Maurice

by

E. M. Forster

Penge Symbol Icon

Penge, the estate that belongs to Clive’s family, symbolizes the homophobia embedded in the social structures and prevailing attitudes of England during the time of the novel. The homophobia at the heart of Penge is exemplified by the lies Clive will tell to ensure that Penge, and his ability to inherit it, is not disturbed. When Maurice first visits Penge, he and Clive are in a relationship, and Clive has arranged their rooms to have enough privacy so that they can talk through the night. They must do so in secret, though, and while they might momentarily forget their surroundings, the possibility that they might be discovered underlies their entire meeting.

Clive also stands to inherit Penge once he marries. Given the prohibitions against homosexuality at the time, Clive cannot marry Maurice. Because of this, the novel implies, he turns to heterosexuality to avoid upsetting the status quo, determining to live as a “normal man” (as he tells Maurice). This turn toward heterosexuality, and Clive’s eventual marriage, paves the way for him to inherit not just Penge but all of the trappings of upper-class life, including this society’s deeply entrenched homophobia. When Maurice visits Clive at Penge to tell him that he is going to begin a relationship with Alec, he makes a point to tell Clive that they first began their relationship and slept together at Penge. Clive is appalled. He tells Maurice that he thought Maurice had given up on that “obsession.” Maurice, though, refuses to lie about his sexual orientation, instead opting for happiness by embarking on a relationship with Alec. Clive, on the other hand, is left to come up with a lie to tell his wife, Anne, if she asks why Maurice visited. He must lie, then, to uphold the status quo and to make sure his marriage continues—a charade that has allowed him to inherit Penge. This lie further cements the estate as a symbol of the homophobia at the heart of English society. Penge also comes to symbolize all that a person in Clive’s position stands to lose if they renounce homophobia and embrace their true selves. The novel argues that it is infinitely worthwhile to renounce corrupt material possessions in favor of a spiritual, selfless kind of love.

Penge Quotes in Maurice

The Maurice quotes below all refer to the symbol of Penge. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Love and Sacrifice Theme Icon
).
Chapter 17 Quotes

“Well, he is his own master. This place is his. Did he tell you?”

“No.”

“Oh, Penge is his absolutely, under my husband’s will. I must move to the dower house as soon as he marries—”

Related Characters: Mrs. Durham (speaker), Maurice Hall, Clive Durham
Related Symbols: Penge
Page Number: 95
Explanation and Analysis:
Chapter 22 Quotes

He saw only dying light and a dead land. He uttered no prayer, believed in no deity, and knew that the past was devoid of meaning like the present, and a refuge for cowards

Well, he had written to Maurice at last … “Against my will I have become normal. I cannot help it.” The words had been written …

Related Characters: Clive Durham (speaker), Maurice Hall
Related Symbols: Penge, The Symposium
Page Number: 116
Explanation and Analysis:
Chapter 24 Quotes

It humiliated him, for he had understood his soul, or, as he said, himself, ever since he was fifteen. But the body is deeper than the soul and its secrets inscrutable. There had been no warning—just a blind alteration of the life spirit, just an announcement, “You who loved men, will henceforward love women. Understand or not, it’s the same to me.” Whereupon he collapsed. He tried to clothe the change in reason, and understand it, in order that he might feel less humiliated: but it was of the nature of death or birth, and he failed.

Related Characters: Clive Durham (speaker), Maurice Hall
Related Symbols: Penge
Page Number: 118
Explanation and Analysis:

How happy normal people made their lives! On how little had he existed for twenty-four years!

Related Characters: Clive Durham (speaker), Maurice Hall
Related Symbols: Penge
Page Number: 119
Explanation and Analysis:
Chapter 40 Quotes

He had abused his host’s confidence and defiled his house in his absence, he had insulted Mrs Durham and Anne. And when he reached home there came a worse blow; he had sinned against his family.

Related Characters: Maurice Hall (speaker), Clive Durham, Alec Scudder
Related Symbols: Penge
Page Number: 206
Explanation and Analysis:
Chapter 45 Quotes

He faced Mr Borenius, who had lost all grasp of events. Alec had completely routed him. Mr Borenius assumed that love between two men must be ignoble, and so could not interpret what had happened. He became an ordinary person at once, his irony vanished.

Related Characters: Maurice Hall (speaker), Alec Scudder, Mr. Borenius
Related Symbols: Penge
Page Number: 239
Explanation and Analysis:
Chapter 46 Quotes

He waited for a little in the alley, then returned to the house, to correct his proofs and devise some method of concealing the truth from Anne.

Related Characters: Clive Durham (speaker), Maurice Hall, Anne
Related Symbols: Penge
Page Number: 246
Explanation and Analysis:
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Penge Symbol Timeline in Maurice

The timeline below shows where the symbol Penge appears in Maurice. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 17
Love and Sacrifice Theme Icon
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Class Theme Icon
...responds that Clive means to. Mrs. Durham tells him that Clive will inherit their estate, Penge, once he marries. While riding, Maurice and Clive talk about children and inheritances. Clive says,... (full context)
Chapter 34
Love and Sacrifice Theme Icon
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Maurice reaches Penge three days before the Park v. Village cricket match. He has been thinking of the... (full context)
Chapter 36
Love and Sacrifice Theme Icon
Class Theme Icon
Maurice and another guest, Archie London, are leaving Penge at the same time. The gamekeeper, Alec Scudder, who took them both to shoot rabbits,... (full context)
Love and Sacrifice Theme Icon
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
...and forth in his mind for a few moments, Maurice decides to travel back to Penge. (full context)
Chapter 37
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Class Theme Icon
When Maurice returns to Penge, he begins to think that a “rearrangement” is taking place, and he owes it all... (full context)
Chapter 40
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Class Theme Icon
Maurice decides he must return to town, and those at Penge respond understandingly. It has become an open secret that a woman almost accepted Maurice’s proposal... (full context)
Chapter 44
Love and Sacrifice Theme Icon
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
...Maurice says they have to make plans, lest things happen the way they did at Penge. Alec says, “Don’t talk to me about Penge,” and explains the indignities he suffered as... (full context)
Chapter 45
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Class Theme Icon
...but Maurice locates the Scudder family. Maurice is surprised when Mr. Borenius, the rector at Penge, calls his name. He says he has come to give Alec a letter of introduction... (full context)
Love and Sacrifice Theme Icon
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Class Theme Icon
...for Alec, but he doesn’t arrive. Maurice knows Alec must be waiting for him at Penge, and he goes to shore elated. Maurice thinks that to be together, he and Alec... (full context)
Chapter 46
Love and Sacrifice Theme Icon
Sexual Orientation, Homophobia, and Self-Acceptance Theme Icon
Masculinity and Patriarchy Theme Icon
Religion Theme Icon
Maurice goes to Penge late that same night and finds Clive busy with work. “I’m in love with your... (full context)