Kennedy uses cross-country running fantasies as both a symbol of Rebecca’s desire to escape her grief and a route by which to do so. After Rebecca’s breakup with her ex, she discovers his name on an online roster for a cross-country running club, and proceeds to develop obsessive fantasies about winning him back by running against him in a race and impressing him with her athleticism. Though running tends to represent broader themes such as freedom-seeking or escapism in literature, in the context of this story, cross-country running could be any other activity and still have a similar effect. For Rebecca, it’s less about running and more about the possibility these running fantasies provide: a way for Rebecca to grieve the loss of her ex and play out various scenarios of her “winning” their breakup. It turns out, though, that Rebecca’s ex is not a cross-country athlete after all—he merely shares a name with a local 14-year-old runner. This realization shatters Rebecca’s hopes of reuniting with her ex, and the running club and Rebecca’s fantasies short-lived surrounding it ultimately come to represent the futility of trying to escape painful emotions through self-delusion.
Cross-Country Running Quotes in Cross-Country
There’s a short film looping in my head and, in it, I’m pounding easily along over a hilltop in an interclub event. I’m not even puffing as I overtake him, despite the spurt he puts on. He glances sideways; he sees it’s me. I flash him a surprised-yet-calm smile of recognition, a flutter of the fingers, and pull away. Later, at the picnic, I’ll turn when he approaches, and let that awkward moment stretch out. In some versions, I have a little trouble placing him so that there’s the slightest hesitation before I say his name. Then I ask him how his thesis is going, and watch his face fall.
Any day now, I think as I lie heavy as a stone under the quilt, I’ll go out and buy those shoes.
What do you do in a cross-country run? I have a hazy picture of splashing across streams and jumping fallen logs, slogging up muddy hillsides and crashing down the other side through rugged bush. […] I wonder too if there’s a back-up vehicle, some support staff who tail-gun the runners, just in case you fall into a puddle or a ditch and lie there overwhelmed with the pointlessness of it all, the ludicrous challenge you’ve imposed upon yourself; your foolish desperate need for purpose. I imagine being lifted from the first by kind hands, and given a bottle of Gatorade and a sympathetic pat on the shoulder. Oh, I would give in without even a pretence of fighting spirit if someone offered to drive me to the finish line. Who wouldn’t?
I wander into the study as he talks, my fingers absently, lovingly, grazing the keyboard of the computer. Double-click on the internet icon, go straight to the club site. Last week’s results are posted, and there he is, placed forty-second now. A nagging cold, maybe. Slipping down the ladder into numb mediocrity, driving back to his new Ikea sofa and wonder bleakly whether he should open a couple of those cardboard boxes, pull out the old photos from where he’s hidden them, and then, and then…swallow his pride to pick up the phone. He’ll ring late, sheepish and sad, voice thick with tears. Ask me if I feel like some Thai takeaway, or just a bottle of wine. If we could talk. It seems so possible, so likely I feel my throat tighten in anticipation.
‘Rebecca? Hello?’ My boss is still on the line.
[…]
‘I’ll bring something in for morning tea,’ I say.
So what I’m going to do, I’m thinking, since I have every right to, nothing to do with him, is ring the number and ask about joining. I’m looking for a phone number I can try, and I refresh the screen and start again.
Just two small words again, going off in a blinding flash like a grenade. What they say is: Under-fourteens. I sit staring at them, dully open-mouthed. It’s like being doused with a sheet of muddy water, like a final jarring stumble on wrenched ankles […] Click the icon, close the screen. Windows is shutting down. I almost hear it, the decisive thud as it hits some imagined sill somewhere. I need a shower, and then I need a long cold drink of something at an outdoor table, but first I linger, watching the innocuous sky-blue screen. I’m waiting for the little melody it always plays before it sighs and switches itself off, that melancholy minor-key tune that tells you that whatever you’ve been watching, ready or not, it’s time to roll the credits.