To Chris, his own perception of the situation seems unquestionably true. The lake, rather than symbolizing a close father-son relationship, symbolizes his humiliation. He thinks that this trip to scatter his father’s ashes is a “pitiful” sham that glosses over what his relationship with his father was really like, and he also seems to believe that his mother thinks of him as a “perennial bachelor.” But again, Chris doesn’t consider whether the lake might have meant something more to his father and, by extension, to his mother. He also doesn’t acknowledge that his mom might not think of him in such condescending terms, as it’s not clear whether she knows he’s gay, and she may genuinely believe that getting married and having children would make him happy. Again, just as Chris’s parents have long misunderstood him, he is seemingly unwilling to see things from their perspective, which only fuels the resentment that underpins their family dynamic. The beeping car, meanwhile, feels to Chris like his father’s way of expressing his disapproval from beyond the grave—his memories of his father are, at this point, haunting and jarring rather than comforting.