We Need to Talk About Kevin

by

Lionel Shriver

Red and Blue Symbol Icon

Throughout We Need to Talk About Kevin, the colors red and blue represent the difference between the imperfect reality of Eva’s life and the idealized life she longs for. Specifically, the color red represents Kevin’s anger and hostility, as well as the shame and horror Eva feels as a result. The color blue, on the other hand, represents the innocent and idealized life that Eva longs to have with her husband and daughter. Early in the novel, Eva describes the “crimson” paint that neighbors vandalize her house with. The paint is meant to guilt and humiliate Eva and remind her of Kevin’s gruesome and bloody mass murder. Eva feels ashamed of the murders because she feels partially responsible for her son’s actions, and the shocking, public nature of the vandalism makes it impossible for Eva to ignore the horrific reality of Kevin’s crime. When Kevin is born Eva feels that his “aura” is red, matching his angry and hostile personality. Later, when Kevin is a young child, he sprays red ink all over the study in their home, which devastates Eva. This event closely mirrors the neighbors vandalizing the house—in both scenes, the novel uses vivid descriptions of “crimson,” and both events bring Eva deep humiliation and outrage.

On the other hand, Eva feels that her second child, Celia, is born with a “light blue” aura. Eva even describes envisioning a “clear-skied azure” right before Celia was conceived. Celia is the opposite of Kevin in every way—she is loving, innocent, and peaceful. Celia is the child Eva hoped for when she was first pregnant with Kevin, but Celia dies very young after Kevin murders her. Celia’s death, then, reveals the unsustainability and the fantastical nature of Eva’s idealized life. Eva associates the same light blue color with her husband, Franklin. She often speaks fondly of his “baby-blue pickup,” which the couple spent a lot of time driving together before they had children. In reality, however, Eva’s marriage to Franklin is far from perfect: they clash over their opposite political views and especially over their different ideas about how to raise their son. That Eva associates Franklin with the color blue, then, reflects her tendency to focus on the marriage she longs for instead of the one she has.

Red and Blue Quotes in We Need to Talk About Kevin

The We Need to Talk About Kevin quotes below all refer to the symbol of Red and Blue. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Guilt and Accountability Theme Icon
).
Chapter 1: November 8, 2000 Quotes

I gasped. The sun was streaming in the windows, or at least through the panes not streaked with paint. It also shone through in spots where the paint was thinnest, casting the off-white walls of that room in the lurid red glow of a garish Chinese restaurant.

Related Characters: Kevin Khatchadourian
Related Symbols: Red and Blue
Page Number: 20
Explanation and Analysis:
Chapter 17: February 1, 2001 Quotes

“Just cause you get used to something doesn’t mean you like it.” he added, snapping the magenta, “You’re used to me.” “Yes!” I said.

Related Characters: Eva Khatchadourian (speaker), Kevin Khatchadourian (speaker), Franklin Plaskett, Celia Plaskett
Related Symbols: Red and Blue
Page Number: 231
Explanation and Analysis:

In Kevin […] the color was a pulsing, aortal red, and the feeling was fury…the paint in his foreground would gradually thicken, its hue coagulating to the sluggish black-purple of liver […]. Yet when Celia slid to hand. […] her aural color was light blue. I was overcome by the same clear-skied azure that had visited me when we made love.

Related Characters: Eva Khatchadourian (speaker), Kevin Khatchadourian , Franklin Plaskett, Celia Plaskett
Related Symbols: Red and Blue
Page Number: 233
Explanation and Analysis:
Get the entire We Need to Talk About Kevin LitChart as a printable PDF.
We Need to Talk About Kevin PDF

Red and Blue Symbol Timeline in We Need to Talk About Kevin

The timeline below shows where the symbol Red and Blue appears in We Need to Talk About Kevin. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 1: November 8, 2000
Guilt and Accountability Theme Icon
Forgiveness and Empathy Theme Icon
...she lost her appetite for several months. One day, she discovers that some neighbors have covered her house in red enamel. She doesn’t want to hire someone to remove the enamel... (full context)
Chapter 13: January 6, 2001
Guilt and Accountability Theme Icon
...be proud of her, too. Kevin doesn’t understand why Eva goes through the trouble of redoing the room, and he becomes enraged by Eva’s explanations of the maps’ personal and sentimental... (full context)
Chapter 15: January 17, 2001
Guilt and Accountability Theme Icon
Marriage, Family, and Social Norms Theme Icon
...to pick up Kevin and finds him in the bathroom with the girl. She is covered in blood. Eva isn’t sure whether Kevin was merely present while the girl scratched herself,... (full context)
Chapter 17: February 1, 2001
Guilt and Accountability Theme Icon
Marriage, Family, and Social Norms Theme Icon
Nature vs. Nurture Theme Icon
...much easier than her first. While in labor, Eva perceives Celia’s aura as a light blue, whereas Kevin’s was a bright red. Celia is born two weeks early, and she takes... (full context)
Chapter 21: March 3, 2001
Guilt and Accountability Theme Icon
...like America. Eva rants that Americans are spoiled and entitled. Kevin takes notes with a red crayon as she speaks. Eva feels like she’s finally connecting with her son. When she... (full context)
Chapter 22: March 8, 2001
Marriage, Family, and Social Norms Theme Icon
Idealism vs. Reality Theme Icon
Eva and Franklin convene in Franklin’s light blue pickup truck outside the hospital. Eva likes the truck because it reminds her of when... (full context)
Chapter 26: April 5, 2001
Guilt and Accountability Theme Icon
Marriage, Family, and Social Norms Theme Icon
...happened. In the police station Eva sits across from a boy, Joshua, whose clothes are covered with blood. The police try to gather information from Eva, but she is too beside... (full context)