LitCharts assigns a color and icon to each theme in Housekeeping, which you can use to track the themes throughout the work.
Women and Sisterhood
Transience and Impermanence
Memory
Abandonment and Loss
Nature
Summary
Analysis
The week after Sylvie arrives in Fingerbone, the weather is sunny and balmy. Lucille and Ruth play in the snow and build a snow-woman who looks as if she’s “standing in a cold wind.” The girls feel they have “conjured a presence,” but after lunch time, the woman has begun to melt and has grown “dog-yellowed”; Lucille and Ruth abandon her.
The girls are spooked by the snow-woman they build, who seems to remind them, perhaps, of their mother. They abandon the snow-woman as their mother abandoned them, haunted by what they’ve created and what it says about how their mother lingers in their memories.
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Quotes
The sunny weather soon turns rainy, and rain during the late winter months in Fingerbone is a “disaster.” The snow melts but the ground doesn’t thaw, and after three days of rain, the entire town is flooded. Normally, Sylvia’s home is high enough up that it’s safe from the floods—but this year the flooding is so bad that the first floor of the house is covered in four inches of water, and Ruth, Lucille, and Sylvie are forced to live upstairs for a number of days and wear galoshes anytime they have to enter the kitchen.
The flood is reminiscent of the Biblical flood, especially when one considers Robinson’s writerly interests in religion and the stories of the Bible. The flood portends a wiping-away and a starting-over—it heralds Sylvie’s arrival in earnest, and the start of her relationship with the girls.
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Ruth, Lucille, and Sylvie eat dinner upstairs, and afterwards, Sylvie suggests they play cards. Lucille, bored, says she doesn’t want to play—she wants to “find some other people.” She says that tomorrow she wants to “wade up to higher ground” and find people camping up in the hills. Sylvie says she doesn’t see any reason to leave the house, as the three of them are perfectly cozy and have enough food. When Lucille says she’s tired of being alone in the house with Ruth and Sylvie, Sylvie warns Lucille not to let herself be bothered by her loneliness—often, attempts to remedy one’s loneliness often end in more sorrow and isolation. Sylvie describes the lonely women she’s met during her travels and shares their sad stories with Ruth and Lucille. The stories disturb the girls, and one about a woman losing custody of her children alarms them particularly.
Lucille has only been alone with Ruth and Sylvie for a short while, and yet she already longs for contact with the outside world. Her sister and eccentric aunt are not enough for her, and as the novel progresses, Lucille’s resentment of the insular world they long to create will continue to intensify and rip them all apart.
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Lucille and Ruth are still uncertain that Sylvie will stay with them for good. She looks so much like their mother that they find themselves conflating the two, and half-waiting for Sylvie to abandon them at any moment. They have also noticed that Sylvie rarely takes off her coat—they worry that this means she’s planning to leave them soon.
Lucille and Ruth keep expecting Sylvie to leave because the trauma of their mother’s death still haunts them. They have been abandoned so many times in the last several years, and suffered so much loss, that it’s become their norm.
Lucille asks Sylvie why she doesn’t have any children. Sylvie tries to dodge the question, but when Lucille persists, Sylvie curtly tells her that “some questions aren’t polite.” She suggests they play cards after all, but before she sets up the game, she asks Ruth and Lucille to come downstairs with her and help her fetch warm bricks from the stove. Lucille and Sylvie take candles downstairs so that Sylvie can see what she’s doing, but on the way to the kitchen, Sylvie decides to go out to the porch for some wood for the stove. Out there, she gets distracted by the immense darkness of the night. While Ruth and Lucille stand silently inside, and Sylvie stands outside, Ruth feels as if there is “no proof that [any of them are] there at all.”
This passage shows that Sylvie’s dreamy distractedness is a trait she shares with Ruth. Ruth is pulled into Sylvie’s fantasies easily on, and as she observes Sylvie entertaining her solitude and fantasies, Ruth allows herself to indulge in these things as well.
Lucille snaps Ruth—and, it seems, Sylvie—from their moonlit trances by saying she’s tired of waiting. Sylvie goes over to the stove, puts the wood in, and retrieves their hot bricks. Ruth and Lucille carry chairs for cards upstairs to the bedroom, but notice that Sylvie is not behind them. Ruth goes out to the top of the stairs to shout for Sylvie, but her aunt does not return her calls.
Lucille, increasingly the outlier among the three, is still able to drag Ruth back from Sylvie’s dreamy, distant world—but even in the face of the girls’ summons, Sylvie remains hypnotized by solitude.
Ruth goes downstairs and all through the house looking for Sylvie, and at last finds her standing in Sylvia’s old bedroom. Ruth asks Sylvie to come upstairs, and Sylvie says she’ll be up in a minute. Ruth wades through the water and the dark towards where Sylvie is standing by the window and touches her face tenderly before pulling back her arm and hitting Sylvie in the middle. The two of them wordlessly make their way back upstairs, where they wrap themselves in blankets and play gin rummy with Lucille.
This moment of slightly playful aggression between Ruth and Sylvie shows that there is a deep unspoken connection between them. Ruth seems to feel that Sylvie owes her something—her specifically, not Lucille—and they are positioned as co-conspirators and silent allies.
“Fragments of the quotidian” wash up in strange places throughout Fingerbone as the flood recedes into the lake and the river, leaving the earth “warped and awash in mud.” Sylvie, Ruth, and Lucille do not participate at all in the slow restoration of the town—they and their whole family, the late Sylvia included, are known as “standoffish” throughout Fingerbone. They give out some canned goods to their neighbors, who with “polite envy” survey the comfort and order of the house up on the hill. Two weeks after the water is gone, most of their neighbors believe that their house has not been touched by the flood at all.
This passage reveals that the Foster women have had a reputation in Fingerbone for years for being isolated and unfriendly. The clever positioning of their house saves them from the ruin and difficulty many of their neighbors have to face, but it seems almost like a taunt or provocation to the others. This foreshadows the ways in which the town of Fingerbone will respond to the increasingly strange goings-on at the Foster home as the novel progresses.