thinks the plan is stupid, but when they get back to the hut, Charlotte makes a fire and prepares dinner, showing no signs of doubt. After Charlotte eats and showers, Nicola does the same.
Nicola’s choice of the word “episodes” to describe Charlotte’s bursts of flame connects the flames to Charlotte’s emotional outbursts—a sign that Nicola understands that the flames are not simply an external symptom, but rather a sign of Charlotte’s deeper emotional turmoil. The fact that Nicola eats and showers after Charlotte emphasizes her tendency to put others’ needs before her own, but Charlotte was the one to prepare the dinner, which shows that the relationship has become more evenly balanced.
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Nicola wakes up later that night to the smell of smoke again. Blue flames are leaping out of Charlotte’s feet and burning the sheet on her bed. Nicola grabs Charlotte’s ankles, and the fire inside Charlotte dies, but the flames keep burning the sheet and Nicola’s wrists, too. Charlotte wakes up, swears, and smacks out the flames. Though Nicola says she’s fine, Charlotte swears again when she sees the burns on her skin. Nicola offers to stay in Charlotte’s room with her—the flames stop when she touches her. Charlotte refuses at first because of Nicola’s burns, but she eventually pulls the covers back on the bed for Nicola to get in beside her.
Even when she’s just woken up, Nicola’s instinct is to help Charlotte, and she doesn’t hesitate before putting her hands directly on the flames. It’s clear that Nicola is so devoted to Charlotte’s physical and emotional safety that her own comfort and safety isn’t even a consideration. Charlotte considers herself a liability, but because she lets Nicola get into bed with her, it seems that her desire to show and receive affection is stronger than her pragmatic intention to protect Nicola.
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There are no more accidental fires for three nights in a row. Charlotte and Nicola sleep in the same bed, trying not to touch each other. In the mornings they go walking, and in the afternoons, Charlotte sits by the wood heater or beside the lake trying to control her flames—which sometimes works and sometimes doesn’t—while Nicola reads on the couch. When they talk about their families, Nicola mentions how Nicola’s father was “wrecked and hollow” after his seal died and Charlotte describes Levi and Charlotte’s mother’s death, Levi’s difficult nature and Levi and Charlotte’s father’s absence in general terms. At night, they change clothes in separate rooms before climbing into bed together, with Charlotte always falling asleep first.
Charlotte and Nicola toe the line between intimacy and distance. Though they live together and even sleep in the same bed, the bounds of their relationship are, for the moment, rigid—they’re not ready to enact any physical intimacy except when necessary (that is, when Charlotte’s flames are out of control). Their comments about their family members, which mostly involve themes of loss and detachment, suggest that Nicola and Charlotte are both aware of how emotional attachment can cause pain, which perhaps explains why they’re hesitant to let their relationship become more serious. 
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A week after their arrival at the hut, there’s another fire. Nicola wakes up to see flames leaking out of Charlotte’s mouth. She touches Charlotte’s chin, but the flames don’t stop, so she runs her hand up and down Charlotte’s neck. Charlotte wakes up and sucks the flames back into her mouth. She tells Nicola to keep touching her. The next morning, after sleeping in, they hold each other again before getting up. They go for their usual morning walk without discussing what happened in the night, but they do share a kiss as they go out the door.
This time, Charlotte’s flames are reminiscent of the way someone drools in their sleep, which suggests they’re becoming a more common part of Charlotte’s life, though she still isn’t able to control them. Here, the flames provide an opportunity for Nicola and Charlotte to become physically intimate with each other, which demonstrates that as they become more emotionally vulnerable, they’re able to form a deeper connection to each other.
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At the end of their walk, Charlotte and Nicola sit at the lake’s edge holding hands. Nicola gets up to go inside, but Charlotte points at a white car parked next to theirs in a lot. They see a stranger (the detective) trudging up the path toward them. Nicola says, unconvincingly, that it’s probably just a tourist. She doesn’t want anyone to threaten the life she’s living in this moment with Charlotte. Ten minutes later, the stranger emerges from the trees. She’s short-haired and dressed poorly for the weather. When she sees Nicola and Charlotte, she looks relieved, stops walking, and asks if they have any gin.
Even though Nicola only intended her stay at the cabin with Charlotte to be temporary, she still feels threatened by the prospect of it ending. This suggests that she’s become emotionally and romantically closer to Charlotte than she expected to; the thought of their life at the cabin coming to an end pains her because it feels synonymous with the end of their relationship. 
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