Little Bee

by

Chris Cleave

Little Bee: Chapter One Summary & Analysis

Summary
Analysis
Little Bee often wishes she was a “British pound coin instead of an African girl,” because people are always happy to see a pound coin. A coin can travel easily between people and even between countries as a result of “globalization,” to wherever it thinks it will be safest. An African girl gets held up by immigration authorities, but a coin can pass right on through. Also, the coin has the Queen’s face on it and speaks “the Queen’s English”—the grammar and voice that carries so much weight and authority in England.
Little Bee’s opening statement that she wishes to be a coin rather than herself establishes identity as one of the story’s major themes. Her wish to be a coin rather than herself suggests that Little Bee values safety and mobility far more than authenticity; she is willing to set her own true self aside for the sake of protection and escape.
Themes
The Refugee Experience Theme Icon
Identity and Fear Theme Icon
Quotes
In the two years that Little Bee lives in an immigration detention center in Essex, England, she teaches herself to speak “the Queen’s English,” because the older women tell her the only way to avoid deportation is to be pretty or well-spoken. On the day she leaves the detention center, a detention officer hands her a transport voucher and points to a phone on the wall where she can call a cab. Three other girls are in line to use it before her. The hallway with the phone “was dirty but it smelled clean,” because the officers soaked it with bleach. Little Bee thinks “that is a good trick.” An officer at his desk reads a newspaper with a topless girl on the centerfold, which Little Bee knows would shock the “girls back home.”
Little Bee’s ability to speak the Queen’s English contributes to her constructed identity, which helps her to survive as a refugee and makes her more like the British pound and less like an African girl. The dirty hallway that smells clean because it’s soaked with bleach symbolizes the UK’s immigration system as a whole, since it is shown to be corrupt and cruel yet most British people think it is safe, just, and genuine in its efforts to provide asylum. Little Bee occasionally speaks to “the girls back home” as a way to emphasize the cultural contrast between her childhood home and England.
Themes
The Refugee Experience Theme Icon
Cross-Cultural Relationships Theme Icon
Identity and Fear Theme Icon
The detention officer stares at the topless girl in the newspaper, though Little Bee thinks he ought to be watching the girls in line for the telephone instead, in case they run. However, the detention center is simply letting the girls go, which Little Bee does not understand. Two years before, when she was 14, Little Bee arrived in England without papers, so they threw her in detention with the adults. However, during the day, the men were mixed in with the women, and the older men watched her with “hungry eyes,” so Little Bee made herself as undesirable as possible, wearing loose clothes, refusing to bathe, and strapping a cotton band around her breasts to flatten them. Once a week, at night in her cell, Little Bee took off her heavy boots and painted her toenails red to remember that she is “alive underneath everything.
This section demonstrates both the benefit and risk of employing a constructed identity. Little Bee transforms herself from a girl to a sexless person to protect herself from predatory men. However, Little Bee’s need to paint her toenails red to privately remind herself that she is “alive underneath” suggests that though her shapeless identity protects her from men, it also diminishes her own sense of self and humanity.
Themes
The Refugee Experience Theme Icon
Horror and Trauma Theme Icon
Identity and Fear Theme Icon
Quotes
Little Bee’s older sister Nkiruka “became a woman” under the African sun; Little Bee becomes a woman beneath fluorescent lights in an underground detention center where it is cold regardless of season. Little Bee feels that, though an African girl is somewhere deep inside her still, she was “reborn […] in captivity” and emerged as something unnatural, a strange hybrid of the developing and developed world. She looks like a disheveled African girl in cast-off clothes but speaks like the “leader column of The Times.” She admits, “I would cross the street to avoid me.” Little Bee is lonely as a refugee, feeling as if she belongs nowhere. Her life seems colored “gray.”
Again, Little Bee’s sense of being reborn suggests that because of this new identity she takes on in the detention center, which protects her from deportation and from men, she feels that she has lost the child she was back in Africa. Little Bee’s admission that she’d even want to avoid herself suggests that she struggles with self-contempt. The color gray repeatedly symbolizes lifelessness, numbness, and fatigue throughout the story.
Themes
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Horror and Trauma Theme Icon
Identity and Fear Theme Icon
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On the morning of Little Bee’s release, the officers give her and the three other girls all of their possessions in clear plastic bags. Little Bee has gray socks, gray briefs, an English dictionary, and a business card and UK driver’s license that belong to a white man named Andrew O’Rourke, whom Little Bee met on a beach once. Holding her plastic bag, Little Bee steps into the line of girls at the telephone. A tall pretty Jamaican woman with a pink scarf and plucked eyebrows is speaking into the phone, trying to explain where she is to the cab driver, though she doesn’t know the name of the detention center. The girl behind her is extraordinarily beautiful, wearing a yellow sari, but she has nothing in her bag and she never speaks.
