Flowers are an important symbol in Virginia Woolf’s novel Mrs. Dalloway, and in The Hours, which is modeled after Woolf’s novel, flowers symbolize the beauty of life, but also its shortness and fragility. Like Woolf’s Mrs. Dalloway, Clarissa spends her morning thinking about buying flowers for Richard’s party that evening. As Richard himself notes at one point, flowers can serve two main purposes, being either a gesture of congratulations (like Clarissa intends them to be at Richard’s party) or condolences (like at a funeral). Clarissa initially buys flowers for a party where she hopes to impress Richard. The flowers perhaps have a romantic undertone, illustrating Clarissa’s nostalgia for her youth and her missed opportunity to have a long-term relationship with Richard. In this instance, flowers represent Clarissa’s mixed emotions about her past with Richard: though it’s a period of her life she looks back on fondly, the feelings of loss and missed chances at love she associates with it fills her with sadness and regret, too. Meanwhile, when Clarissa later finds out that she and her current partner, Sally, both bought flowers, it reminds her that, while she and Sally sometimes take each other for granted, they still have things in common, and this renews Clarissa’s sense of gratitude and appreciate for her life.
But although flowers are beautiful, they also foreshadow the darker events that occur near the end of the novel. While Virginia, in the book’s 1920s timeline, is writing Mrs. Dalloway, she witnesses Vanessa’s children laying flowers around a dead bird in her backyard, suggesting the flowers’ relationship to death and the suffering that characterizes life. At the end of The Hours, the flowers that Clarissa (whose nickname is “Mrs. Dalloway”) bought become a memorial to Richard after she watches him die by suicide, and the gathering of friends she has organized becomes mournful rather than celebratory, The symbolism of Clarissa’s flowers thus reaffirms the fragile, fleeting, and unpredictable nature of life.
Flowers Quotes in The Hours
There are still the flowers to buy. Clarissa feigns exasperation (though she loves doing errands like this), leaves Sally cleaning the bathroom, and runs out, promising to be back in half an hour.
It is New York City. It is the end of the twentieth century.
Before following them, Virginia lingers another moment beside the dead bird in its circle of roses. It could be a kind of hat. It could be the missing link between millinery and death.
She would like to lie down in its place. No denying it, she would like that.
She is better, she is safer, if she rests in Richmond; if she does not speak too much, write too much, feel too much; if she does not travel impetuously to London and walk through its streets; and yet she is dying this way, she is gently dying on a bed of roses.
Sally hands the flowers to her and for a moment they are both simply and entirely happy. They are present, right now, and they have managed, somehow, over the course of eighteen years, to continue loving each other. It is enough. At this moment, it is enough.