Style

The Brothers Karamazov

by

Fyodor Dostoevsky

The Brothers Karamazov: Style 1 key example

Part 1: Book 3, Chapter 1: In the Servants’ Quarters
Explanation and Analysis:

Dostoevsky’s style in The Brothers Karamazov emphasizes the psychology of characters, closely analyzing their private fears, desires, and motivations. This tendency to penetrate the inner psychology of characters is fully evident in the novel's depiction of Fyodor’s emotional reliance upon his servant, Grigory: 

[There] were higher occasions [...] when Fyodor Pavlovich himself would have been unable, perhaps, to explain this remarkable need for a close and faithful man that he would sometimes, all of a sudden, momentarily and inconceivably, begin to feel in himself. These occasions were almost morbid: most depraved, and, in his sensuality, often as cruel as a wicked insect, Fyodor Pavlovich at times suddenly felt in himself, in his drunken moments, a spiritual fear, a moral shock, that almost, so to speak, resounded physically in his soul. “On those occasions it’s as if my soul were fluttering in my throat,” he sometimes used to say. 

Fyodor is an unkind and inconsiderate man who pursues his desires regardless of the disapproval of others. Nevertheless, Dostoevsky notes that he is, in some ways, quite dependent upon others, especially Grigory. Though Fyodor does not view Grigory as his equal, he nevertheless feels a “remarkable need for a close and faithful man,” particularly when he is in a “morbid” or “depraved” mood. For Fyodor, Grigory is a reliable and constant presence, who cares for him without judgment. Notably, Fyodor is “unable” to explain or account for his own reliance upon Grigory, but the narration nevertheless provides insight into his inner thoughts, reflecting the psychologically penetrating style of the novel at large.