“Recitatif” was published in a period of increasing acceptance and celebration of African American literature within global culture. This moment was preceded by several other key movements of the 20th century, such as the Harlem Renaissance, which lasted roughly from 1920-1940, and whose central literary figures included Nella Larsen, Zora Neale Hurston, and Langston Hughes. Meanwhile, in the 1940s and ‘50s writers such as Gwendolyn Brooks, James Baldwin, and Richard Wright explored themes of racism and segregation, thereby creating a sense of cultural momentum leading up to the Civil Rights Era of the 1960s. Following this period came the Black Arts Movement, the cultural element of the Black Power Movement. The movement was established by Imanu Amiri Baraka, who, along with his wife Amina, edited the volume
Confirmation: An Anthology of African American Women, in which “Recitatif” was first published. The Black Arts Movement sought to define aesthetic principles that were separate from the white Western tradition, and to liberate black artists and writers from their dependency on white institutions such as universities and publishing houses. Some of the writers that made up the movement include Baraka, Nikki Giovani, and Maya Angelou. Although not technically part of the Black Arts Movement, Toni Morrison is often associated with it, and her work is placed firmly within the greater African American literary tradition. As an editor at Random House in the 1960s and ‘70s, Morrison worked on the texts of other African American writers such as Toni Cade Bambara and Gayl Jones. One year before the publication of “Recitatif,” Alice Walker published
The Color Purple, which was to become one of the most widely-read novels in the African American literary tradition.