No Longer Human

by

Osamu Dazai

The protagonist of No Longer Human, Yozo is a depressed Japanese man who feels alienated from everyone around him. He has an almost inexplicable fear of humans, finding it hard to understand why people behave the way they do. This fear and sense of alienation seems to predate his own sexual abuse at the hands of his family’s waitstaff, but the incident certainly exacerbates his fraught view of humanity. As a defense mechanism, he learns to deceive people by acting gregarious and funny. In reality, he feels that his “clowning” around has nothing to do with his “true nature,” which he keeps hidden. He eventually realizes that he can express some of his inner turmoil through painting, but he mostly keeps his artwork hidden, as well. As a young man, he meets a fellow art student named Horiki, who introduces him to alcohol, which ultimately becomes one of Yozo’s ways of escaping reality. He also throws himself into messy romantic relationships to try to feel better about the world, but this has disastrous results—as made evident by the fact that he and his lover Tsuneko try to die together by suicide. Tsuneko dies, but Yozo survives and spends the rest of his life seeking refuge from his horror of the world in tumultuous relationships, drugs, and alcohol. By the end of the novel, Yozo has tried to kill himself multiple times and has been forced to live under a maid’s watch in the countryside, where he wastes away as life passes him by.

Yozo Quotes in No Longer Human

The No Longer Human quotes below are all either spoken by Yozo or refer to Yozo. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Social Isolation and Alienation Theme Icon
).
Prologue Quotes

The head is shown quite large, and you can examine the features in detail: the forehead is average, the wrinkles on the forehead average, the eyebrows also average, the eyes, the nose, the mouth, the chin…the face is not merely devoid of expression, it fails even to leave a memory. It has no individuality. I have only to shut my eyes after looking at it to forget the face.

Related Characters: The Unnamed Speaker (speaker), Yozo
Page Number: 16
Explanation and Analysis:
The First Notebook Quotes

Mine has been a life of much shame.

I can’t even guess myself what it must be to live the life of a human being.

Related Characters: Yozo (speaker)
Page Number: 21
Explanation and Analysis:

How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.

Related Characters: Yozo (speaker)
Related Symbols: Pillowcases
Page Number: 22
Explanation and Analysis:

“How about you, Yozo?” he asked, but I could only stammer uncertainly.

Whenever I was asked what I wanted my first impulse was to answer “Nothing.” The thought went through my mind that it didn’t make any difference, that nothing was going to make me happy.

Related Characters: Yozo (speaker), Yozo’s Father
Page Number: 30
Explanation and Analysis:

My true nature, however, was one diametrically opposed to the role of a mischievous imp. Already by that time I had been taught a lamentable thing by the maids and menservants; I was being corrupted. I now think that to perpetrate such a thing on a small child is the ugliest, vilest, cruelest crime a human being can commit. But I endured it. I even felt as if it enabled me to see one more particular aspect of human beings. I smiled in my weakness.

Related Characters: Yozo (speaker)
Page Number: 35
Explanation and Analysis:
The Second Notebook Quotes

I got to my feet with a rueful smile and was brushing the sand from my pants when Takeichi, who had crept up from somewhere behind, poked me in the back. He murmured, “You did it on purpose.”

I trembled all over. I might have guessed that someone would detect that I had deliberately missed the bar, but that Takeichi should have been the one came as a bolt from the blue. I felt as if I had seen the world before me burst in an instant into the raging flames of hell. It was all I could do to suppress a wild shriek of terror.

Related Characters: Yozo (speaker), Takeichi
Page Number: 44
Explanation and Analysis:

There are some people whose dread of human beings is so morbid that they reach a point where they yearn to see with their own eyes monsters of ever more horrible shapes. And the more nervous they are—the quicker to take fright—the more violent they pray that every storm will be…Painters who have had this mentality, after repeated wounds and intimidations at the hands of the apparitions called human beings, have often come to believe in phantasms—they plainly saw monsters in broad daylight, in the midst of nature. And they did not fob people off with clowning; they did their best to depict these monsters just as they had appeared.

Related Characters: Yozo (speaker), Takeichi
Related Symbols: Painting
Page Number: 54
Explanation and Analysis:

The pictures I drew were so heart-rending as to stupefy even myself. Here was the true self I had so desperately hidden. I had smiled cheerfully; I had made others laugh; but this was the harrowing reality. I secretly affirmed this self, was sure that there was no escape from it, but naturally I did not show my pictures to anyone except Takeichi.

Related Characters: Yozo (speaker), Takeichi
Related Symbols: Painting
Page Number: 56
Explanation and Analysis:

I soon came to understand that drink, tobacco, and prostitutes were all excellent means of dissipating (even for a few moments) my dread of human beings. I came even to feel that if I had to sell every last possession to obtain these means of escape, it would be well worth it.

Related Characters: Yozo (speaker), Horiki
Page Number: 63
Explanation and Analysis:

Irrationality. I found the thought faintly pleasurable. Or rather, I felt at ease with it. What frightened me was the logic of the world; in it lay the foretaste of something incalculably powerful. Its mechanism was incomprehensible, and I could not possibly remain closeted in that windowless, bone-chilling room. Though outside lay the sea of irrationality, it was far more agreeable to swim in its waters until presently I drowned.

Related Characters: Yozo (speaker), Horiki
Related Symbols: Pillowcases
Page Number: 67
Explanation and Analysis:

I drank the liquor. She did not intimidate me, and I felt no obligation to perform my clownish antics for her. I drank in silence, not bothering to hide the taciturnity and gloominess which were my true nature.

Related Characters: Yozo (speaker), Yozo’s Father, Tsuneko
Page Number: 78
Explanation and Analysis:

It was entirely different from the feeling of being able to sleep soundly which I had experienced in the arms of those idiot-prostitutes (for one thing, the prostitutes were cheerful); the night I spent with that criminal’s wife was for me a night of liberation and happiness. (The use of so bold a word, affirmatively, without hesitation, will not, I imagine, recur in these notebooks.)

Related Characters: Yozo (speaker), Tsuneko
Page Number: 80
Explanation and Analysis:

It was because I felt sorry for Tsuneko, sorry that she should be obliged to accept Horiki’s savage kisses while I watched. Once she had been defiled by Horiki she would no doubt have to leave me. But my ardor was not positive enough for me to stop Tsuneko. I experienced an instant of shock at her unhappiness; I thought, “It’s all over now.” Then, the next moment, I meekly, helplessly resigned myself. I looked from Horiki to Tsuneko. I grinned.

Related Characters: Yozo (speaker), Horiki, Tsuneko
Page Number: 84
Explanation and Analysis:

Yes, just as Horiki had said, she really was a tired, poverty-stricken woman and nothing more. But this thought itself was accompanied by a welling-up of a feeling of comradeship for this fellow-sufferer from poverty. (The clash between rich and poor is a hackneyed enough subject, but I am now convinced that it really is one of the eternal themes of drama.) I felt pity for Tsuneko; for the first time in my life I was conscious of a positive (if feeble) movement of love in my heart. I vomited. I passed out. This was also the first time I had ever drunk so much as to lose consciousness.

Related Characters: Yozo (speaker), Horiki, Tsuneko
Page Number: 85-86
Explanation and Analysis:

She lay down beside me. Towards dawn she pronounced for the first time the word “death.” She too seemed to be weary beyond endurance of the task of being a human being; and when I reflected on my dread of the world and its bothersomeness, on money, the movement, women, my studies, it seemed impossible that I could go on living. I consented easily to her proposal.

Related Characters: Yozo (speaker), Tsuneko
Page Number: 86
Explanation and Analysis:

The next instant he asked with his quiet smile, “Was that real?”

Even now the recollection makes me feel so embarrassed I can’t sit still. It was worse, I am sure, even than when in high school I was plummeted into hell by that stupid Takeichi tapping me on the back and saying, “You did it on purpose.” Those were the two great disasters in a lifetime of acting. Sometimes I have even thought that I should have preferred to be sentenced to ten years imprisonment rather than meet with such gentle contempt from the district attorney.

Related Characters: Yozo (speaker), Takeichi, Tsuneko
Page Number: 93
Explanation and Analysis:
The Third Notebook: Part One Quotes

Why, I wonder, couldn’t he have mentioned the simple fact that the money would be forthcoming from home? That one fact would probably have settled my feelings, but I was left in a fog.

“How about it? Have you anything which might be described as aspirations for the future? I suppose one can’t expect people one helps to understand how difficult it is to help another person.”

Related Characters: Yozo (speaker), Flatfish (speaker), Tsuneko
Page Number: 103
Explanation and Analysis:

Just outside the apartment window was a kite caught in the telegraph wires; blown about and ripped by the dusty spring wind, it nevertheless clung tenaciously to the wires, as if in affirmation of something. Every time I looked at the kite I had to smile with embarrassment and blush. It haunted me even in dreams.

Related Characters: Yozo (speaker), Shizuko
Page Number: 113
Explanation and Analysis:

(They were happy, the two of them. I’d been a fool to come between them. I might destroy them. I might destroy them both if I were not careful. A humble happiness. A good mother and child. […]

Related Characters: Yozo (speaker), Shizuko, Shigeko
Page Number: 124
Explanation and Analysis:
The Third Notebook: Part Two Quotes

The voice of a resistance weak but desperate spoke from somewhere in my heart. It said that I had not caused anyone to die, that I had not lifted money from anyone—but once again the ingrained habit of considering myself evil took command.

