Unlike the Patna, which is the source of Jim’s deep shame, Patusan becomes a new opportunity for Jim that gives him a chance to grow. It symbolizes the positive and negative potential of romantic ideals. Joseph Conrad’s works often feature doubles and opposites, and so it makes sense that the novel pairs and contrasts the Patna with the similar-sounding Patusan. Patusan is the first place in the world where Jim is treated with awe and respect—so much so that he earns the title “Tuan Jim” (Lord Jim). The Malay residents of the village see Jim as a legendary figure, exaggerating his positive qualities and seeing Jim in the same romantic way that Jim sees himself. But while Jim flourishes with the encouragement of the residents of Patusan, he also becomes a sort of prisoner, both to his own high ideals and to his sense of responsibility toward protecting the villagers. When Jim fails to protect his friend Dain Waris, he also fails to be the perfect leader that he and his followers expect him to be. As a result, he sees no choice but to sacrifice himself in order to die with honor, all for the sake of satisfying an ideal. Patusan, then, represents both the positive and negative aspects of fantasy: how romantic ideals can bring out the best in a person, but also how being overly committed to ideals can lead to self-destruction.
Patusan Quotes in Lord Jim
‘All this was in the past, but I knew the story of his life and the origin of his fortune. He was also a naturalist of some distinction, or perhaps I should say a learned collector. Entomology was his special study. His collection of Buprestidae and Longicorns—beetles all—horrible miniature monsters, looking malevolent in death and immobility, and his cabinet of butterflies, beautiful and hovering under the glass of cases on lifeless wings, had spread his fame far over the earth. The name of this merchant, adventurer, sometime adviser of a Malay sultan (to whom he never alluded otherwise than as “my poor Mohammed Bonso”), had, on account of a few bushels of dead insects, become known to learned persons in Europe, who could have had no conception, and certainly would not have cared to know anything, of his life or character. I, who knew, considered him an eminently suitable person to receive my confidences about Jim’s difficulties as well as my own.’
“To tell you the truth, Stein,” I said with an effort that surprised me, “I came here to describe a specimen. . . .”
‘“Butterfly?” he asked, with an unbelieving and humorous eagerness.
‘“Nothing so perfect,” I answered, feeling suddenly dispirited with all sorts of doubts. “A man!”
‘I don’t suppose any of you have ever heard of Patusan?’ Marlow resumed, after a silence occupied in the careful lighting of a cigar. ‘It does not matter; there’s many a heavenly body in the lot crowding upon us of a night that mankind had never heard of, it being outside the sphere of its activities and of no earthly importance to anybody but to the astronomers who are paid to talk learnedly about its composition, weight, path—the irregularities of its conduct, the aberrations of its light—a sort of scientific scandal-mongering. Thus with Patusan.’
‘The conquest of love, honour, men’s confidence—the pride of it, the power of it, are fit materials for a heroic tale; only our minds are struck by the externals of such a success, and to Jim’s successes there were no externals. Thirty miles of forest shut it off from the sight of an indifferent world, and the noise of the white surf along the coast overpowered the voice of fame.’
‘“This is where I was prisoner for three days,” he murmured to me (it was on the occasion of our visit to the Rajah), while we were making our way slowly through a kind of awestruck riot of dependants across Tunku Allang’s courtyard. “Filthy place, isn’t it?”’
‘Doramin was one of the most remarkable men of his race I had ever seen. His bulk for a Malay was immense, but he did not look merely fat; he looked imposing, monumental. This motionless body, clad in rich stuffs, coloured silks, gold embroideries; this huge head, enfolded in a red-and-gold headkerchief; the flat, big, round face, wrinkled, furrowed, with two semicircular heavy folds starting on each side of wide, fierce nostrils, and enclosing a thick-lipped mouth; the throat like a bull; the vast corrugated brow overhanging the staring proud eyes—made a whole that, once seen, can never be forgotten. His impassive repose (he seldom stirred a limb when once he sat down) was like a display of dignity.’
‘The popular story has it that Jim with a touch of one finger had thrown down the gate. He was, of course, anxious to disclaim this achievement. The whole stockade—he would insist on explaining to you—was a poor affair […]; and, anyway, the thing had been already knocked to pieces and only hung together by a miracle. He put his shoulder to it like a little fool and went in head over heels. Jove! If it hadn’t been for Dain Waris, a pock-marked tattooed vagabond would have pinned him with his spear to a baulk of timber like one of Stein’s beetles. The third man in, it seems, had been Tamb’ Itam, Jim’s own servant. This was a Malay from the north, a stranger who had wandered into Patusan, and had been forcibly detained by Rajah Allang as paddler of one of the state boats. He had made a bolt of it at the first opportunity, and finding a precarious refuge (but very little to eat) amongst the Bugis settlers, had attached himself to Jim’s person. His complexion was very dark, his face flat, his eyes prominent and injected with bile. There was something excessive, almost fanatical, in his devotion to his “white lord.”’
‘Next day, talking casually with the people of the little native court of the place, I discovered that a story was travelling slowly down the coast about a mysterious white man in Patusan who had got hold of an extraordinary gem—namely, an emerald of an enormous size, and altogether priceless.’
‘This was the theory of Jim’s marital evening walks. I made a third on more than one occasion, unpleasantly aware every time of Cornelius, who nursed the aggrieved sense of his legal paternity, slinking in the neighbourhood with that peculiar twist of his mouth as if he were perpetually on the point of gnashing his teeth.’
‘Why did I come, then? After a slight movement she was as still as a marble statue in the night. I tried to explain briefly: friendship, business; if I had any wish in the matter it was rather to see him stay. . . . “They always leave us,” she murmured. The breath of sad wisdom from the grave which her piety wreathed with flowers seemed to pass in a faint sigh. . . . Nothing, I said, could separate Jim from her.’
‘Thus Brown balanced his account with the evil fortune. Notice that even in this awful outbreak there is a superiority as of a man who carries right—the abstract thing—within the envelope of his common desires. It was not a vulgar and treacherous massacre; it was a lesson, a retribution—a demonstration of some obscure and awful attribute of our nature which, I am afraid, is not so very far under the surface as we like to think.’
‘Who knows? He is gone, inscrutable at heart, and the poor girl is leading a sort of soundless, inert life in Stein’s house. Stein has aged greatly of late. He feels it himself, and says often that he is “preparing to leave all this; preparing to leave . . .” while he waves his hand sadly at his butterflies.’
September 1899—July 1900.