Mary Shelley’s monster in
Frankenstein (1818) is constructed in a lab out of bits of machinery, highlighting fears about the shifting cultural emphasis from religion to science, and of societal changes brought about by the industrial revolution. However, although the monster Frankenstein creates is grotesque, the real monster is Dr. Frankenstein himself, as it is he who plays God and disrupts the laws of nature. Similarly, in Oscar Wilde’s
The Picture of Dorian Gray (1890) Dorian looks innocent and beautiful on the outside but is actually corrupt and evil, a modern, ironic subversion of the conventional association between beauty and goodness.