Spirituals are a musical genre that arose in the context of the Transatlantic Slave Trade and the history of enslavement in the United States, particularly the South. They combine biblical and historical motifs with musical features imported from African traditions, including call and response, syncopation, hand clapping, and rhythmic complexity. These songs often describe Bible stories. Just as often, they describe the hardship and suffering of enslaved people and their hope for relief, and sometimes they combine all these elements. As spirituals emerged, they were passed orally; it wasn’t until after the American Civil War that written collections began to be published. In Amos Fortune, Free Man, members of various Black communities (both enslaved and free) sing spirituals, including “Swing Low, Sweet Chariot” and “Deep River.”
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Spirituals Term Timeline in Amos Fortune, Free Man
The timeline below shows where the term Spirituals appears in Amos Fortune, Free Man. The colored dots and icons indicate which themes are associated with that appearance.
Chapter 4: Woburn 1740–1779
...He begins to sob. He runs to his quarters, where the Richardsons hear him singing spirituals to himself late into the night.
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Chapter 7: Hard Work Fills the Iron Kettle 1781–1789
...one typical Sunday visit, they find the Burdoo family gathered around their hearth, dolefully singing spirituals. The Fortunes announce their presence by joining in on the final chorus. The Burdoo children...
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...and bore their chief away. His story concluded, Amos leads the children in singing another spiritual, “Deep River.”
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