No-No Boy is often cited as the very first work of Asian American Literature. Although this is not literally true, and other books had been written by first- or second-generation Asian authors living in America—books like Yung Wing’s 1909 autobiography
My Life in China and America or Etsuko Sugimoto’s 1925 autobiography
A Daughter of the Samurai predated Okada’s novel by decades—
No-No Boy was directly responsible for the birth of the Asian American Literary movement. Discovered in a used bookstore by a group of young Asian American men,
No-No Boy helped inspire Frank Chin, Paul Chan, Lawson Fusao Inada, and Shawn Wong to publish
Aiiieeeee! An Anthology of Asian-American Writers, the first anthology of its kind. This anthology, and
No-No Boy’s rediscovery, marked the birth of a movement that included works by Asian American authors and their specific cultural experiences in America. Other works similar to
No-No Boy include Monica Sone’s memoir
Nisei Daughter (1953), which tells about her experience as a Japanese-American woman and her time in internment camps during WWII, Hisaye Yamamoto’s
Seventeen Syllables and Other Stories (1988), also about her experience as a Japanese-American woman and about the differences between first- and second-generation immigrants, Jeanne Wakatsuki Houston’s memoir (co-written with husband James D. Houston)
Farewell to Manzanar (1973) about her time in an internment camp, and Julie Otsaka's
When the Emperor was Divine, which also deals with the internment camps and racism toward Japanese Americans during and after World War Two.