The Hours

by

Michael Cunningham

Clarissa Vaughan Character Analysis

Clarissa is a publisher who lives in New York City with her partner, Sally, and their daughter, Julia in the 1990s. She is good friends with Richard, a man she used to love romantically and possibly still loves. She fondly remembers a time she kissed Richard in the past and feels nostalgia for her youth, when she and Louis tried to both have a relationship with Richard at the same time. The novel follows one day in Clarissa’s life as she prepares a party for Richard before the ceremony for an award he’s receiving. Richard often calls Clarissa “Mrs. Dalloway” after the titular character from the Virginia Woolf novel Mrs. Dalloway, and Clarissa has mixed feelings about this. On the one hand, Clarissa does resemble Woolf’s Mrs. Dalloway (each woman starts her day carrying out the domestic tasks of buying flowers and preparing for a party). But Clarissa feels that Richard often misunderstands her, particularly when he writes a long novel about a bourgeoisie housewife that many people believe is a stand-in for Clarissa. The woman in Richard’s novel ultimately dies by suicide. Meanwhile, the protagonist of Woolf’s novel feels repressed and unsatisfied by domestic life, though she doesn’t die at the end. In The Hours, Clarissa resents Richard’s implication that she, like these two fictional women, feels repressed and unfulfilled in the conventional, domestic life she’s made for herself. Clarissa also feels judged by Julia’s mentor, Mary Krull, who believes that Clarissa’s relationship with Sally is a misguided attempt to try to replicate the conventions of a heterosexual marriage. Ultimately, Clarissa’s party plans become irrelevant after Richard kills himself in front of Clarissa, and Clarissa and Richard’s friends and loved ones (including his mother, Laura) gather in mourning rather than in celebration. In some ways, Clarissa is a reversal of Virginia Woolf’s Mrs. Dalloway (who remains married to a practical, unromantic man named Richard while longing for a woman named Sally). Clarissa’s life reveals how women in modern-day society continue to struggle with society’s complex (and sometimes contradictory) expectations for them, even in a comparatively more progressive, sexually liberated world.

Clarissa Vaughan Quotes in The Hours

The The Hours quotes below are all either spoken by Clarissa Vaughan or refer to Clarissa Vaughan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Passage of Time Theme Icon
).
Chapter 1: Mrs. Dalloway Quotes

There are still the flowers to buy. Clarissa feigns exasperation (though she loves doing errands like this), leaves Sally cleaning the bathroom, and runs out, promising to be back in half an hour.

It is New York City. It is the end of the twentieth century.

Related Characters: Clarissa Vaughan, Virginia Woolf, Sally
Related Symbols: Flowers
Page Number: 9
Explanation and Analysis:
Chapter 4: Mrs. Dalloway Quotes

Richard’s chair, particularly, is insane; or, rather, it is the chair of someone who, if not actually insane, has let things slide so far, has gone such a long way toward the exhausted relinquishment of ordinary caretaking—simple hygiene, regular nourishment—that the difference between insanity and hopelessness is difficult to pinpoint. The chair—an elderly, square, overstuffed armchair obesely balanced on slender blond wooden legs—is ostentatiously broken and worthless.[…] Richard will not hear of its being replaced.

Related Characters: Clarissa Vaughan, Richard/Richie, Louis
Page Number: 58
Explanation and Analysis:
Chapter 8: Mrs. Dalloway Quotes

How often since then has she wondered what might have happened if she’d tried to remain with him; if she’d returned Richard’s kiss on the corner of Bleecker and MacDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with the rose-shaped buttons. Couldn’t they have discovered something…larger and stranger than what they’ve got?

Related Characters: Clarissa Vaughan, Richard/Richie, Sally
Page Number: 97
Explanation and Analysis:
Chapter 9: Mrs. Brown Quotes

Laura releases Kitty. She steps back. She has gone too far, they’ve both gone too far, but it is Kitty who’s pulled away first. It is Kitty whose terrors have briefly propelled her, caused her to act strangely and desperately. Laura is the dark-eyed predator. Laura is the odd one, the foreigner, the one who can’t be trusted. Laura and Kitty agree, silently, that this is true.

Laura glances over at Richie. He is still holding the red truck. He is still watching.

Related Characters: Clarissa Vaughan, Laura Brown, Richard/Richie, Kitty
Related Symbols: Cake
Page Number: 110
Explanation and Analysis:
Chapter 11: Mrs. Dalloway Quotes

The truth is that he does not love Hunter and Hunter does not love him. They are having an affair; only an affair. He fails to think of him for hours at a time. Hunter has other boyfriends, a whole future planned, and when he’s moved on, Louis has to admit, privately, that he won’t much miss Hunter’s shrill laugh, his chipped front tooth, his petulant silences.

There is so little love in the world.

Related Characters: Clarissa Vaughan, Laura Brown, Virginia Woolf, Richard/Richie, Louis
Page Number: 134
Explanation and Analysis:
Chapter 14: Mrs. Dalloway Quotes

Fool, Mary thinks, though she struggles to remain charitable or, at least, serene. No, screw charity. Anything’s better than queers of the old school, dressed to pass, bourgeois to the bone, living like husband and wife. Better to be a frank and open asshole, better to be John fucking Wayne, than a well-dressed dyke with a respectable job.

Fraud, Clarissa thinks. You’ve fooled my daughter, but you don’t fool me. I know a conquistador when I see one. I know all about making a splash. It isn’t hard. If you shout loud enough, for long enough, a crowd will gather to see what all the noise is about. It’s the nature of crowds. They don’t stay long, unless you give them reason. You’re just as bad as most men, just that aggressive, just that self-aggrandizing, and your hour will come and go.

Related Characters: Clarissa Vaughan, Julia, Mary Krull
Page Number: 160
Explanation and Analysis:
Chapter 16: Mrs. Dalloway Quotes

Sally hands the flowers to her and for a moment they are both simply and entirely happy. They are present, right now, and they have managed, somehow, over the course of eighteen years, to continue loving each other. It is enough. At this moment, it is enough.

Related Characters: Clarissa Vaughan, Sally
Related Symbols: Flowers
Page Number: 185
Explanation and Analysis:
Chapter 18: Mrs. Dalloway Quotes

“But there are still the hours, aren’t there? One and then another, and you get through that one and then, my god, there’s another. I’m so sick.”

Related Characters: Richard/Richie (speaker), Clarissa Vaughan, Laura Brown, Virginia Woolf
Related Symbols: Cake
Page Number: 197
Explanation and Analysis:

Richard smiles. He shakes his head. He says, “I don’t think two people could have been happier than we’ve been.”

He inches forward, slides gently off the sill, and falls.

Related Characters: Richard/Richie (speaker), Clarissa Vaughan, Virginia Woolf, Leonard
Page Number: 200
Explanation and Analysis:
Chapter 22: Mrs. Dalloway Quotes

They settle into another silence, one that is neither intimate nor particularly uncomfortable. Here she is, then, Clarissa thinks; here is the woman from Richard’s poetry. Here is the lost mother, the thwarted suicide; here is the woman who walked away. It is both shocking and comforting that such a figure could, in fact, prove to be an ordinary-looking old woman seated on a sofa with her hands in her lap.

Related Characters: Clarissa Vaughan, Laura Brown, Richard/Richie, Sally, Julia, Dan
Related Symbols: Cake
Page Number: 220
Explanation and Analysis:

And here she is, herself, Clarissa, not Mrs. Dalloway anymore; there is no one now to call her that. Here she is with another hour before her.

“Come in, Mrs. Brown,” she says. “Everything’s ready.”

Related Characters: Clarissa Vaughan (speaker), Laura Brown, Richard/Richie, Sally, Julia
Page Number: 226
Explanation and Analysis:
Get the entire The Hours LitChart as a printable PDF.
The Hours PDF

Clarissa Vaughan Quotes in The Hours

The The Hours quotes below are all either spoken by Clarissa Vaughan or refer to Clarissa Vaughan. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Passage of Time Theme Icon
).
Chapter 1: Mrs. Dalloway Quotes

There are still the flowers to buy. Clarissa feigns exasperation (though she loves doing errands like this), leaves Sally cleaning the bathroom, and runs out, promising to be back in half an hour.

It is New York City. It is the end of the twentieth century.

Related Characters: Clarissa Vaughan, Virginia Woolf, Sally
Related Symbols: Flowers
Page Number: 9
Explanation and Analysis:
Chapter 4: Mrs. Dalloway Quotes

Richard’s chair, particularly, is insane; or, rather, it is the chair of someone who, if not actually insane, has let things slide so far, has gone such a long way toward the exhausted relinquishment of ordinary caretaking—simple hygiene, regular nourishment—that the difference between insanity and hopelessness is difficult to pinpoint. The chair—an elderly, square, overstuffed armchair obesely balanced on slender blond wooden legs—is ostentatiously broken and worthless.[…] Richard will not hear of its being replaced.

Related Characters: Clarissa Vaughan, Richard/Richie, Louis
Page Number: 58
Explanation and Analysis:
Chapter 8: Mrs. Dalloway Quotes

How often since then has she wondered what might have happened if she’d tried to remain with him; if she’d returned Richard’s kiss on the corner of Bleecker and MacDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with the rose-shaped buttons. Couldn’t they have discovered something…larger and stranger than what they’ve got?

Related Characters: Clarissa Vaughan, Richard/Richie, Sally
Page Number: 97
Explanation and Analysis:
Chapter 9: Mrs. Brown Quotes

Laura releases Kitty. She steps back. She has gone too far, they’ve both gone too far, but it is Kitty who’s pulled away first. It is Kitty whose terrors have briefly propelled her, caused her to act strangely and desperately. Laura is the dark-eyed predator. Laura is the odd one, the foreigner, the one who can’t be trusted. Laura and Kitty agree, silently, that this is true.

Laura glances over at Richie. He is still holding the red truck. He is still watching.

Related Characters: Clarissa Vaughan, Laura Brown, Richard/Richie, Kitty
Related Symbols: Cake
Page Number: 110
Explanation and Analysis:
Chapter 11: Mrs. Dalloway Quotes

The truth is that he does not love Hunter and Hunter does not love him. They are having an affair; only an affair. He fails to think of him for hours at a time. Hunter has other boyfriends, a whole future planned, and when he’s moved on, Louis has to admit, privately, that he won’t much miss Hunter’s shrill laugh, his chipped front tooth, his petulant silences.

There is so little love in the world.

Related Characters: Clarissa Vaughan, Laura Brown, Virginia Woolf, Richard/Richie, Louis
Page Number: 134
Explanation and Analysis:
Chapter 14: Mrs. Dalloway Quotes

Fool, Mary thinks, though she struggles to remain charitable or, at least, serene. No, screw charity. Anything’s better than queers of the old school, dressed to pass, bourgeois to the bone, living like husband and wife. Better to be a frank and open asshole, better to be John fucking Wayne, than a well-dressed dyke with a respectable job.

Fraud, Clarissa thinks. You’ve fooled my daughter, but you don’t fool me. I know a conquistador when I see one. I know all about making a splash. It isn’t hard. If you shout loud enough, for long enough, a crowd will gather to see what all the noise is about. It’s the nature of crowds. They don’t stay long, unless you give them reason. You’re just as bad as most men, just that aggressive, just that self-aggrandizing, and your hour will come and go.

Related Characters: Clarissa Vaughan, Julia, Mary Krull
Page Number: 160
Explanation and Analysis:
Chapter 16: Mrs. Dalloway Quotes

Sally hands the flowers to her and for a moment they are both simply and entirely happy. They are present, right now, and they have managed, somehow, over the course of eighteen years, to continue loving each other. It is enough. At this moment, it is enough.

Related Characters: Clarissa Vaughan, Sally
Related Symbols: Flowers
Page Number: 185
Explanation and Analysis:
Chapter 18: Mrs. Dalloway Quotes

“But there are still the hours, aren’t there? One and then another, and you get through that one and then, my god, there’s another. I’m so sick.”

Related Characters: Richard/Richie (speaker), Clarissa Vaughan, Laura Brown, Virginia Woolf
Related Symbols: Cake
Page Number: 197
Explanation and Analysis:

Richard smiles. He shakes his head. He says, “I don’t think two people could have been happier than we’ve been.”

He inches forward, slides gently off the sill, and falls.

Related Characters: Richard/Richie (speaker), Clarissa Vaughan, Virginia Woolf, Leonard
Page Number: 200
Explanation and Analysis:
Chapter 22: Mrs. Dalloway Quotes

They settle into another silence, one that is neither intimate nor particularly uncomfortable. Here she is, then, Clarissa thinks; here is the woman from Richard’s poetry. Here is the lost mother, the thwarted suicide; here is the woman who walked away. It is both shocking and comforting that such a figure could, in fact, prove to be an ordinary-looking old woman seated on a sofa with her hands in her lap.

Related Characters: Clarissa Vaughan, Laura Brown, Richard/Richie, Sally, Julia, Dan
Related Symbols: Cake
Page Number: 220
Explanation and Analysis:

And here she is, herself, Clarissa, not Mrs. Dalloway anymore; there is no one now to call her that. Here she is with another hour before her.

“Come in, Mrs. Brown,” she says. “Everything’s ready.”

Related Characters: Clarissa Vaughan (speaker), Laura Brown, Richard/Richie, Sally, Julia
Page Number: 226
Explanation and Analysis: