LitCharts assigns a color and icon to each theme in Hamnet, which you can use to track the themes throughout the work.
Loss and Grief
Fate and Fortune
Freedom, Restraint, and Genius
The Power of Love
Identity, Choice, and Sacrifice
Summary
Analysis
In the 1580s, Agnes is enthralled by her daughter Susanna. But then, one day, when she is feeding Susanna some gruel, she notices a terrible stench in the house. As she searches for its source, she finds that she suddenly knows two things: first, she is pregnant again. Second, the smell isn’t a physical thing, it’s a sign of something amiss in her world. Agnes hurries to Susanna, sniffing her, suddenly worried that the smell might be emanating from her. But it isn’t; the baby smells like pears and warm sheets. She begins to sing a song with Susanna, and they are still singing when Agnes’s husband comes down the stairs and slumps into a chair. The sour smell comes back stronger than ever. It is coming from him. She sees it, like a cloud hanging over his head.
The previous chapter catalogued all the things that happened outside of Agnes’s knowledge to bring the plague into her house. But skipping backwards in time, the story emphasizes Agnes’s awareness of things beyond the reach of normal human senses. This contrast illustrates the shock and trauma she will feel when she finds Judith sick, since her gift seems to have abandoned her. Casting the husband’s unhappiness and sense of entrapment as a foul smell aligns it with the idea of the “bad air” that Early Modern people believed carried infections like the plague from one person to another. This intimates that it is not just his problem, but something that can—and will—affect the whole family if left unaddressed.
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Themes
Quotes
Anxiously, Agnes looks at her husband. He is pale, staring blankly as if his soul has been stolen in the night. She can’t understand how this could have happened under her nose. She thinks of the baby curled deep inside her body. She longs to tell him, but she cannot face the possibility of the news making him sadder. She frets that their marriage, their family, or their life together is the root of his discontent. But when she tries to ask him how he is feeling, he twists away from her touch and protests that he is just tired. And with a curt wave of his hand, he climbs the stairs back to their bedroom.
For Agnes, marriage to the tutor represented a path out of the isolation and loneliness of her youth. Similarly, her husband saw their marriage as an escape from his family. But—as the incidents surrounding Susanna’s birth demonstrated—he lacks Agnes’s agency; marriage hasn’t changed his life because he hasn’t taken further steps to flee or to grow. And now, Agnes worries that she and Susanna may be just another snare to hold him back.
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In the darkness of night, Agnes tries to talk to her husband again, and again he has little to say. But finally, he admits that he feels lost. Agnes begins to watch him closely, like a doctor observing a patient for symptoms of illness. She notices his insomnia, his grogginess, his reticence to attend to his tutoring, and his evident unhappiness at family meals—especially when John praises Gilbert. She watches him grow darker. She wants to help him, but she doesn’t know how; for the first time in her life, she can’t intuit what to do. She worries about what will happen when he can no longer keep his anguish bottled inside. He stays out drinking. He grows irrationally angry over things. One night, he hurls his papers and inkwell against the wall, waking Agnes and Susanna.
Little escapes Agnes’s alert, attentive eyes. Here, as elsewhere, readers experience William Shakespeare not as the fully-realized genius of English literature, but as a human being, subject to misery and frustration. Like most people, he relies on the love and support of the people around him to make sense of his world. It seems, too, that his soul-sickness runs so deep that he either cannot register its full scope or that he cannot see a way to address it (or both). This in turn suggests that his salvation must come from outside him. And the only person positioned to help—the only person who sees his potential and who loves him for who he is—is Agnes.
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Themes
The next morning, as the husband sleeps, Agnes ties Susanna to her back and walks out to Hewlands to find Bartholomew. He listens carefully as she describes her husband’s angst. Then he tells her that a man needs work, proper work, to steady him and give him purpose. Especially an over-educated, cerebral man. Especially a man living in the shadow of his brutish and abusive father. Agnes tells Bartholomew her plan. She wants John to send her husband to London to extend the glove-making business. When he’s established, she can follow, with Susanna and the next baby. But the idea can’t come from her; she hopes that Bartholomew, as a business associate, could suggest it to John. With a nod and a smile, he agrees.
The book casts Agnes not as an afterthought to Shakespeare’s success but as the key muse behind it. In this way it seeks to rehabilitate a woman whose life has been largely lost to history in the shadow of her famous husband. Agnes loves her husband enough to sacrifice some of her own happiness for him, further confirming the power of love in the world.