The opening chapters of Ragtime take place against the so-called crime of the 20th century—Harry K. Thaw’s murder of famous architect Stanford White. Thaw enjoys celebrity treatment in jail not only because he is rich but because his wife, Evelyn Nesbit, was already famous before this crime committed in her name. Ragtime is stuffed with historical celebrities including escape artist Harry Houdini, famous little person Lavinia Warren Thumb, socialite hostess Mrs. Stuyvesant Fish, arctic explorers Robert Peary and Matthew Henson, and famous businessmen like J. P. Morgan and Henry Ford. But as their stories come to light, it quickly becomes clear that they’re not necessarily worthy of the praise and attention they earn. Moreover, the book suggests that praise and attention in and of themselves aren’t necessarily good things. In fact, Ragtime uses these historical figures to criticize the American obsession with celebrities and self-made men and to show how the cult of celebrity increases inequality and injustice.
Harry Houdini most clearly articulates the attraction of celebrity and the emptiness of its promise. He longs to be admitted into the more rarified strata of society even though he started life as a penniless, reviled immigrant. But no matter how famous he becomes, something or someone more interesting than himself could easily come along and steal the spotlight. Moreover, he’s never able to transcend the role of performer and gain admittance to the circles that people like White, Morgan, and Mrs. Fish occupy. And while Houdini gets a sympathetic portrait, the book is far less kind to its other subjects. It draws attention to Morgan’s and Mrs. Fish’s vulture-like hoarding of wealth, Ford’s antisemitism, and Peary’s exploitation of his Indigenous guides’ wisdom and his benefactors’ money and labor. The infamy surrounding Nesbit leaves her isolated, lonely, and vulnerable. Notoriety and fame become active antagonists to the kinds of things—companionship, shared values, a life mission—that make life meaningful. In this way, Ragtime actively asks readers to consider the role of celebrity and fame in society, presenting them with a decidedly unattractive vision of fame that highlights its potential to harm people and contribute to inequality and injustice.
The Cult of Celebrity ThemeTracker
The Cult of Celebrity Quotes in Ragtime
[Little Boy] felt that the circumstances of his family’s life operated against his need to see things and go places. For instance he had conceived an enormous interest in the works and career of Harry Houdini, the escape artist. But he had not been taken to a performance. Houdini was a headliner in the top vaudeville circuits. His audiences were poor people—carriers, peddlers, policemen, children. His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped form bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, […] a rolltop desk, a sausage skin.
The prisoner was sitting at a table laid with linen and service. On the table were the remains of a large meal. An empty bottle of champagne was stuck upside down in a cooler. The iron cot was covered with a quilted spread and throw pillows. A Regency armoire stood against the stone wall. The ceiling fixture had been ornamented with a Tiffany lampshade. Houdini could not help staring. The prisoner’s cell glowed like a stage in the perpetual dusk of the cavernous prison. The prisoner stood up and waved, a stately gesture, and his wide mouth offered the trace of a smile.
This was the day Evelyn Nesbit considered kidnapping the little girl and leaving Tateh to his fate. The old artists had never inquired of her name and knew nothing about her. It could be done. Instead, she threw herself into the family’s life with redoubled effort, coming with food, linens, and whatever else she could move past the old man’s tormented pride. She was insane with the desire to become one of them and drew Tateh out in conversation and learned from the girl how to sew knee pants. For hours each day, each evening, she lived as a woman in the Jewish slums, and was driven home by the Thaw chauffeur form a prearranged place many blocks away, always in despair.
Some of these men saw the way Evelyn’s face on the front of a newspaper sold out the edition. They realized that there was a process of magnification by which news events established certain individuals in the public consciousness as larger than life. These were the individuals who represented one desirable human characteristic to the exclusion of others. The businessmen wondered if they could create such individuals not from accidents of news events but from the deliberate manufactures of their own medium. If they could, more people would pay money for the picture shows. Thus did Evelyn provide the inspiration for the concept of the move star system and the model for every sex goddess from Theda Bara to Marilyn Monroe.
Houdini walked through the streets. His ears burned with humiliation. He wore a hat with the brim turned down. He wore a tight-fitting double-breasted linen jacket and he kept his hands in the pockets of the jacket. He wore tan trousers and brown and white shoes with pointed toes. It was a chilly autumn afternoon and most people wore coats. He moved swiftly through the crowded New York streets. He was incredibly lithe. There was a kind of act that used the real world for its stage. He couldn’t touch it. For all his achievements, he was a trickster, an illusionist, a mere magician. What was the sense of his life if people walked out of the theater and forgot him? The headlines on the newsstand said Peary had reached the Pole. The real-world act was what got into the history books.
It is a great honor for me to meet you, sir, [Coalhouse] said. I have always stood in admiration for you. He looked at the marble floor. It is true I am a musician and a man of years. But I would hope this might suggest to you the solemn calculation of my mind. And that therefore, possibly, we might both be servants of our color who insist on the truth of our manhood and the respect it demands. Washington was so stunned by this suggestion that he began to lose consciousness. Coalhouse led him from the hall into the West Rom and sat him down in one of the red plush chairs. Regaining his composure Washington […] gazed at the marble mantle of the fireplace as big as a man. He lanced upward at the polychrome ceiling that had originally come from the palace of Cardinal Gigli in Lucca.