Motorcycles & Sweetgrass

by

Drew Hayden Taylor

Cultural Maintenance vs. Loss Theme Analysis

Themes and Colors
LitCharts assigns a color and icon to each theme in Motorcycles & Sweetgrass, which you can use to track the themes throughout the work.

Motorcycles & Sweetgrass takes place on an Anishnawbe Reserve in the aftermath of colonial projects like residential schools, which intended to wipe out Indigenous cultures. Though these institutions failed to exterminate First Nations people and traditions, they did impose colonial language, religion, and ideology onto Indigenous peoples. Fluency in the Anishnawbe language is dying with Lillian’s generation, who were the last to speak it at home before the imposition of English. In fact, Lillian makes a distinction between her own “Anishnawbe” culture and Maggie’s “First Nations” culture, suggesting that Indigenous identity shifted in response to the changing times and colonial influences. However, this isn’t necessarily a bad thing: Lillian also embraces Christianity, and she sees no contradiction in her love of its teachings and her belief in the traditional Anishnawbe religion. This suggests that there are ways to engage with colonial culture that do not contribute to the loss of Native culture, but that this requires a deep understanding and love of Native culture that is increasingly inaccessible to younger generations.

The return of John (or Nanabush) to Otter Lake signifies a return of traditional magic, and by extension a return of lost aspects of Anishnawbe culture. He embodies a comfort with wilderness and chaos that has been lost as the Anishnawbe people of Otter Lake have had to contend with bureaucracy, capitalism, and other elements of contemporary Canadian culture. Despite these losses, John also recognizes that younger Anishnawbe generations retain certain distinctly Indigenous worldviews. For instance, when Maggie opens a press conference with a speech about the land, John is pleased that “Native people still knew how to talk and think like the Native people he remembered.” However, even this worldview is fading among the residents of Otter Lake, and Maggie actively chooses to hold on to it. Likewise, Virgil is the only young character fluent in Anishnawbe, because Lillian chose to put in the effort of teaching it to him. The cultural context of Anishnawbe traditions shapes the Otter Lake community, but the novel suggests that members of that community must work to maintain specific elements of their traditional culture in the face of increasing pressure to assimilate.

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Cultural Maintenance vs. Loss Quotes in Motorcycles & Sweetgrass

Below you will find the important quotes in Motorcycles & Sweetgrass related to the theme of Cultural Maintenance vs. Loss.
Chapter 1  Quotes

Those with darker skin who were not yet adults and free of this mandatory education called it the Angry Place. Still, she put up with it. It had taken a long time to get here and she instinctively knew it would take her a much longer time to get home. Wherever that was––she had no idea if it was north, south, east or west. It was just far away. As soon as she arrived, she was told stories of one of the girls trying to run away. She wasn’t the type to break the rules like that. Instead, she decided to deal with the present by concentrating on the past and the future: remembering the family she had just left, and imagining the family that she would someday have.

Related Characters: Lillian Benojee, Sammy Aandeg
Page Number: 9
Explanation and Analysis:
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Chapter 2  Quotes

He lay there for hours, fading in and out of consciousness, bits and pieces of past lives trying to claw their way to the surface.

Wendigos, his long-dead mother. Women and men he’d known, fought and loved. Hunting deer. Buffalo. Whales. Creation. More memories than a hundred people could possibly have, yet they were all his. He just lay there, as his past ran over him, like pages from his life randomly flipping by.

Then, from the recesses of his damaged mind, she appeared.

The face that had once stopped him from wandering the country, the body that had made him forget all the others (at that time anyway) and the smile that had made him hold his breath.

Related Characters: John/Nanabush/The Man, Lillian Benojee
Page Number: 22
Explanation and Analysis:
Chapter 4  Quotes

“Making me wait is a luxury you won’t have much longer,” [Lillian] said in Anishnawbe, the language of her people. She spoke it like all the old-timers did, with strength and confidence, not hesitantly and softly like the youngsters who took the language in university, if they took it at all.

Maggie […] responded, also in Anishnawbe, but with not quite the same command. Still, she was more accomplished with her Native tongue than most of the community. If nothing else, that was the legacy Lillian and her husband, may his soul rest in peace, would leave behind. All their kids spoke the language––some better than others, but at least they spoke it. And in this day and age, that was their little miracle.

Related Characters: Lillian Benojee (speaker), John/Nanabush/The Man, Maggie Second
Page Number: 39
Explanation and Analysis:

“Never mind. You wouldn’t understand. It’s an Anishnawbe thing.”

“Mom, I'm Anishnawbe. We all are.”

Lillian put her hand on Maggie’s shoulder. “No child, you’re what they call nowadays a First Nations. They don’t necessarily mean the same thing.”

