In Blues for Mister Charlie, Richard’s photos of his white girlfriends represent how, in a white-supremacist society, white people project their sexual anxieties onto Black people in a racist fashion. The photos initially appear in the play when Richard shows them to Juanita, Pete, and Papa D at Papa D’s juke joint to prove that he had white girlfriends when he lived in New York. Juanita, Pete, and Papa D all advise him to put the photographs away, suggesting that they could be a pretext for white violence against him. After virulently racist white storeowner Lyle Britten kills Richard for a perceived humiliation, the defense lawyer at Lyle’s trial, called only The State, repeatedly asks witnesses about supposedly obscene or pornographic photographs that Richard had of white women—even though Richard’s photos were ordinary snapshots—and then claims that Richard must have been a “pimp” and a “rapist.” The State’s false characterization of the photos and Richard shows how in a white-supremacist society, white people attempt to police Black male sexuality with violence. It also highlights how white people’s sexual anxieties (about white female sexuality, white male masculinity, and their relations to Blackness) get projected onto Black people’s perfectly normal behavior, such as having non-obscene photos of old girlfriends.
Photos Quotes in Blues for Mister Charlie
Lorenzo: They been asking me about photographs they say he was carrying and they been asking me about a gun I never saw. No. It wasn’t like that. He was a beautiful cat, and they killed him.
Meridian: I don’t think that the alleged object was my son’s type at all!
The State: And you are a minister?
Meridian: I think I may be beginning to become one.