Related Characters: Yozo (speaker), Horiki, Tsuneko
Page Number: 146
Explanation and Analysis:

She stood ramrod stiff. But in her wide-open eyes there was no trace of alarm or dislike; her look spoke of longing, almost of the seeking for salvation. I thought, “She must be unhappy too. Unhappy people are sensitive to the unhappiness of others.” Not until then did I happen to notice that she stood with difficulty, supporting herself on crutches. I suppressed a desire to run up beside her, but I could not take my eyes from her face. I felt tears starting, and saw then the tears brimming from her big eyes.

Related Characters: Yozo (speaker), The Pharmacist
Page Number: 158
Explanation and Analysis:

Horiki sat in front of me and said, with a gentle smile, the like of which I had never before seen on his face, “I hear you’ve coughed blood.” I felt so grateful, so happy for that gentle smile that I averted my face and wept. I was completely shattered and smothered by that one gentle smile.

Related Characters: Yozo (speaker), Yoshiko , Horiki, Flatfish
Page Number: 165
Explanation and Analysis:

This was a really rare event. I don’t think it is an exaggeration to say that it was the one and only time in my life that I refused something offered to me. My unhappiness was the unhappiness of a person who could not say no. I had been intimidated by the fear that if I declined something offered me, a yawning crevice would open between the other person’s heart and myself which could never be mended through all eternity.

Related Characters: Yozo (speaker), Yoshiko , Horiki, Flatfish
Page Number: 166
Explanation and Analysis:

Even if released, I would be forever branded on the forehead with the word “madman,” or perhaps, “reject.”

Disqualified as a human being.

I had now ceased utterly to be a human being.

Related Characters: Yozo (speaker)
Page Number: 167
Explanation and Analysis:
Get the entire No Longer Human LitChart as a printable PDF.
No Longer Human PDF

