The Sorrow of War

by

Bảo Ninh

The Sorrow of War: Pages 56-79 Summary & Analysis

Summary
Analysis
Kien originally intended to write a novel set after the war, starting out with a story about the Remains-Gathering Team. But his writing has veered off-course, as his memories of the actual war flood in. It’s strange, though: he himself avoids reading books about the war. And yet, he can’t help but write one himself. He wishes he could write about other things, like about his upbringing and his parents. But even the subject of his father makes him sad, since he regrets how he treated his father while he was still alive, and he doesn’t remember much about his family. He does, however, vividly remember his mother’s second husband, a poet who told him before he left for war that people are put on Earth “to live, not to kill.”
The first scenes of The Sorrow of War focus on Kien’s time with the Remains-Gathering Team. Given that Kien wants to write a novel that begins with a story about the Remains-Gathering Team, it’s reasonable to conclude that The Sorrow of War is that very novel. The book itself, then, is the book Kien is trying to write, which makes sense, considering that the novel is so nonlinear—just like the book Kien works on now. Instead of focusing on postwar stories, Kien can’t help but rehash his experiences in the war. And because these experiences were so intense, they make it hard for him to tell a straightforward story, thus suggesting that trauma often comes with a certain sense of incoherence, as if nothing could possibly ever make sense of such horrific experiences.
Themes
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Coping Through Writing Theme Icon
Quotes
As Kien remembers his stepfather (who died before Kien returned from the war), he thinks about the many people from his past. In particular, he remembers Hanh, a young woman who lived in the same apartment building as him when he was growing up. As a boy, Kien noticed how men stared at Hanh, who was incredibly beautiful. As the years went on, Kien himself was deeply engaged in his relationship with his girlfriend, Phuong, but Hanh slowly started to take notice of how handsome he had become.
The Sorrow of War is predominantly about the Vietnam War, but it’s also about Kien’s life in general and his process of coming of age. Interspersed with his traumatic memories of the war, there are lighter, happier memories—like this one, in which Kien remembers a period in his prewar days when the most pressing matters had to do with his blossoming love life.
Themes
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Love in Times of Hardship Theme Icon
When Kien was 17, Hanh asked him to help her dig a small shelter beneath her bed—war was on the horizon, and the city was constantly running air-raid drills, so Hanh wanted a way to avoid running to the nearest shelter. Kien agreed to help her, and they worked through the evening, breaking through the floor tiles and digging a chest-deep hole. During a break, Hanh gave Kien dinner and some beer. When they resumed working, Kien was a little tipsy and felt uncomfortable, but he didn’t say anything—nor did he say anything when the power went out. In the darkness, Hanh lowered herself into the hole to see if it was deep enough. Their bodies pressed against each other, and though at first Kien resisted temptation, he soon feverishly clutched her.
Although Kien’s life before the war was happy and full of hope, it’s not the case that he lived in a completely carefree environment. By the time he was 17, it was clear that the war was on the horizon. In fact, daily life in Hanoi was impacted by the imminent threat of violence, as made evident by the fact that Hanh wanted to build a small bomb shelter beneath her own bed. The novel thus sets Kien’s love life against the backdrop of war, though this doesn’t deplete his romantic feelings.
Themes
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Love in Times of Hardship Theme Icon
Kien kissed Hanh’s neck and shoulders, but she tried to struggle away from him. When one of his shirt buttons popped off, he realized what he was doing and rushed out of the hole. Hanh asked him to stay, since she couldn’t see anything, so he hesitantly lifted her out of the hole. But then he left and went back to his room, with Hanh telling him to come back in a moment because she wanted to tell him something. He couldn’t bring himself to do that, though. He stayed in his room until late that night, at which point he crept downstairs and put his ear to Hanh’s door. Somehow, he could tell that Hanh was also pressing herself to the other side of the door, but he couldn’t bring himself to open it. 
There’s a certain innocence to Kien’s behavior in this scene. First, he lets his passion get the better of him, leading him to come on a bit too strong as he and Hanh stand pressed together in the ditch. When he gets ahold of himself again, though, he reacts by running away from the entire situation, ultimately revealing a sense of immaturity—in other words, he behaves like a child overwhelmed by the prospect of romantic desire. This entire episode highlights the fact that Kien is still quite young and inexperienced, even though he will soon go to war.
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Love in Times of Hardship Theme Icon
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Kien ran back upstairs. He never spoke to Hanh again. Whenever their paths crossed, he avoided her as best he could, though she always seemed eager to talk. By the time he went to war, Hanh herself had already volunteered with the Youth Brigade. He stopped by her room on his way through Hanoi when he was headed toward the frontlines, but somebody new was living there, and the hole they’d dug had been filled in and tiled over again. For years and years afterward, Kien still pondered what Hanh had wanted to tell him—he felt as if he’d lost something by running away from her that night. 
