Though the dizzy spells scare Sadako and leave her with a sinking feeling deep inside, as the New Year rolls around she is once again plunged into an atmosphere of happiness, remembrance, and togetherness. That she can’t believe that anything all that serious could be wrong once again emphasizes her innocence. And at the same time, it emphasizes the horror of the violence of war, and nuclear war in particular, since readers know from the prologue that, in fact, Sadako is going to die of leukemia. The book makes it clear that Sadako deserves her innocence, and yet is clear-eyed in the way it shows how war and its legacy don’t acknowledge innocence and are, instead, inescapable.