Like “Ashes,” a number of Kennedy’s other short stories tackle issues of family life. “Cake” follows a young woman on her first day back to work after having her first child; “Whirlpool” features a mother figure who is controlling and obsessed with the perfect family in much the same way that Chris’s mother is; and “Flexion” explores a broken marriage. As a writer of realist short fiction, Kennedy pays close attention to the mundane nature of everyday life. In this sense, her stories can be compared to famed short story writer Raymond Carver, whose stories tend to favor casual dialogue and everyday moments over dramatic plots. In addition, Kennedy has cited Russian author Anton Chekhov, often hailed as the creator of the modern short story, as an inspiration for her own writing. She’s also said that at the time she published her first short story collection,
Dark Roots, in 2006, there were few short story collections being published in Australia. Most authors—including Kennedy herself—were publishing individual stories for competitions. Since then, a number of Australian short story writers have risen to prominence and published award-winning collections, including Ceridwen Dovey (
Only the Animals) and Debra Adelaide (
Letter to George Clooney). In its focus on the experience of a gay man trying to make peace with his family, “Ashes” is also similar to books like Kristen Arnett’s
Mostly Dead Things (in which the lesbian protagonist is, like Chris, reeling after her father’s recent death) and
Girl, Woman, Other by Bernadine Evaristo.