Related Characters: Lillian Benojee (speaker), John/Nanabush/The Man, Maggie Second
Page Number: 45
Explanation and Analysis:
Chapter 8  Quotes

Land...no issue affected Native peoples and non-Native peoples so strongly and yet so differently. On the one hand, White people thought land was there to be owned and utilized. […] Otherwise it was wasted. […] Native people, on the other hand, saw themselves as being part of Nature. It was a big huge intertwining web. You could no more own the land under your feet than you could the sky over your head […].

But colonization had a nasty tendency to work its way into the DNA, the beliefs and philosophies and the very ways of life of the people being colonized. Nowadays, some of the people on Maggie’s Reserve, other than having a good tan, were indistinguishable from White people.

Lillian, however, had been what could be called an old-fashioned Indian, and she had taught her family respect for this land.

Related Characters: John/Nanabush/The Man, Maggie Second, Lillian Benojee
Page Number: 83
Explanation and Analysis:
Chapter 11  Quotes

“You have to understand, your mother came from a time when people still believed in mystical and magical things. The forest was alive. There were spirits everywhere. […] Today’s world is very different.

How active or magical is your Band Office? Not a lot seems alive today to those old-fashioned Indians. I think she wanted you to understand some of what she felt growing up. It made life more interesting, and more Anishnawbe. I think Lillian wanted that for you.”

Related Characters: John/Nanabush/The Man (speaker), Virgil Second, Maggie Second, Lillian Benojee
Page Number: 119
Explanation and Analysis:
Chapter 17 Quotes

“Virgil, I loved my mother more than anybody else could possibly know. But she died. She had to die. We all do. And while it is sad that I will never see her again, I know that she was contributing to what we call the circle of life. She passed on so that somewhere out there, a baby could be born in her place. You know how much she loved her grandkids, all kids. This was not a great sacrifice for her.”

Related Characters: Wayne Benojee (speaker), Virgil Second, Maggie Second, Lillian Benojee, Clifford Second
Page Number: 187
Explanation and Analysis:
Chapter 20  Quotes

“Some people think everything we are is rooted in the past. It is, partially. But like evolution tells us, if things don't develop, change, evolve, adapt, they die. I believe that. So I and what I do are part of that evolution. My heart and spirit are with our grandfathers and grandmothers, but my hands and feet are in the now. I do what I do to honour our ancestors, knowing that if they lived today they would probably be doing the same thing I am. I may never use what I've developed, but it’s better to have it and not need it, than to need it and not have it.”

Related Characters: Wayne Benojee (speaker), Virgil Second, Dakota
Page Number: 243
Explanation and Analysis:
Chapter 21  Quotes

Anishnawbe legends told of ancient and immense thunderbirds, their actions responsible for the kind of storm he currently found himself driving through. […] They, like the man on the motorcycle, had been born in an age when gods, monsters, humans and animals ate at the same table. Now man ate alone, while animals begged for scraps. The others were unable to survive in the new times and had disappeared into the folds of time. Who knew gods and monsters could and did fall victim to evolution?

Related Characters: John/Nanabush/The Man, Maggie Second
Related Symbols: John’s Motorcycle
Page Number: 256
Explanation and Analysis:
Chapter 22  Quotes

“Unlike you, I’m trying to avoid dying. For my people, the novelty wore off several generations ago.”

“Your people are my people.”

“Tell that to all the priests and ministers who used to look after my people.[…]”

“[…] Well, blame free will and all that. […] [M]y friend, we both loved Lillian. I didn’t think we should be enemies. And many people seem to really want and love you, so I––“

“Sorry, but I am not loved like you are. I am not loved, I am beloved. There's a substantial difference […] When you’re beloved, you get all the same warm and fuzzies as you do when you’re loved, but there’s a lot less responsibility involved. […] You know, every parent wants their kid to grow up like you, but most of them are actually closer to me. Perfection is boring. Flaws are interesting.”

Related Characters: John/Nanabush/The Man (speaker), Jesus Christ (speaker), Lillian Benojee
Page Number: 267-268
Explanation and Analysis:
Chapter 23  Quotes

Virgil remembered Dakota’s parents had strongly embraced the Canadian lifestyle. They probably hadn’t seen fit to fill her head with stories of Anishnawbe history or culture. Their daughter should have her feet firmly planted in the here and now, they thought. […] Dakota knew more French than Anishnawbe, and more English history than Anishnawbe history. Her only connection to the past had been Lillian. But now wasn't exactly the time to fill her in on the details. It would have to wait.

“You remember those stories about the trickster, the ones that Grandma told us? Him,” Virgil said.

Related Characters: Virgil Second (speaker), John/Nanabush/The Man, Lillian Benojee, Wayne Benojee, Dakota
Page Number: 298
Explanation and Analysis: