The Moon and Sixpence

by

W. Somerset Maugham

Teachers and parents! Our Teacher Edition on The Moon and Sixpence makes teaching easy.
Walls Symbol Icon

In The Moon and Sixpence, the painted walls of the house that Strickland shares with his young wife Ata symbolize Strickland’s antisocial individualism, which makes his art an act of self-expression rather than an attempt to communicate something to others. The narrator learns of the painted walls when Dr. Coutras, the doctor who witnessed Charles Strickland’s illness from leprosy, tells the narrator that he was summoned to the house as Strickland was dying and saw painted on the walls a stunning masterpiece that proved to him Strickland’s genius. After examining the corpse, Dr. Coutras realized that Strickland likely painted the masterpieces while going blind—a detail that suggests Strickland was painting his inner vision, or his individual mental perception of the world, rather than an objective, external rendering of the world as other people see it. Later, Dr. Coutras reveals to the narrator that Strickland ordered Ata to burn the house down after he died, destroying the paintings. Strickland’s command to Ata reveals that he painted his masterpiece not to gain fame or to communicate with others—he has no desire for others to see his work—but simply to express his singular inner vision. Thus, through Strickland, the novel suggests that great artists create their work for themselves, not to communicate with collective society.

Walls Quotes in The Moon and Sixpence

The The Moon and Sixpence quotes below all refer to the symbol of Walls. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Art and Beauty Theme Icon
).
Chapters 1–16 Quotes

The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of his thoughts; and, indifferent to aught else, care nothing for praise or censure, failure or success.

Related Characters: The Narrator (speaker), Charles Strickland, Ata
Related Symbols: Walls
Page Number: 8
Explanation and Analysis:
Chapters 43–58 Quotes

“But he was blind.”

“Yes; he had been blind for nearly a year.”

Related Characters: Ata (speaker), Dr. Coutras (speaker), Charles Strickland, The Narrator
Related Symbols: Walls
Page Number: 205
Explanation and Analysis:

“I think Strickland knew it was a masterpiece. He had achieved what he wanted. His life was complete. He had made a world and saw that it was good. Then, in pride and contempt, he destroyed it.”

Related Characters: The Narrator (speaker), Charles Strickland, Ata, Dr. Coutras
Related Symbols: Walls
Page Number: 208
Explanation and Analysis:
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Walls Symbol Timeline in The Moon and Sixpence

The timeline below shows where the symbol Walls appears in The Moon and Sixpence. The colored dots and icons indicate which themes are associated with that appearance.
Chapters 17–42
Art and Beauty Theme Icon
...scholarship, which he won. Her mother cried at his first exhibition, and now all the walls of their house bear his paintings. (The narrator thinks that Stroeve’s Italianate paintings must look... (full context)
Art and Beauty Theme Icon
Women vs. Men Theme Icon
...of the living quarters into the studio, where he found a canvas propped against the wall. He put the canvas on an easel and saw it was a nude painting of... (full context)
Chapters 43–58
Art and Beauty Theme Icon
Society vs. Authenticity Theme Icon
...terrible stench and Ata crying on the floor. As his eyes adjust, he sees painted walls that express something “primeval” and suddenly reveal to him Strickland’s genius. Then he sees Strickland’s... (full context)
Art and Beauty Theme Icon
Society vs. Authenticity Theme Icon
...Dr. Coutras says that for a long time he couldn’t stop thinking about Strickland’s painted walls. The narrator, who hypothesizes that Strickland finally managed to exorcize himself and die peacefully after... (full context)
Art and Beauty Theme Icon
Society vs. Authenticity Theme Icon
Dr. Coutras compares the effect of Strickland’s walls to the effect of Michelangelo’s Sistine Chapel—except that Michelangelo’s art was sane, whereas Strickland’s was... (full context)