The sculpture is the wooden statue Ka carves of Papa and sells to Gabrielle Fonteneau, a well-known Haitian American actress. It depicts Papa as Ka imagines him in prison, and thus represents the image of Papa has in her mind—an image that is soon revealed to be false. The sculpted version of Papa depicts him on his knees, with a “downcast” look. It conveys what Ka believes was Papa’s suffering in prison, but also his dignity and inner strength. In reality, Papa was a torturer, not a prisoner. The reality of what he actually looked like inside prison would thus be aggressive, frightening, powerful, and distinctly undignified. Another important aspect of the sculpture is that Ka leaves the imperfections in the wood, without smoothing them over. This contrasts with Papa’s attitude toward his own life. Rather than accepting his imperfections, Papa attempts to smooth them over with untruths.
Gabrielle Fonteneau wants to buy the sculpture because it reminds her of her own father. In depicting the man Ka believes Papa was, she has managed to create a true image of a father—just not her own. The sculpture ends up being the reason why Papa finally reveals to Ka that he has been lying about his past throughout her life. Crucially, he doesn’t tell her straight away, but rather steals the sculpture and submerges it in a lake first, ruining it forever. This act highlights the extreme lengths to which Papa is willing to go in order to bury and conceal the past—even harming Ka’s career in the process. At the same time, although the sculpture remains at the bottom of the lake, its power transcends this fate. Even submerged, it still forces Papa to tell Ka the truth. As a result, the sculpture represents the way in which the truth will force itself out into the open, even if it takes many years.
The Sculpture Quotes in The Dew Breaker
I’d used a piece of mahogany that was naturally flawed, with a few superficial cracks along what was now the back. I’d thought these cracks beautiful and had made no effort to sand or polish them away, as they seemed like the wood's own scars, like the one my father had on his face. But I was also a little worried about the cracks. Would they seem amateurish and unintentional, like a mistake? Could the wood come apart with simple movements or with age? Would the client be satisfied?