Kien’s memory of what happened with Hanh is a good example of how the war disrupted his life. It’s quite likely that he would have eventually made amends with Hanh if they had both continued to live in the same apartment building in Hanoi. Instead, though, they went their separate ways as a result of the war, leaving Kien to wonder for the rest of his life what, exactly, Hanh had wanted to tell him. In turn, it becomes clear that one of the kinds of loss associated with war is the loss of everything that could have happened if not for the disruption of violent conflict. 
Themes
Memory, Trauma, and Moving On Theme Icon
Love in Times of Hardship Theme Icon
Quotes
These days, Kien looks out over Hanoi and feels alone with his memories. He remembers a time after the war when spring came early, the sun shining brightly at the end of winter. As soon as winter returned, though, Phuong left him. He had loved her since childhood, and it was her memory that had sustained him through some of the worst nights of the war. For her to leave him was unbearably painful, forcing him to examine himself and realize that he had come back to her a completely different person. He was now enrolled in classes at the university, but he stopped going and started drinking heavily. 
Although Kien and Phuong managed to reunite after the war, things apparently didn’t go well because so much had changed. After all, Kien spent many years away, all the while witnessing and even personally carrying out terrible things, so it's no wonder that he would feel like a different person after the war. And though he loved Phuong, figuring out how to make their relationship work surely meant figuring out who he had become and how that person related to the person he was when he and Phuong first began their relationship—an undoubtedly difficult thing to do.
Themes
Memory, Trauma, and Moving On Theme Icon
Love in Times of Hardship Theme Icon
During that false spring, Kien was walking by the lake one night when he saw a man assaulting a woman. He ran over and defended the woman, chasing off her attacker. He then realized that the woman was a “Green Coffee Girl,” the popular name for sex workers who frequented coffeehouses to meet up with clients. She was still very young—just 19—and wore somewhat dirty clothes, but she was deeply grateful to Kien, who took her back to his apartment. She wanted to repay his kindness by having sex with him, but he refused.
Throughout The Sorrow of War, Kien has a number of interactions with women, many of whom he is romantically interested in. In this moment, though, he doesn’t want to have sex with the sex worker, perhaps because he senses that she just wants to thank him for helping her fend off a vicious abuser. But Kien has seemingly no interest in meaningless sex, even if he’s lonely in his postwar life. Rather, he helped her simply because she needed help, thus illustrating his willingness to put himself in danger for others—a willingness he perhaps cultivated in the war, when he became accustomed to the idea of sacrificing himself for North Vietnam.
Themes
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Love in Times of Hardship Theme Icon
Patriotism, Sacrifice, and Skepticism Theme Icon
When the “Green Coffee Girl” got into Kien’s bed, she fell asleep almost instantly, and it was only upon waking up hours later that she realized she knew Kien, who had been in the same platoon as her older brother. Kien was the one who had delivered the news of her brother’s death. Sitting in his bedroom, his former compatriot’s sister told him about how she came to be a sex worker in Hanoi, explaining that her mother died shortly after the news of her brother’s death. Kien went around his room looking for money and anything of value, scooping up the bills and giving them to the young woman, who thanked him and said she’d never forget his kindness.
It's a strange coincidence that Kien knew this sex worker’s brother from the war. It’s even more coincidental that he’s the one who delivered the news of her brother’s death. And yet, this coincidence underscores just how many people were deeply impacted by the Vietnam War—everyone, it seems, has a story to tell about how the war changed their lives. In that way, the people living in Hanoi are connected by a shared sense of grief, just as Kien and the sex worker are connected in this moment by what happened to the sex worker’s brother.
Themes
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Patriotism, Sacrifice, and Skepticism Theme Icon
That spring, rumors of a new war began circulating. The Vietnamese had overtaken Cambodia, and now Cambodia’s Chinese allies were threatening to invade Vietnam’s northern border. Everyone around Kien was very patriotic, boasting that Vietnam was stronger than ever and that it would fare well in another war. And though Kien didn’t necessarily disagree, he knew he’d have no part in the fighting. As the country got swept up in gung-ho ideas about war once more, something started to shift inside Kien—it was a good shift, as if he had begun to find peace for the first time since the war. That same spring, he began to write his novel.
Writing the novel coincides with an important emotional transformation in Kien. Even though the country is hurdling toward war once again, he begins to make a certain kind of progress, at least insofar as he actually starts to process the many difficult feelings and memories he has from the war. And the way he processes these memories, of course, is through writing, which allows him to work through his trauma.
Themes
Memory, Trauma, and Moving On Theme Icon
Coping Through Writing Theme Icon
Patriotism, Sacrifice, and Skepticism Theme Icon