Considered one of the first works of American literary realism,
Life in the Iron Mills portrayed the everyday lives of its run-of-the-mill characters in a fashion similar to the realist works of William Dean Howells, such as
A Modern Instance, which follows a broken marriage and the negative effects of capitalism. Rebecca Harding Davis and
Life in the Iron Mills also had admirers in the transcendentalists, such as Ralph Waldo Emerson and Louisa May Alcott. Transcendentalism was another reaction against industrialization, specifically finding fault in the way the industrial revolution undermined the power of the individual by ousting workers in favor of machinery. Transcendentalism also emphasized the power of the natural world, as seen in Emerson’s “Nature,” which is comparable to
Life in the Iron Mills’ critique of the industrialized city and praise for the countryside.
Life in the Iron Mills also has thematic similarities with the slave narratives of the time. Published one year after
Life in the Iron Mills, Harriet Jacobs’
Incidents in the Life of a Slave Girl details Jacobs’ experience as a slave in the American South. Both works highlight the harsh realities of forced labor in the South and both works attempt to reach an upper-class audience to spur change. Harriet Beecher Stowe’s
Uncle Tom’s Cabin also contains similar strands of social criticism and Christian ethics that appear within the pages of
Life in the Iron Mills. Modern books about laborers that have a similar social message include Barbara Ehrenreich’s
Nickel and Dimed, which examines the effects of the 1996 Welfare Reform Act on the working class, and Valeria Luiselli’s
The Story of My Teeth, which chronicles one man’s experience of living in Mexico City’s industrial suburbs.