Both women’s physical beauty reinforces Little Bee’s earlier statement that women must be either pretty or well-spoken to survive in the detention center. Compared to Little Bee’s bag, the other girl’s empty bag suggests not only that she has no possessions, but also that she has no tools for survival once she leaves the detention center.
Themes
The Refugee Experience Theme Icon
Horror and Trauma Theme Icon
Identity and Fear Theme Icon
The third girl in line, wearing green trainers, is neither pretty nor well-spoken but her bag is full of official documents that detail her story and journey to the UK. Her story starts like every woman’s story in the detention center: “The-men-came-and-they…” The Jamaican woman asks her the name of the detention center and Little Bee reads “Black Hill Immigration Removal” off of a plaque on the wall. The Jamaican woman is impressed that she can read and tells the man on the phone. He calls her “scum” and hangs up immediately. Neither the Jamaican woman nor Little Bee understand what this word means.
“The men” is used throughout Little Bee’s narrative to represent anyone who poses a risk to her or women like her, thus forming an embodiment of Little Bee’s fear. Although in this instance, the men represent people who commit violent acts against women and force them to become refugees, the men later represents police, immigration authorities, or even people who would seek to depose the Queen of England.
Themes
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Horror and Trauma Theme Icon
Identity and Fear Theme Icon
The girl in the yellow sari steps up to the phone and begins whispering into it in a foreign language. The Jamaican woman taps her on the forehead and tells her she must speak English. The girl in the sari slowly recites a memorized sentence stating that she wants to go to England. In frustration, the Jamaican woman takes the phone to speak herself, but realizes the other girl has been speaking to a dial tone. The Jamaican woman hands the phone to Little Bee to try calling someone. Little Bee calls the cab company and tells the dispatcher that she needs a cab for four women at the detention center, but they are cleaners, not refugees. They need to go to Kingston-upon-Thames in Surrey. They’ll pay cash on arrival.
The girl’s speaking into the dial tone suggests that she is either mentally traumatized or so unfamiliar with the way that the developed world works that she cannot make her way through it on her own. In either case, the girl in the sari seems ill-equipped to navigate a new country, which reflects the emptiness of her plastic bag, which has no tools for survival in it (by contrast, Little Bee’s bag contains an English dictionary and the phone number of a person she knows in the country). The fact that Little Bee must lie and tell the cab dispatcher that they are not refugees demonstrates the prejudice refugees must contend with.
Themes
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Horror and Trauma Theme Icon
Moral Compromise and Self-Interest Theme Icon
Identity and Fear Theme Icon
Next, Little Bee calls Andrew O’Rourke at the number on his business card. When he picks up, Little Bee introduces herself as the girl he met on the beach two years ago in Nigeria. She tells him that she is in England now, and she is coming to Andrew and Sarah’s house because she does not know anyone else in the country. Andrew first thinks she is a scammer, then acts angry, insisting that that day on the beach “happened a long time ago.” Little Bee tells him she is coming either way, she just wanted to let him know ahead of time.
Andrew’s disbelief followed by anger and rationalization suggests that whatever the event in question was, he feels guilty about it even two years after it took place. Although Little Bee is thrusting her and Andrew’s reunion upon him, this parallels the manner in which all of the trauma and pain Little Bee endured was thrust upon her by events beyond her control.
Themes
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Cross-Cultural Relationships Theme Icon
Moral Compromise and Self-Interest Theme Icon
When Little Bee hangs up the phone, she tells the girls that a cab is coming for them and they should wait outside. The Jamaican woman introduces herself as Yevette, and thinks Little Bee is a silly name. The other two girls remain silent. As they walk past the security desk, the detention officer reading the magazine opens his mouth as if to say something. Little Bee thinks he is about to tell them there was a mistake, and wonders if they should flee. Instead, he pauses, then wishes them good luck.
Where Little Bee makes every effort to sound as authentically British as possible, Yevette’s thick Jamaican accent immediately marks her as a foreigner.
Themes
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Identity and Fear Theme Icon
Little Bee opens the door, but the sudden smell of wet grass and fresh air frightens her—she has not been outdoors in all the time that she was detained. Yevette is impatient to leave and gives Little Bee a shove out the door, knocking her on the ground. Both women laugh at her “glorious” entrance into the free world. As the girls walk, Little Bee reaches under her shirt and unwraps the cotton band from her breasts, letting it fall to the dirt. The “whole world was fresh and new and bright.”
Little Bee’s shock at meeting the natural world once again suggests that refugees are often mistreated by the government systems, not afforded basic dignities like the chance to be outside and breathe clean air. Additionally, Little Bee’s ungraceful landing onto English soil parallels her entrance into English society, which she falls into with a mixture of humor and pain.
Themes
The Refugee Experience Theme Icon
Cross-Cultural Relationships Theme Icon
Identity and Fear Theme Icon
Quotes