Brontë uses many themes of Gothic novels to add drama and suspense to Jane Eyre. But the novel isn't just a ghost story because Brontë also reveals the reasons behind supernatural events. For instance, Mr. Reed's ghost in the red-room is a figment of Jane's stressed-out mind, while Bertha is the "demon" in Thornfield. In Jane Eyre, the effects of the supernatural matter more than the causes. The supernatural allows Brontë to explore her characters' psyches, especially Jane's inner fears. The climactic supernatural moment in the novel occurs when Jane and Rochester have a telepathic connection. In the text, Jane makes it clear that the connection was not supernatural to her. Instead, she considers that moment a mysterious spiritual connection. Brontë makes their telepathy part of her conceptions of love and religion.
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The ThemeTracker below shows where, and to what degree, the theme of The Spiritual and the Supernatural appears in each chapter of Jane Eyre. Click or tap on any chapter to read its Summary & Analysis.
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Below you will find the important quotes in Jane Eyre related to the theme of The Spiritual and the Supernatural.
Chapter 2
Quotes
Returning, I had to cross before the looking-glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: … the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit.
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Chapter 4
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Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty.
Chapter 8
Quotes
The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her … [Helen] suddenly acquired a beauty more singular than that of Miss Temple's—a beauty neither of fine color nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance.
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Chapter 11
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While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ear. It was a curious laugh; distinct, formal, mirthless. I stopped: the sound ceased, only for an instant; it began again, louder: for at first, though distinct, it was very low. It passed off in a clamorous peal that seemed to wake an echo in every lonely chamber; though it originated but in one, and I could have pointed out the door whence the accents issued.
Chapter 20
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What crime was this that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner?—what mystery, that broke out now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman's face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey?
Chapter 23
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I sometimes have a queer feeling with regard to you—especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.
Chapter 25
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I faced the wreck of the chestnut-tree; it stood up black and riven: the trunk, split down the centre, gaped ghastly … their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree—a ruin, but an entire ruin.
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