Human Acts

by

Han Kang

Teachers and parents! Our Teacher Edition on Human Acts makes teaching easy.

President Chun Doo-hwan Character Analysis

President Chun Doo-hwan ruled South Korea as a military dictator from the fall of 1980 to the winter of 1988. After being primed for office by his equally dictatorial predecessor, Park Chung-hee, Chun seized power in a military coup on May 17, 1980, prompting the 5:18 uprising in Gwangju. Chun’s crackdown on the uprising was brutal, with hundreds of civilians (many of them young people) murdered and thousands more left injured and traumatized. Throughout the novel, many of the characters reflect on the gap between Chun’s sleek appearance and the brutality he and his government are capable of.

President Chun Doo-hwan Quotes in Human Acts

The Human Acts quotes below are all either spoken by President Chun Doo-hwan or refer to President Chun Doo-hwan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Human Connection Theme Icon
).
Chapter 1: The Boy, 1980 Quotes

Why would you sing the national anthem for people who've been killed by soldiers? Why cover the coffin with the Taegukgi? As though it wasn't the nation itself that had murdered them. […]

“But the generals are rebels, they seize power unlawfully. You must have seen it: people being beaten and stabbed in broad daylight, and even shot. The ordinary soldiers were following the orders of their superiors. How can you call them the nation?”

You found this confusing, as though it had answered an entirely different question to the one you wanted to ask. The national anthem rang out like a circular refrain, one verse clashing with another against the constant background of weeping, and you listened with bated breath to the subtle dissonance this created. As though this, finally, might help you understand what the nation really was.

Related Characters: Eun-sook (speaker), Dong-ho, President Chun Doo-hwan
Page Number: 17
Explanation and Analysis:
Chapter 3: The Editor, 1985 Quotes

His face was utterly ordinary. Thin lips, no noticeable irregularities to his features. He wore a pale yellow shirt with a wide collar, and his gray suit trousers were held up by a belt. Its buckle gleamed. Had they met by chance in the street, she would have taken him for some run-of-the-mill company manager or section chief.

“Bitch. A bitch like you, in a place like this? Anything could happen, and no one would find out.”

At this point, the force of the slap had already burst the capillaries in her cheek and the man's fingernails had broken her skin. But Eun-sook hadn't known that yet.

Related Characters: The Interrogator (speaker), Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan, The Translator
Page Number: 69
Explanation and Analysis:

Her initial impression is that the pages have been burned. They’ve been thrown onto a fire and left to blacken […]

More than half of the sentences in the ten-page introduction have been scored through. In the thirty or so pages following, this percentage rises so that the vast majority of sentences have aligned through them. From around the fifth page onward, perhaps because drawing a line had become too labor-intensive, entire pages have been blacked out, presumably using an ink roller […]

She recalls sentences roughly darned and patched, places where the forms of words can just about be made out in paragraphs that had been otherwise expunged. You. I. That. Perhaps. Precisely. Everything. You. Why. Gaze. Your eyes. Near and far. That. Vividly. Now. A little more. Vaguely. Why did you. Remember? Gasping for breath in these interstices, tiny islands among language charred out of existence.

Related Characters: Eun-sook, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 80
Explanation and Analysis:

As she silently chewed the grains of rice, it occurred to her, as it had before, that there was something shameful about eating. Gripped by this familiar shame, she thought of the dead, for whom the absence of life meant they would never be hungry again. But life still lingered on for her, with hunger still a yoke around her neck. It was that which had tormented her for the past five years—that she could still feel hunger, still salivate at the sight of food.

Related Characters: Dong-ho, Jeong-dae, Eun-sook, President Chun Doo-hwan
Page Number: 86
Explanation and Analysis:

She could have pressed her hands over her ears, could have screwed her eyes tight shut, shook her head from side to side or moaned in distress. Instead, she simply remembered you, Dong-ho. How you darted away at the stairs when she tried to take you home. Your face frozen with terror, as though escaping this importunate plea was your only hope of survival. Let’s go together, Dong-ho. We ought to leave together, right away. You stood there clinging to the second-floor railing, trembling. When she caught your gaze, Eun-sook saw your eyelids quiver. Because you were afraid. Because you wanted to live.

Related Characters: Eun-sook (speaker), Dong-ho, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 93
Explanation and Analysis:

Certain crowds do not blench at the prospect of looting, murder, and rape, while on the other hand, others display a level of courage and altruism which those making up that same crowd would have had difficulty in achieving as individuals. The author argues that, rather than this latter type of crowd being made-up of especially noble individuals, that nobility which is a fundamental human attribute is able to manifest itself through borrowing strength from the crowd; also, similarly, that the former case is one in which humanity's essential barbarism is exacerbated not by the especially barbaric nature of any of the individuals involved, but through that magnification which occurs naturally in crowds.

Related Characters: Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan
Page Number: 96
Explanation and Analysis:
Chapter 4: The Prisoner, 1990 Quotes

At that moment, I realized what all this was for. The words that this torture and starvation were intended to elicit. We will make you realize how ridiculous it was, the lot of you waving the national flag and singing the national anthem. We will prove to you that you are nothing but filthy, stinking bodies. That you are no better than the carcasses of starving animals.

[…] Watery discharge and sticky puss, foul saliva, blood, tears and snot, piss and shit that soiled your pants. That was all that was left to me. No, that was what I myself had been reduced to. I was nothing but the sum of those parts. The lump of rotting meat from which they oozed was the only “me” there was.

Related Characters: The Narrator (speaker), Yeong-chae, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 120
Explanation and Analysis:
Chapter 5: The Factory Girl, 2002 Quotes

The repeated words from Yoon’s e-mail, a pianist hammering the same keys, flicker in your mind’s eye like a cursor blinking on a computer screen. Testimony. Meaning. Memory. For the future.

[…] Again, you experienced that moment when the contours of suffering coalesce into clarity, a clarity colder and harder than any nightmare could ever be. The moment when you are forced to acknowledge that what you experienced was no mere dream.

[…] Yoon has asked you to remember. To face up to those memories, to bear witness to them. But how can such a thing be possible?

Related Characters: Seon-ju, President Chun Doo-hwan, The Professor/Yoon
Page Number: 164
Explanation and Analysis:
Epilogue: The Writer, 2013 Quotes

Permission? Yes, you have my permission, but only if you do it properly. Please, write your book so that no one will ever be able to desecrate my brother’s memory again […]

Whenever we had a toe war, I always won.

He was really ticklish, you see.

All I had to do was poke his foot with my big toe and he’d start squirming.

At first I couldn’t tell whether he was grimacing like that because he was ticklish, or because it really hurt…

But then he would turn bright red and laugh.

Related Characters: The Middle Brother (speaker), Dong-ho, The Writer, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 209
Explanation and Analysis:
Get the entire Human Acts LitChart as a printable PDF.
Human Acts PDF

President Chun Doo-hwan Quotes in Human Acts

The Human Acts quotes below are all either spoken by President Chun Doo-hwan or refer to President Chun Doo-hwan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Human Connection Theme Icon
).
Chapter 1: The Boy, 1980 Quotes

Why would you sing the national anthem for people who've been killed by soldiers? Why cover the coffin with the Taegukgi? As though it wasn't the nation itself that had murdered them. […]

“But the generals are rebels, they seize power unlawfully. You must have seen it: people being beaten and stabbed in broad daylight, and even shot. The ordinary soldiers were following the orders of their superiors. How can you call them the nation?”

You found this confusing, as though it had answered an entirely different question to the one you wanted to ask. The national anthem rang out like a circular refrain, one verse clashing with another against the constant background of weeping, and you listened with bated breath to the subtle dissonance this created. As though this, finally, might help you understand what the nation really was.

Related Characters: Eun-sook (speaker), Dong-ho, President Chun Doo-hwan
Page Number: 17
Explanation and Analysis:
Chapter 3: The Editor, 1985 Quotes

His face was utterly ordinary. Thin lips, no noticeable irregularities to his features. He wore a pale yellow shirt with a wide collar, and his gray suit trousers were held up by a belt. Its buckle gleamed. Had they met by chance in the street, she would have taken him for some run-of-the-mill company manager or section chief.

“Bitch. A bitch like you, in a place like this? Anything could happen, and no one would find out.”

At this point, the force of the slap had already burst the capillaries in her cheek and the man's fingernails had broken her skin. But Eun-sook hadn't known that yet.

