Viktor’s friendship also becomes valuable to the Count in helping to misdirect the police. The recurring references to
Casablanca that pop up in the final chapters of the novel also help chronicle the change in artistic media over the course of this time period. While the beginning of the book is more in the style of a
War and Peace or
Anna Karenina, the adventure and escape of the Count at the end (particularly his fedora and jacket) have traces of film noir and
Casablanca.