The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle

by

Haruki Murakami

The Wind-Up Bird Chronicle: Book 2, Chapter 1 Summary & Analysis

Summary
Analysis
On the night of Mamiya’s visit, Kumiko does not come home. When Toru wakes up the next morning, he finds that Kumiko still has not returned. He fixes himself breakfast and thinks about how making and eating breakfast together is something both he and Kumiko always treated as sacred. It is an important part of their relationship. However, on this particular day, Kumiko is nowhere to be seen. Toru sits and eats breakfast alone. As he eats, his mind wanders to the perfume Kumiko is wearing, and he wonders if she is with another man.
Although Kumiko previously pushed boundaries by leaving early and returning home late, this is the first time she has not come home. Her absence suggests that something is wrong, perhaps even more than Toru thinks. After all, if Kumiko wanted to cheat on Toru, it seems unlikely she would do it so blatantly. However, Toru does not know what else could possibly keep Kumiko from coming home. 
Themes
Desire and Irrationality Theme Icon
Toru calls Kumiko’s office and asks if she has come in yet. The receptionist tells him that she has not seen Kumiko. Her response puzzles Toru and makes him even more concerned. Kumiko never misses work, and her job requires her to stick to a strict schedule. Later in the day, he considers calling the office again, but he decides against it. He doesn’t think he will be able to stand hearing the receptionist tell him the same thing again.
Kumiko’s absence from work implies that there is more to whatever is going on than a simple affair. After all, even if Kumiko were willing to risk her relationship with Toru, it seems unlikely that she would also risk losing her job and livelihood. Meanwhile, Toru’s life is spinning wildly out of control; all he can do is sit and think, and yet sitting and thinking only makes everything worse.
Themes
Desire and Irrationality Theme Icon
Later, Malta calls Toru to talk about his missing cat. Malta warns Toru that, at this point, she thinks it is impossible he will ever find his cat. Toru asks Malta for more information, but she does not give him any. Then, Malta asks if there is another pressing matter for her to help him with. Toru admits that he thinks something bad is about to happen. Malta confirms his suspicion and tells him to look out for a phone call from someone whose name starts with O. She also tells him to look for a half moon that will last several days. Finally, she promises to be in touch soon. For now, she says, all Toru can do is wait.
Earlier, Kumiko mentioned that the cat symbolizes her relationship with Toru. If the cat is, indeed, gone, that would suggest Kumiko’s love for Toru is gone as well and that their relationship is damaged beyond repair. To make matters worse, Malta confirms that Toru’s life is about to be even more unpleasant. Although Malta acts like she wants to help, her words are not comforting to Toru because they are full of more riddles and other confusing sentiments.
Themes
Desire and Irrationality Theme Icon
Toru looks through his phone book, hoping he can find someone he knows whose name begins with O. However, he does not find any promising leads. Toru makes himself lunch even though he is not hungry. As he does so, he recalls a scene in Ernest Hemingway’s A Farewell to Arms where a man tries to distract himself by eating and drinking while his wife gives birth next door. Toru feels like a character in a bad novel because of the unreal quality that his life has begun to take on.
If Toru’s life is, indeed, like A Farewell to Arms, then that does not bode well. Like The Wind-Up Bird Chronicle, A Farewell to Arms is an anti-war novel, which ends with the death of a woman (the wife Toru mentions) and her baby, which does not survive childbirth.
Themes
Reality and Subjective Experience Theme Icon
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After lunch, Toru receives a phone call from the Omura liquor store. The man on the other end of the line reminds him that he has a delivery that will arrive at his house shortly. As promised, a man comes and drops off some beer and juice. Before the delivery man leaves, he asks Toru if he knows about the accident next to the laundromat. Toru says he did not hear about it. The delivery man tells Toru that a car hit and killed a young girl.
The Omura liquor store is presumably the caller Malta mentioned, whose name begins with O. Unfortunately, the liquor store only has more bad news for Toru as tragic occurrences in the novel start to pile up.
Themes
The Personal Impact of War Theme Icon
The mention of the laundromat reminds Toru that he needs to pick up some of Kumiko’s clothes, which he dropped off the other day. He heads out and makes his way to the laundromat. On his way there, he notices that everyone around him seems to have taken on a sort of unreal quality. When he arrives at the laundromat, Toru sees that there are still people cleaning up from the accident. He goes inside the laundromat and asks the cleaner for his clothes.
Toru is finally starting to notice what the reader has likely seen from the beginning; Toru’s life is often strange and surreal. Although there could be logical explanations for everything that happens in the book, Murakami withholds them. Instead, Toru and the reader must puzzle through what is real, what is surreal, and what lies somewhere in between. 
Themes
Reality and Subjective Experience Theme Icon
The cleaner tells Toru that Kumiko came by the previous morning to pick up the clothes. Toru asks the cleaner if he is sure, and the cleaner promises Toru that he is certain. Toru realizes that Kumiko must have stopped by to pick up the clothes on her way to work. He thanks the cleaner for his help and tries to act normal. However, as Toru leaves the store, he begins having an internal meltdown because he is more confident than ever that Kumiko left him for another man.
Here, Toru catches Kumiko in another lie. Kumiko told Toru she was late for work that day; however, apparently, she was not so late that she could not stop at the laundromat for her clothes. At this point, Toru is right to be suspicious, though the truth of Kumiko’s activities outside the house remains unclear. Unfortunately, there is nothing Toru can do but wait and see what happens.
Themes
Reality and Subjective Experience Theme Icon