Yozo Character Timeline in No Longer Human

The timeline below shows where the character Yozo appears in No Longer Human. The colored dots and icons indicate which themes are associated with that appearance.
The First Notebook
Social Isolation and Alienation Theme Icon
Depression, Mental Health, and Stigmatization Theme Icon
The writer of this notebook is named Yozo. He continues to write about how he has never understood human feelings. As a child,... (full context)
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Yozo continues to write about his childhood. Because he’s unable to feel the same things as... (full context)
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Yozo’s “clowning” isn’t just something he does at school or in public. He also does it... (full context)
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Yozo’s brother interjects on Yozo’s behalf, telling his father that he should get him a book.... (full context)
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In school, Yozo is extremely successful at getting his classmates to laugh. He can even get his teachers... (full context)
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Of course, Yozo’s “clowning” doesn’t reflect how he feels internally. He’s like an actor who’s constantly performing, even... (full context)
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Yozo feels alienated from his own parents, so he doesn’t think to tell them about what... (full context)
The Second Notebook
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Yozo attends high school on the coast while living with a relative. He likes being away... (full context)
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Yozo is horrified by Takeichi’s words, which make him feel suddenly as if his entire world... (full context)
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Finally, after multiple attempts to befriend Takeichi, Yozo succeeds by ushering him to his house after school. It’s raining heavily, so it’s easy... (full context)
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Yozo feels somewhat unsettled by Takeichi’s comment about women falling for him. In retrospect, he now... (full context)
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One day, Takeichi comes over to Yozo’s house and shows him a reproduction print of a painting that Yozo recognizes as Van... (full context)
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Yozo has always drawn cartoons, but now he decides to bravely paint the grotesque side of... (full context)
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Takeichi, for his part, thinks Yozo will become a great painter. Upon finishing high school, Yozo wants to attend art school,... (full context)
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Eventually, a fellow art student named Horiki introduces himself to Yozo. Horiki likes to think of himself as something of a rebel, and he insists on... (full context)
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Another reason Yozo comes to like Horiki is that the belligerent young man doesn’t seem to care what... (full context)
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Horiki takes Yozo to a meeting of the Communist Party. Yozo thinks everyone at the meeting is ridiculous... (full context)
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Yozo eventually realizes that he likes the Communist Party so much because he enjoys the “irrationality”... (full context)
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Yozo’s father decides to sell the house in Tokyo, since his political term is about to... (full context)
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During this period, Yozo spends the vast majority of his time either meeting with the Communist Party or drinking... (full context)
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Feeling depressed and overwhelmed by life, Yozo finds relief at a large café, where he tries to blend into the crowd—he hopes... (full context)
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In retrospect, Yozo can’t even remember the name of the waitress, even though they tried to kill themselves... (full context)
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As Yozo lies in her apartment, Tsuneko goes on at length about her life and her many... (full context)
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In the coming days, Yozo feels uncomfortable about the fact that Tsuneko paid for him to drink at the café.... (full context)
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...whoever serves them, saying that he’s “starved for a woman.” When they arrive, a waitress Yozo doesn’t know sits next to him while Tsuneko sits next to Horiki. For a moment,... (full context)
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Yozo braces, waiting for Horiki to kiss Tsuneko. But then Horiki says he would never kiss... (full context)
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When Yozo wakes up, he’s in Tsuneko’s apartment. She lies down next to him and talks about... (full context)
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That day, Yozo and Tsuneko wander the city. Although he has agreed to die alongside Tsuneko, Yozo hasn’t... (full context)
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The news of Yozo’s failed suicide sweeps through Japan, since his father is a prominent politician. He’s taken to... (full context)
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After his stint in the hospital, Yozo is charged with having been an “accomplice to a suicide.” He’s taken to the police... (full context)
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The next day, Yozo meets with the police chief, who’s a lot less intense than the guard was. He... (full context)
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The police chief tells Yozo to contact somebody who can act as a “guarantor,” so Yozo reaches out to a... (full context)
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Yozo feels as if he’d rather spend 10 years in prison than have to endure the... (full context)
The Third Notebook: Part One
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Yozo is expelled from college because of his involvement in Tsuneko’s suicide. He spends his days... (full context)
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One night, Flatfish invites Yozo downstairs to have dinner with him and his son. It’s a nice meal, which surprises... (full context)
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Eventually, Yozo says that he’d like to work as a painter. Flatfish can’t believe his ears. He... (full context)
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Yozo doesn’t actually intend to go to Horiki’s house. And yet, once he’s wandering through the... (full context)
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The woman from the magazine offers to take Yozo home. Her name is Shizuko, and she lives alone with her five-year-old daughter, Shigeko. Her... (full context)
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Yozo starts drawing cartoons for Shizuko’s magazine. It’s not a good magazine, but they pay him... (full context)
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Yozo becomes so depressed that Shizuko organizes a meeting with him, Flatfish, and Horiki. They all... (full context)
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These days, Horiki has started speaking to Yozo in an incredibly condescending manner. This is because he participated in the meeting about Yozo’s... (full context)
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As soon as Yozo starts thinking of society as an individual, he feels less shy and apprehensive than normal.... (full context)
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After leaving Shizuko, Yozo goes to a bar in the Kyobashi neighborhood, where he tells the bartender who manages... (full context)
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When Yoshiko tells Yozo to stop drinking, he doesn’t understand why he should do such a thing. But he... (full context)
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The next day, Yozo gets drunk. He tries to tell Yoshiko that their arrangement has to be called off,... (full context)
The Third Notebook: Part Two
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Yozo and Yoshiko move into an apartment together, and Yozo stops drinking. He enjoys spending time... (full context)
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One night, Horiki comes over and asks to borrow some money. Yozo sends Yoshiko to the pawnshop to pawn some of her clothes, and then he tells... (full context)
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...descends from the roof, going downstairs to look for food. He quickly returns, though, and Yozo can see by his face that something strange is happening downstairs. Horiki tells him to... (full context)
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Yozo tells Yoshiko not to talk about getting raped. Before he left, Horiki told Yozo to... (full context)
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One night, Yozo comes home excruciatingly drunk. Wanting some sugared water before bed, he ends up finding a... (full context)
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Flatfish is there when Yozo regains consciousness. He’s talking to the bartender in charge of the bar in Kyobashi, remarking... (full context)
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In the aftermath of Yozo’s incident with the sleeping pills, Yoshiko thinks he tried to kill himself because he blames... (full context)
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Drunkenly wandering the streets one night, Yozo throws up blood and falls into a snowbank. Pulling himself up, he decides to go... (full context)
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The medicine that the pharmacist gives Yozo is morphine. She tells him it’s no worse than alcohol, and at first, he thinks... (full context)
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Yozo is already fully addicted to morphine by the time he realizes it’s no better than... (full context)
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In the psychiatric ward, Yozo realizes that his premonition has come true: he’s now in a place where there aren’t... (full context)
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After spending three months in the psychiatric ward, Yozo is released. His older brother and Flatfish come to pick him up, and his brother... (full context)
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It has now been three years since Yozo first went to the countryside. He still sometimes coughs blood, and the old servant his... (full context)
Epilogue
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...saying that he never met “the madman who wrote these notebooks”—that is, he never met Yozo. He did, however, know the bartender who ran the bar in Kyobashi, whom Yozo has... (full context)
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Self-Expression, Privacy, and Art Theme Icon
The unnamed speaker tells the bartender from Kyobashi that he never knew Yozo, but she still gives him three of his notebooks, suggesting that perhaps they might give... (full context)
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...about them. She says she received them in the mail a decade ago. She thinks Yozo sent them, but he didn’t include a return address. When the speaker asks if she... (full context)