W. E. B. Du Bois Character Analysis

Du Bois believed in being like White people to eliminate threat so that Black people could compete. Washington believed in eliminating thoughts of competition so that White people wouldn’t be threatened by Black sustainability. And there were Black people who believed both men, because, though we’re critiquing their assimilationist ideas in this moment, they were thought leaders of their time.

But not everyone was kissing Du Bois’s assimilationist feet. There was a resistant group of artists that emerged in 1926 who called themselves the Niggerati. They believed they should be able to make whatever they wanted to express themselves as whole humans without worrying about White acceptance. […] They wanted to function the same way as the blues women, like Ma Rainey and Bessie Smith, who sang about pain and sex and whatever else they wanted to. Even if the images of Blackness weren’t always positive. W. E. B. Du Bois and his supporters of uplift suasion and media suasion had a hard time accepting any narrative of Black people being less than perfect. Less than dignified. But the Niggerati were arguing that, if Black people couldn’t be shown as imperfect, they couldn’t be shown as human.

It was 1933. Du Bois’s life as an assimilationist had finally started to vaporize. He just wanted Black people to be self-sufficient. To be Black. And for that to be enough. Here he argued that the American educational system was failing the country because it wouldn’t tell the truth about race in America, because it was too concerned with protecting and defending the White race. Ultimately, he was arguing what he’d been arguing in various different ways, and what Frederick Douglass, Sojourner Truth, Booker T. Washington, Ida B. Wells-Barnett, Marcus Garvey, and many others before him had argued ad nauseam: that Black people were human.

King closed the day with what’s probably the most iconic speech of all time—“I Have a Dream.” But there was bad news. W. E. B. Du Bois had died in his sleep the previous day.

Indeed, a younger Du Bois had called for such a gathering, hoping it would persuade millions of White people to love the lowly souls of Black folk. And, yes, the older Du Bois had chosen another path—the antiracist path less traveled—toward forcing millions to accept the equal souls of Black folk. It was the path of civil disobedience that the young marchers […] had desired for the March on Washington, a path a young woman from Birmingham’s Dynamite Hill was already traveling and would never leave.

Du Bois believed in being like White people to eliminate threat so that Black people could compete. Washington believed in eliminating thoughts of competition so that White people wouldn’t be threatened by Black sustainability. And there were Black people who believed both men, because, though we’re critiquing their assimilationist ideas in this moment, they were thought leaders of their time.

But not everyone was kissing Du Bois’s assimilationist feet. There was a resistant group of artists that emerged in 1926 who called themselves the Niggerati. They believed they should be able to make whatever they wanted to express themselves as whole humans without worrying about White acceptance. […] They wanted to function the same way as the blues women, like Ma Rainey and Bessie Smith, who sang about pain and sex and whatever else they wanted to. Even if the images of Blackness weren’t always positive. W. E. B. Du Bois and his supporters of uplift suasion and media suasion had a hard time accepting any narrative of Black people being less than perfect. Less than dignified. But the Niggerati were arguing that, if Black people couldn’t be shown as imperfect, they couldn’t be shown as human.

It was 1933. Du Bois’s life as an assimilationist had finally started to vaporize. He just wanted Black people to be self-sufficient. To be Black. And for that to be enough. Here he argued that the American educational system was failing the country because it wouldn’t tell the truth about race in America, because it was too concerned with protecting and defending the White race. Ultimately, he was arguing what he’d been arguing in various different ways, and what Frederick Douglass, Sojourner Truth, Booker T. Washington, Ida B. Wells-Barnett, Marcus Garvey, and many others before him had argued ad nauseam: that Black people were human.

King closed the day with what’s probably the most iconic speech of all time—“I Have a Dream.” But there was bad news. W. E. B. Du Bois had died in his sleep the previous day.

Indeed, a younger Du Bois had called for such a gathering, hoping it would persuade millions of White people to love the lowly souls of Black folk. And, yes, the older Du Bois had chosen another path—the antiracist path less traveled—toward forcing millions to accept the equal souls of Black folk. It was the path of civil disobedience that the young marchers […] had desired for the March on Washington, a path a young woman from Birmingham’s Dynamite Hill was already traveling and would never leave.