Roberta's eyes are a recurring motif in the story. Twyla regrets that after Roberta left St. Bonny’s, she could only recall “her big serious-looking eyes." Later, when they meet at Howard Johnson's, it is by these same eyes that Twyla recognizes her again: “Her own hair was so big and wild I could hardly see her face. But the eyes. I would know them anywhere.” Later, Roberta's eyes are the key to her emotional state at the diner despite her feigned casualness. Twyla notices, "Her eyes were watery from the drinks she’d had, I guess."
The eyes, as a motif, come to signify a part of Roberta that Twyla loved as a girl, which has not disappeared, even though the two girls appear to have become quite different on a surface level. Even through Roberta's many changes, from rock and roll groupie, to wealthy wife, to bussing protestor, Twyla always recognizes her by her eyes—a part of her that Roberta cannot truly change or move past. The eyes, notably, are one of the only visible body parts where one cannot easily distinguish race. On this neutral and unconditioned ground, Twyla and Roberta have an enduring bond which transcends societal expectations and even personal change.