The Bone Sparrow

by

Zana Fraillon

The Bone Sparrow: Chapter 1  Summary & Analysis

Summary
Analysis
The narrator, Subhi, says that sometimes at night, the dirt outside the tent turns into an ocean. He listens to the waves while snuggled up against his sister, Queeny. Queeny thinks the ocean is stupid and just Subhi’s imagination, but their Maá can hear the ocean—Maá says some people can see “the hidden bits and pieces of the universe.” In the morning, Subhi observes the many ocean creatures that swam all the way up to the tent to peek at all the people in their beds. According to Queeny, nobody here sleeps in a real bed—they sleep in army cots. Subhi finds a shell that washed up with the animals, which smells like the sea. Though Queeny grouses that Subhi needs to grow up and stop being silly, she gives him some paper so he can draw the Night Sea and its creatures.
The novel introduces young Subhi as someone who, like his mother, can see and hear “the hidden bits and pieces of the universe.” The fantastical things he hears, like the Night Sea, point to Subhi’s youth and his imaginative outlook on life. In contrast to Subhi’s colorful, magical perspective, Queeny noting that the family sleeps in army cots suggests their reality is sad and difficult. Subhi’s Night Sea, then, may be how he copes with reality.
Themes
Dehumanization, Invisibility, and Refugee Camps Theme Icon
Childhood Theme Icon
Storytelling, Escapism, and Hope Theme Icon
When he’s finished drawing, Subhi snuggles up with Maá. She’s having a “tired day” today, so he lets her sleep and digs through his box of drawings. When Maá feels better tomorrow, Subhi will show her this picture and tell her about the Night Sea. Now, he invites Maá to go get breakfast with him, but she says she isn’t really hungry. She hasn’t been hungry since Subhi was just 19 fence diamonds high—now, he’s probably 22 and a half fence diamonds high. Maá used to measure Subhi and Queeny on their birthdays, but she hasn’t measured in a while. According to Eli, Subhi’s best friend, Subhi is so hungry because he’s probably going through a growth spurt. Subhi explains that Eli used to live with him in Family Tent Three, but the Jackets (guards) made him move to the crowded Family Tent Four.
Subhi’s reality does, indeed, seem difficult: his mother is mostly disengaged and has been for some time. However, he implies that she’ll probably find some happiness in hearing about Subhi’s fantastical visions. Additionally, this passage establishes that Subhi is living in a very different reality than readers, and not just because he sees magical oceans at night. Measuring one’s height in “fence diamonds” and the  presence of security guards (Jackets) suggest Subhi and his friends and family are living in a detention center, where chain-link fences are readily available while measuring tapes are not.
Themes
Dehumanization, Invisibility, and Refugee Camps Theme Icon
Childhood Theme Icon
Family and Friendship Theme Icon
Subhi and Eli are in line for lunch, and to get an extra scoop, Subhi agrees with the man serving that he needs the extra food to “look after” Maá. However, Subhi doesn’t know what exactly the man means. And he’s still hungry, especially since there have been food shortages the last few days. Nobody looks ready to give up some of their food for Subhi, even when they find pieces of plastic in it. (Subhi sometimes finds flies or worms in the food, and he once found a human tooth in his bowl.) Though Eli says nobody should eat this food, he slides his half-full bowl to Subhi.
Subhi’s narration continues to reveal the horrific conditions in which he lives—it’s shocking to hear that he’s found bugs and a tooth in his food. However, his tone suggests that this is pretty normal for him. It’s not normal to Eli, though, suggesting that Eli has different life experiences than Subhi does.
Themes
Dehumanization, Invisibility, and Refugee Camps Theme Icon
Childhood Theme Icon
Quotes
The Jackets hear Eli and step closer, touching their sticks threateningly, as Eli says that the food is just 12 days past its best-by date and is probably made of dog (as usual, the food is mysterious brown mush). Subhi notes that dog doesn’t come packaged in tubs, making Eli laugh and pound on the table. When this sends a bowl flying, Eli and Subhi race out of the Food Tent laughing—there’s no telling what the Jackets will do.
While Subhi and Eli treat speaking poorly of the food and riling up the Jackets as a fun game, it nevertheless seems like they could be in real danger here. The Jackets appear to have near-total power over the people in the camp, and it’s implied that even children can’t rely on mercy for perceived infractions.
Themes
Dehumanization, Invisibility, and Refugee Camps Theme Icon
Childhood Theme Icon
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The Bone Sparrow PDF
Once Eli and Subhi are far enough away from the Jackets, Subhi pulls out the shell and tells Eli that “Ba sent [him] another.” Eli clearly isn’t convinced that Subhi’s father is sending him gifts through the Night Sea, but Eli just says that Subhi’s father needs to work on making his messages easier to understand. Subhi agrees with this. The Night Sea has been bringing him treasures for “five seasons” now, and the treasures even make Maá smile. The Night Sea has brought Subhi a tiny statue, a green coin, and a pen, among other things. Nobody sees the Night Sea’s tides but Subhi.
While the fact that Subhi is the only one who can see the Night Sea suggests it’s real only to him, the sea’s treasures complicate that possibility. Subhi believes the sea is bringing him things from his father, Ba, but while the treasures might be real, it’s unclear if they’re actually from Ba or if Subhi is inventing a backstory about the objects that helps him feel loved and at peace.
Themes
Family and Friendship Theme Icon
Storytelling, Escapism, and Hope Theme Icon
Taking the shell from Subhi, Eli puts the shell to his ear and explains that he’s listening to the sea’s stories. He begins to share what he hears as other kids gather around to listen. Eli tells the story of a massive whale, one “as old as the universe and as big as this whole country.” It sings to the moon every night
While Eli might not be totally on board with Subhi’s Night Sea, he still understands the power of stories—he seems to enjoy being to entertain the kids in the camp, distracting them from their harsh reality.
Themes
Storytelling, Escapism, and Hope Theme Icon
Subhi lets Queeny listen to the shell later, explaining that the whooshing is the ocean. Queeny snaps that the ocean doesn’t sound like that. Maá listens to the shell for a long time, an “ache” in her eyes as she does. Subhi can tell she hears something, but she won’t say what. Subhi then listens to his shell one more time. He can hear Ba calling to him, saying he’s on his way. Ba has been on his way for nine years. Subhi doesn’t tell anyone he heard his father.
Subhi wants to connect with his sister, but for whatever reason, Queeny is unwilling to share in Subhi’s wonder. Maá similarly doesn’t necessarily respond to Subhi when he offers her the shell, but her reaction to it suggests there’s more to her distant attitude than Subhi realizes—perhaps there are things that happened to her in the past that cause her to “ache” and disengage from the world around her in the present.
Themes
Childhood Theme Icon
Family and Friendship Theme Icon
Storytelling, Escapism, and Hope Theme Icon