The Rent Collector

by

Camron Wright

The Rent Collector: Chapter Sixteen Summary & Analysis

Summary
Analysis
Seasonal rain forms intermittent ponds amidst the dump’s rubbish, in which reeds take root and large snails grow. Since money is still tight, rather than spend what little they have on pork from the market, Sang Ly decides to go gather snails to eat. Teva Mao’s daughters tag along. As Sang Ly is wading through the knee-high water, she notices a leech attached to her ankle, which sends her into a panic—she has a phobia of leeches. She high-steps out of the water and begs the girls to pull it off, but they are unable to, and Sang Ly scrapes it off with her sandal. She tells Ki about the episode when she gets home, but cannot find the bite mark from the leech or even remember which leg it was on. Ki finds this hilarious, though Sang Ly is less enthused.
Sang Ly’s encounter with the leech parallels the stepmother’s transformation into a leech in the Sarann story, foreshadowing that the cruelty and ugliness of the world may soon threaten to overtake Sang Ly’s inherent goodness. This episode also humanizes Sang Ly a bit more, and demonstrate that even one so courageous as herself is subject to irrational, even foolish fears. Sang Ly’s irrational fear is emphasized by the fact that Teva Mao’s daughters find the episode hilarious and seem to have no fear whatsoever of the leech. When Sang Ly is unable to even find the bite mark that evening, the narrative suggests that the leech attack was not nearly so serious as she believed at the time.
Themes
Humor and Resilience Theme Icon
The next time Sopeap is giving Sang Ly a lesson, on heroism, Sang Ly remarks that her neighbor thought that Stung Meanchey is the last place one would find a hero. Sopeap answers that she simply seeks the wrong kind of hero; a true hero is not one who is powerful or wealthy, but one who sacrifices for the good of others. Sang Ly asks if that makes Sopeap a hero, then, since she gives her time to teach Sang Ly. But this makes Sopeap angry, and she states bitterly, “I’m nobody’s hero.”
Although Ki is preoccupied with having the power to defend himself and even take revenge on the gangs, Sopeap teaches both Sang Ly and the reader that the true mark of a hero, in literature and in real life, is one who makes sacrifices for others. Sopeap’s insistence that she is “nobody’s hero” suggests that she harbors a lot of self-contempt.
Themes
The Power of Literature Theme Icon
Appearances, Judgment, and Hidden Character Theme Icon
Heroism and Self-Sacrifice Theme Icon
Quotes
Sopeap continues to state that there are other important roles within a story: there is the shape-shifter, who may seem like a friend but ultimately betrays the hero, and then there is the trickster, who uses humor to “provide relief” as well as to point out absurd or unjust situations. Sang Ly observes that Lucky Fat did this when he joked that the scrap buyer never pays women or children as much as men, prompting the annoyed man to give Sang Ly a fair price that day. There is also the shadow, a character who is sometimes evil, but sometimes simply disagrees with the hero and sees itself as the hero instead.
Sopeap’s teaching about the classic roles in a story gives Sang Ly a lens through which she can find greater understanding of the people and events in her daily life, yet again demonstrating the power of literature to convey wisdom and help one make sense of the world around them. Lucky Fat’s use of humor to point out injustice and help Sang Ly get a fair price for her labor demonstrates humor’s utility in calling out inequitable situations.
Themes
The Power of Literature Theme Icon
Humor and Resilience Theme Icon
Most importantly, teaches Sopeap, these roles are not always strictly set; some characters may play certain roles only for a time or switch between roles, which makes both life and literature far more exciting. Regardless, for each character, “the fiercest battles take place within,” and sometimes a hero will emerge from “the most unexpected places.”
The recognition that characters often change roles within the story both reflects Sopeap’s own changing role—she begins as an antagonist and is now an ally and teacher—and foreshadows her ultimate transition to the role of the hero at the end of the story.
Themes
The Power of Literature Theme Icon
Appearances, Judgment, and Hidden Character Theme Icon
Heroism and Self-Sacrifice Theme Icon
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Teva Mao buys some bitter melon leaves from the market, since they are supposed to be good for easing digestion and reducing fever, and hopes they may help Nisay. Sang Ly is willing to try anything, so she boils them into a bitter tea and asks Ki to feed it to Nisay. The mixture is so unpleasant, however, that after one spoonful, Nisay refuses to drink anymore. Cleverly, Ki leaves and returns with juice from the sweet custard apple, which Nisay drinks eagerly, and alternates the sweet juice and the bitter juice until Nisay has drank all of the bitter melon solution. However, the next morning the child still has diarrhea. Sang Ly wonders what good literature will be for Nisay, and cries for the whole morning until Sopeap arrives.
Although Teva Mao’s neighborly gestures suggest that Sang Ly has good support, and although Ki’s clever and gentle handling of Nisay suggests that he is a good father, Nisay’s constant illness and inability to get well no matter how many remedies he gets creates a sense of hopelessness that overshadows even the loving support that Sang Ly’s friends give her. While literature is certainly powerful, in light of such an immediate and pressing problem, words in books seem a small comfort at best.
Themes
Hope and Action Theme Icon