The “shape” of a life is another way of talking about the way that people’s lives are
narrated (whether to themselves or to others). But while Lincoln’s “shape” is based on things the “Great Man” did, said, and looked like, the Foundling Father’s shape is based on a thing
outside himself, the watered-down amusement park story of History as a contextless parade, which inspired him to start impersonating Lincoln (and gradually lose his individual identity in the process). So a “chasm” separates Lincoln from the Foundling Father, no matter how hard he tries to bridge it, and the Foundling Father’s
own identity and legacy have become a chasm, void, or hole. The Big Hole is the original Great Hole, whereas the play is set in the replica—a reenactment of a reenactment park. This setting, combined with the fact that the only character’s identity is completely derivative of a reinterpretation of a dead man, shows how fiction, revision, and reinterpretation actually create new contexts bring new truths to light, even if their greatest aspiration is to perfectly copy the original on which they are based.