The Hours

by

Michael Cunningham

Julia Character Analysis

Julia is the daughter of Clarissa and Sally. She spends a lot of time with an older queer theorist named Mary Krull who influences Julia’s opinions and way of dressing, although the relationship seems to be platonic, particularly from Julia’s perspective. Julia bears some resemblance to Elizabeth Dalloway (the daughter of Clarissa Dalloway in Virginia Woolf’s Mrs. Dalloway). Like Elizabeth, Julia’s modern behaviors and ways of thinking sometimes confuse her mother.

Julia Quotes in The Hours

The The Hours quotes below are all either spoken by Julia or refer to Julia. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Passage of Time Theme Icon
).
Chapter 14: Mrs. Dalloway Quotes

Fool, Mary thinks, though she struggles to remain charitable or, at least, serene. No, screw charity. Anything’s better than queers of the old school, dressed to pass, bourgeois to the bone, living like husband and wife. Better to be a frank and open asshole, better to be John fucking Wayne, than a well-dressed dyke with a respectable job.

Fraud, Clarissa thinks. You’ve fooled my daughter, but you don’t fool me. I know a conquistador when I see one. I know all about making a splash. It isn’t hard. If you shout loud enough, for long enough, a crowd will gather to see what all the noise is about. It’s the nature of crowds. They don’t stay long, unless you give them reason. You’re just as bad as most men, just that aggressive, just that self-aggrandizing, and your hour will come and go.

Related Characters: Clarissa Vaughan, Julia, Mary Krull
Page Number: 160
Explanation and Analysis:
Chapter 22: Mrs. Dalloway Quotes

They settle into another silence, one that is neither intimate nor particularly uncomfortable. Here she is, then, Clarissa thinks; here is the woman from Richard’s poetry. Here is the lost mother, the thwarted suicide; here is the woman who walked away. It is both shocking and comforting that such a figure could, in fact, prove to be an ordinary-looking old woman seated on a sofa with her hands in her lap.

Related Characters: Clarissa Vaughan, Laura Brown, Richard/Richie, Sally, Julia, Dan
Related Symbols: Cake
Page Number: 220
Explanation and Analysis:

And here she is, herself, Clarissa, not Mrs. Dalloway anymore; there is no one now to call her that. Here she is with another hour before her.

“Come in, Mrs. Brown,” she says. “Everything’s ready.”

Related Characters: Clarissa Vaughan (speaker), Laura Brown, Richard/Richie, Sally, Julia
Page Number: 226
Explanation and Analysis:
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Julia Quotes in The Hours

The The Hours quotes below are all either spoken by Julia or refer to Julia. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Passage of Time Theme Icon
).
Chapter 14: Mrs. Dalloway Quotes

Fool, Mary thinks, though she struggles to remain charitable or, at least, serene. No, screw charity. Anything’s better than queers of the old school, dressed to pass, bourgeois to the bone, living like husband and wife. Better to be a frank and open asshole, better to be John fucking Wayne, than a well-dressed dyke with a respectable job.

Fraud, Clarissa thinks. You’ve fooled my daughter, but you don’t fool me. I know a conquistador when I see one. I know all about making a splash. It isn’t hard. If you shout loud enough, for long enough, a crowd will gather to see what all the noise is about. It’s the nature of crowds. They don’t stay long, unless you give them reason. You’re just as bad as most men, just that aggressive, just that self-aggrandizing, and your hour will come and go.

Related Characters: Clarissa Vaughan, Julia, Mary Krull
Page Number: 160
Explanation and Analysis:
Chapter 22: Mrs. Dalloway Quotes

They settle into another silence, one that is neither intimate nor particularly uncomfortable. Here she is, then, Clarissa thinks; here is the woman from Richard’s poetry. Here is the lost mother, the thwarted suicide; here is the woman who walked away. It is both shocking and comforting that such a figure could, in fact, prove to be an ordinary-looking old woman seated on a sofa with her hands in her lap.

Related Characters: Clarissa Vaughan, Laura Brown, Richard/Richie, Sally, Julia, Dan
Related Symbols: Cake
Page Number: 220
Explanation and Analysis:

And here she is, herself, Clarissa, not Mrs. Dalloway anymore; there is no one now to call her that. Here she is with another hour before her.

“Come in, Mrs. Brown,” she says. “Everything’s ready.”

Related Characters: Clarissa Vaughan (speaker), Laura Brown, Richard/Richie, Sally, Julia
Page Number: 226
Explanation and Analysis: