Rosalind Connage Character Analysis

She was immemorial…. Amory wasn’t good enough for Clara, Clara of ripply golden hair, but then no man was. Her goodness was above the prosy morals of the husband-seeker, apart from the dull literature of female virtue.

SHE: Well, Amory, you don’t mind—do you? When I meet a man that doesn’t bore me to death after two weeks, perhaps it’ll be different.

HE: Odd, you have the same point of view on men that I have on women.

SHE: I’m not really feminine, you know—in my mind.

All life was transmitted into terms of their love, all experience, all desires, all ambitions, were nullified—their senses of humor crawled into corners to sleep; their former love affairs seemed faintly laughable and scarcely regretted juvenalia. For the second time in his life Amory had a complete bouleversement and was hurrying into line with his generation.

ROSALIND: Amory, I’m yours—you know it. There have been times in the last month I’d have been completely yours if you’d said so. But I can’t marry you and ruin both our lives. (…) I can’t Amory, I can’t be shut away from the trees and flowers, cooped up in a little flat, waiting for you. You’d hate me in a narrow atmosphere. I’d make you hate me.

“ ‘S a mental was’e,’ he insisted with his owl-like wisdom. “Two years my life spent inalleshual vacuity. Los’ idealism, got be physcal anmal,” he shook his fist expressively at Old King Cole, “got be Prussian ‘bout ev’thing, women ‘specially. Use’ be straight ‘bout women college. Now don’givadam. (…) Seek pleasure where find it for to-morrow die. ‘At’s philosophy for me now on.”

Amory had loved Rosalind as he would never love another living person. She had taken the first flush of his youth and brought from his unplumbed depths tenderness that had surprised him, gentleness and unselfishness that he had never given to another creature. He had later love-affairs, but of a different sort: in those he went back to that, perhaps, more typical frame of mind, in which the girl became the mirror of a mood in him.

Eleanor was, say, the last time that evil crept close to Amory under the mask of beauty.

“Rotten, rotten old world,” broke out Eleanor suddenly, “and the wretchedest thing of all is me—oh, why am I a girl? (…) Here I am with the brains to do everything, yet tied to the sinking ship of future matrimony.”