The shed symbolizes how the unknown inspires fear. When Ravi ducks into the shed to hide from Raghu during a game of hide and seek, he is immediately terror-stricken. It is very dark and Ravi cannot see, nor does he know what else might be inside the shed with him. These unknown aspects of the shed are what imbue it with such terror. There isn’t anything specific in the shed necessarily that is scary to him; rather, it is the thought that there might be snakes or that he might touch something upsetting. Ravi’s imagination, creating ideas of the horrible things that could be in the shed, is far worse than anything he’d actually encounter. In this way, the shed represents the idea that the unknown is often even scarier than tangible threats. This is why gradually, when Ravi’s eyes adjust to the light, he becomes slightly less afraid. When he finds an old bathtub that he recognizes in the shed, he sits inside it, illustrating the very opposite as well: how Ravi is drawn to things that are familiar because they feel safe (which is also true of the family’s veranda).
The Shed Quotes in Games at Twilight
Ravi shook, then shivered with delight, with self-congratulation. Also with fear. It was dark, spooky in the shed. It had a muffled smell, as of graves. Ravi had once got locked into the linen cupboard and sat there weeping for half an hour before he was rescued. But at least that had been a familiar place, and even smelt pleasantly of starch, laundry and, reassuringly, of his mother. But the shed smelt of rats, ant hills, dust and spider webs. Also of less definable, less recognisable horrors. And it was dark.
He hunched himself into a ball so as not to bump into anything, touch or feel anything. What might there not be to touch him and feel him as he stood there, trying to see in the dark? Something cold, or slimy—like a snake. Snakes! He leapt up as Raghu whacked the wall with his stick—then, quickly realising what it was, felt almost relieved to hear Raghu, hear his stick. It made him feel protected.
He contemplated slipping out of the shed and into the fray. He wondered if it would not be better to be captured by Raghu and be returned to the milling crowd as long as he could be in the sun, the light, the free spaces of the garden and the familiarity of his brothers, sisters and cousins. It would be evening soon.
Ravi sat back on the harsh edge of the tub, deciding to hold out a bit longer. What fun it they were all found and caught—he alone left unconquered! He had never known that sensation. Nothing more wonderful had ever happened to him than being taken out by an uncle and bought a whole slab of chocolate all to himself, or being flung into the soda-man’s pony cart and driven up to the gate by the friendly driver with the red beard and pointed ears. To defeat Raghu—that hirsute, hoarse-voiced football champion—and to be the winner in a circle of older, bigger, luckier children—that would be thrilling beyond imagination. He hugged his knees together and smiled to himself almost shyly at the thought of so much victory, such laurels.
With a whimper he burst through the crack, fell on his knees, got up and stumbled on stiff, benumbed legs across the shadowy yard, crying heartily by the time he reached the veranda so that when he flung himself at the white pillar and bawled, “Den! Den! Den!” his voice broke with rage and pity at the disgrace of it all and he felt himself flooded with tears and misery.
It took them a minute to grasp what he was saying, even who he was. They had quite forgotten him. Raghu had found all the others long ago.
“Don’t be a fool,” Raghu said roughly, pushing him aside, and even Mira said, “Stop howling, Ravi. If you want to play, you can stand at the end of the line,” and she put him there very firmly.