Mrs. Rachel Humphrey Character Analysis

Underneath her stiff dress there must be breasts, not starched and corset-shaped, but made of soft flesh, with nipples; he finds himself idly guessing what colour these nipples would be, in sunlight or else in lamplight, and how large. Nipples pink and small like the snouts of animals, of rabbits or mice perhaps; or the almost-red of ripening currants; or the scaly brown of acorn caps. His imagination runs, he notes, to wildwood details, and to things hard or alert.

During the day, Rachel is a burden, an encumbrance, and he wishes to be rid of her; but at night she’s an altogether different person, and so is he. He too says no when he means yes. He means more, he means further, he means deeper. He would like to make an incision in her—just a small one—so he can taste her blood, which in the shadowy darkness of the bedroom seems to him like a normal wish to have.

He’ll begin to tiptoe up the stairs, intending to avoid her. Then he’ll turn around, make his way to her room, shake her roughly awake. Tonight he’ll hit her, as she’s begged him to; he’s never done that before, it’s something new. He wants to punish her for his own addiction to her. He wants to make her cry; though not too loudly, or Dora will hear them, and trumpet scandal.

Underneath her stiff dress there must be breasts, not starched and corset-shaped, but made of soft flesh, with nipples; he finds himself idly guessing what colour these nipples would be, in sunlight or else in lamplight, and how large. Nipples pink and small like the snouts of animals, of rabbits or mice perhaps; or the almost-red of ripening currants; or the scaly brown of acorn caps. His imagination runs, he notes, to wildwood details, and to things hard or alert.

During the day, Rachel is a burden, an encumbrance, and he wishes to be rid of her; but at night she’s an altogether different person, and so is he. He too says no when he means yes. He means more, he means further, he means deeper. He would like to make an incision in her—just a small one—so he can taste her blood, which in the shadowy darkness of the bedroom seems to him like a normal wish to have.

He’ll begin to tiptoe up the stairs, intending to avoid her. Then he’ll turn around, make his way to her room, shake her roughly awake. Tonight he’ll hit her, as she’s begged him to; he’s never done that before, it’s something new. He wants to punish her for his own addiction to her. He wants to make her cry; though not too loudly, or Dora will hear them, and trumpet scandal.