Related Characters: The Interrogator (speaker), Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan, The Translator
Page Number: 69
Explanation and Analysis:

Her initial impression is that the pages have been burned. They’ve been thrown onto a fire and left to blacken […]

More than half of the sentences in the ten-page introduction have been scored through. In the thirty or so pages following, this percentage rises so that the vast majority of sentences have aligned through them. From around the fifth page onward, perhaps because drawing a line had become too labor-intensive, entire pages have been blacked out, presumably using an ink roller […]

She recalls sentences roughly darned and patched, places where the forms of words can just about be made out in paragraphs that had been otherwise expunged. You. I. That. Perhaps. Precisely. Everything. You. Why. Gaze. Your eyes. Near and far. That. Vividly. Now. A little more. Vaguely. Why did you. Remember? Gasping for breath in these interstices, tiny islands among language charred out of existence.

Related Characters: Eun-sook, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 80
Explanation and Analysis:

As she silently chewed the grains of rice, it occurred to her, as it had before, that there was something shameful about eating. Gripped by this familiar shame, she thought of the dead, for whom the absence of life meant they would never be hungry again. But life still lingered on for her, with hunger still a yoke around her neck. It was that which had tormented her for the past five years—that she could still feel hunger, still salivate at the sight of food.

Related Characters: Dong-ho, Jeong-dae, Eun-sook, President Chun Doo-hwan
Page Number: 86
Explanation and Analysis:

She could have pressed her hands over her ears, could have screwed her eyes tight shut, shook her head from side to side or moaned in distress. Instead, she simply remembered you, Dong-ho. How you darted away at the stairs when she tried to take you home. Your face frozen with terror, as though escaping this importunate plea was your only hope of survival. Let’s go together, Dong-ho. We ought to leave together, right away. You stood there clinging to the second-floor railing, trembling. When she caught your gaze, Eun-sook saw your eyelids quiver. Because you were afraid. Because you wanted to live.

Related Characters: Eun-sook (speaker), Dong-ho, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 93
Explanation and Analysis:

Certain crowds do not blench at the prospect of looting, murder, and rape, while on the other hand, others display a level of courage and altruism which those making up that same crowd would have had difficulty in achieving as individuals. The author argues that, rather than this latter type of crowd being made-up of especially noble individuals, that nobility which is a fundamental human attribute is able to manifest itself through borrowing strength from the crowd; also, similarly, that the former case is one in which humanity's essential barbarism is exacerbated not by the especially barbaric nature of any of the individuals involved, but through that magnification which occurs naturally in crowds.

Related Characters: Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan
Page Number: 96
Explanation and Analysis:
Chapter 4: The Prisoner, 1990 Quotes

At that moment, I realized what all this was for. The words that this torture and starvation were intended to elicit. We will make you realize how ridiculous it was, the lot of you waving the national flag and singing the national anthem. We will prove to you that you are nothing but filthy, stinking bodies. That you are no better than the carcasses of starving animals.

[…] Watery discharge and sticky puss, foul saliva, blood, tears and snot, piss and shit that soiled your pants. That was all that was left to me. No, that was what I myself had been reduced to. I was nothing but the sum of those parts. The lump of rotting meat from which they oozed was the only “me” there was.

Related Characters: The Narrator (speaker), Yeong-chae, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 120
Explanation and Analysis:
Chapter 5: The Factory Girl, 2002 Quotes

The repeated words from Yoon’s e-mail, a pianist hammering the same keys, flicker in your mind’s eye like a cursor blinking on a computer screen. Testimony. Meaning. Memory. For the future.

[…] Again, you experienced that moment when the contours of suffering coalesce into clarity, a clarity colder and harder than any nightmare could ever be. The moment when you are forced to acknowledge that what you experienced was no mere dream.

[…] Yoon has asked you to remember. To face up to those memories, to bear witness to them. But how can such a thing be possible?

Related Characters: Seon-ju, President Chun Doo-hwan, The Professor/Yoon
Page Number: 164
Explanation and Analysis:
Epilogue: The Writer, 2013 Quotes

Permission? Yes, you have my permission, but only if you do it properly. Please, write your book so that no one will ever be able to desecrate my brother’s memory again […]

Whenever we had a toe war, I always won.

He was really ticklish, you see.

All I had to do was poke his foot with my big toe and he’d start squirming.

At first I couldn’t tell whether he was grimacing like that because he was ticklish, or because it really hurt…

But then he would turn bright red and laugh.

Related Characters: The Middle Brother (speaker), Dong-ho, The Writer, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 209
Explanation and Analysis: