The Most Dangerous Game: Metaphors 1 key example

For example, the Caribbean night feels, to Rainsford, “like moist black velvet” in its oppressive darkness, while the dwindling light of the yacht as it abandons Rainsford in the sea “became faint and ever-vanishing fireflies” before disappearing completely. Later, when Rainsford finds Zaroff’s chateau and the door is opened, the sheer volume of light pours out like water as Rainsford stands “blinking in the river of glaring golden light." The sensory details in these similes and metaphors help to establish the story's dark, mysterious mood.

As the narrative develops and Rainsford is forced to begin playing Zaroff’s “game,” the story continues to use metaphor to establish the despair Rainsford feels as he confronts his status as prey. The story's metaphors also highlight its exploration of humans' similarities to animals and the idea that human civilization's fragility. “I have played the fox, now I must play the cat of the fable,” Rainsford thinks to himself as he tries to hide from Zaroff in the branches of a tree, but it isn’t long before he realizes what role he is actually playing. When the general retreats from Rainsford’s hiding place he has the horrible realization that Zaroff is toying with his quarry. “The Cossack was the cat; he was the mouse. Then it was that Rainsford knew the full meaning of terror.”

The sustained use of animals as metaphorical roles for Zaroff and Rainsford during the hunt crystallizes the pessimistic conclusion to Connell’s exploration of human nature: humans are ultimately little better than animals, confined to roles of predator or prey. The animal comparisons continue through the rest of the story, sustaining this exploration. At another point, the general escapes one of Rainsford's traps with "the agility of an ape," while at still another moment Connell uses a simile to compare Rainsford's digging of his pit trap to that of "some huge prehistoric beaver."