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Divided Communities
Themes and Colors
LitCharts assigns a color and icon to each theme in The Outsiders, which you can use to track the themes throughout the work.
Empathy, the ability to see things through another person's perspective, is central to the resolution of both the gang and the family conflict in The Outsiders. The two gangs' preoccupation with the appearance and class status of their rivals underscores the superficiality of their mutual hostility, which thrives on stereotypes and prejudice. Certain characters can see past the stereotypes, however. When Cherry befriends Ponyboy at the drive-in and insists that "things are rough all over," she encourages Ponyboy to see Socs as individuals, and he begins to question the conflict between the gangs. Randy furthers forces Ponyboy to feel compassion for Socs as individual people by sharing details about Bob's troubled life. Ultimately, Ponyboy himself takes on the role of showing the two groups their shared humanity by writing his English essay, which turns out to be the novel itself.
In the Curtis family, it is Sodapop who helps Ponyboy recognize that Darry's high expectations for Ponyboy result from Darry's love for Ponyboy and determination to provide Ponyboy with the shot at a better life. In the end, their newfound admiration for one another, combined with a desire to protect the pained Sodapop from unnecessary grief, brings about a pledge not to fight anymore.
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Empathy ThemeTracker
The ThemeTracker below shows where, and to what degree, the theme of Empathy appears in each chapter of The Outsiders. Click or tap on any chapter to read its Summary & Analysis.
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Empathy Quotes in The Outsiders
Below you will find the important quotes in The Outsiders related to the theme of Empathy.
Chapter 2
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"Things are rough all over."
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Chapter 3
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It seemed funny that the sunset [Cherry] saw from her patio and the one I saw from the back steps was the same one. Maybe the two worlds we lived in weren't so different. We saw the same sunset.
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Chapter 6
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That was [Darry's] silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and I knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
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Chapter 7
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"You would have saved those kids if you had been there," I said. "You'd have saved them the same as we did."
"Thanks, grease," he said, trying to grin. Then he stopped. "I didn't mean that. I meant, thanks, kid."
"My name's Ponyboy," I said. "Nice talking to you, Randy."
"Thanks, grease," he said, trying to grin. Then he stopped. "I didn't mean that. I meant, thanks, kid."
"My name's Ponyboy," I said. "Nice talking to you, Randy."
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Socs were just guys after all. Things were rough all over, but it was better that way. That way you could tell the other guy was human, too.
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Chapter 8
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"Hey," I said suddenly, "can you see the sunset real good from the West Side?"
She blinked, startled, then smiled. "Real good."
"You can see it good from the East Side, too," I said quietly.
"Thanks, Ponyboy." She smiled through her tears. "You dig okay."
She blinked, startled, then smiled. "Real good."
"You can see it good from the East Side, too," I said quietly.
"Thanks, Ponyboy." She smiled through her tears. "You dig okay."
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Chapter 9
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Soda fought for fun, Darry for pride, and Two-Bit for conformity. Why do I fight? I thought, and couldn't think of any real good reason. There isn't any real good reason for fighting except self-defense.
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They used to be buddies, I thought, they used to be friends, and now they hate each other because one has to work for a living and the other comes from the West Side. They shouldn't hate each other...I don't hate the Socs anymore...they shouldn't hate...
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"We won," Dally panted. "We beat the Socs. We stomped them—chased them outa our territory."
Johnny didn't even try to grin at him. "Useless...fighting's no good..."
Johnny didn't even try to grin at him. "Useless...fighting's no good..."
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"Stay gold, Ponyboy. Stay gold..." The pillow seemed to sink a little, and Johnny died.
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Chapter 10
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And even as the policemen's guns spit fire into the night I knew that was what Dally wanted...Dally Winston wanted to be dead and he always got what he wanted...Two friends of mine had died that night: one a hero, the other a hoodlum. But I remembered Dally pulling Johnny through the window of the burning church; Dally giving us his gun, although it could mean jail for him; Dally risking his life for us, trying to keep Johnny out of trouble. And now he was a dead juvenile delinquent and there wouldn't be any editorials in his favor. Dally didn't die a hero. He died violent and young and desperate, just like we all knew he'd die someday...But Johnny was right. He died gallant.
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Chapter 11
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I had never given Bob much thought—I hadn't had time to think. But that day I wondered about him. What was he like? ... I looked at Bob's picture and I could begin to see the person we had killed. A reckless, hot-tempered boy, cocky and scared stiff at the same time.
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Chapter 12
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"Ponyboy, listen, don't get tough. You're not like the rest of us and don't try to be."
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"We're all we have left. We ought to be able to stick together against everything. If we don't have each other, we don't have anything. If you don't have anything, you end up like Dallas...and I don't mean dead, either. I mean like he was before. And that's worse than dead. Please"—he wiped his eyes on his arm—"don't fight anymore."
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I've been thinking about it, and that poem, that guy that wrote it, he meant you're gold when you're a kid, like green. When you're a kid everything's new, dawn. It's just when you get used to everything that it's day. Like the way you dig sunsets, Pony. That's gold. Keep that way, it's a good way to be...And don't be so bugged over being a greaser. You still have a lot of time to make yourself what you want. There's still lots of good in the world. Tell Dally. I don't think he knows. Your buddy, Johnny.
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Suddenly it wasn't only a personal thing to me. I could picture hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at the stars and ached for something better. I could see boys going down under street lights because they were mean and tough and hated the world, and it was too late to tell them there was still good in it...There should be some help, someone to tell them before it was too late. Someone should tell their side of the story, and maybe people would understand then and wouldn't be so quick to judge a boy by the amount of hair oil he wore.
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One week had taken all three of them. And I decided I could tell people, beginning with my English teacher. I wondered for a long time how to start that theme, how to start writing about something that was important to me. And I finally began like this: When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home...
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